Owen Hall
From Wikipedia, the free encyclopedia
Owen Hall ((born Dublin, 10 April 1853, died Harrogate, 9 April 1907) was the pen name of 19th and early 20th century theatre critic James Davis when writing for the stage. He wrote the librettos for several very successful shows, including A Gaiety Girl, The Geisha and A Greek Slave.
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[edit] Life and career
Davis was educated at University College, London, and took the degree of bachelor of laws in 1869. Hall's sister, Julia Frankau (1859-1916) was a successful novelist under the name of "Frank Danby", and the mother of author Gilbert Frankau and the actor Ronald Frankau, who appeared in London in A Country Girl (1914 revival), The Gay Princess (1931) and a long run of 1930s and 1940s revues.
[edit] Early career
After devoting some years to the practise of law as a solicitor (1874-86), Davis abandoned it in favor of journalism. He was editor and proprietor of a society paper, "The Bat" (1885-87), and assistant editor of Galignani's "Messenger" in Paris (1888-90). For a time Davis interested himself in politics, contesting Dundalk in the election of 1890.
The change of career from critic to librettist came after writing a particularly caustic review of a George Edwardes production. The producer challenged Davis to try to do better. The result was A Gaiety Girl (1893). Hall's satirical book included lines that jabbed in the style of an upmarket gossip columnist. The smart society back-chat was very popular with audiences. A Gaiety Girl was followed by An Artist's Model (1895). Hall's book kept the snappy dialogue of the previous work, but twinned it with a romantic plot, tacked in at the last minute when Edwardes contracted the prima donna Marie Tempest, and a role was quickly written in for her. This lucky chance set up the formula for a series of successes by Hall at Daly's Theatre.
An Artist's Model was succeeded by The Geisha (1896), which was to be the biggest international hit the British musical theatre had known, playing for 760 performances in its original London run. The next stop for Hall, Harry Greenbank and Sidney Jones was perhaps their finest work, A Greek Slave (1898). Despite Hall's success and high salary from Edwards, he was always in financial trouble because of his gambling. It is said that the name Owen Hall was chosen as an ironic nod ('owing all') towards his extensive debts. This suspicion is reinforced by another pseudonym, Payne Nunn.
[edit] Florodora and later years
Hall wrote a musical Florodora (1899), for producer Tom Davis, which was set to music by the successful songwriter, Leslie Stuart, and became an unprecedented international hit. Hall wrote two more musicals for Davis: The Silver Slipper (1901) with Stuart, and the unsuccessful The Medal and the Maid (1903), with Jones. For Edwardes, he also wrote perhaps the most delightful of all his libretti, The Girl from Kays (1902), and The Little Cherub (1906).
Hall's non-theatrical writings included a successful novel, The Track of a Storm (1896), a mystery, Jetsam (1897), and Hernando (1902). After 1899, Hall also edited a weekly paper, "The Phænix."
He died one day shy of his 54th birthday.
