From Wikipedia, the free encyclopedia
|
This article has been automatically assessed as Stub-Class by WikiProject Songs because it uses a stub template.
- If you agree with the assessment, please remove the {{Stubclass}} template from this talk page.
- If you disagree with the assessment, please change it by editing the class parameter of the {{WikiProjectSongs}} template, removing the {{Stubclass}} template from this talk page, and removing the stub template from the article.
|
|
This article is within the scope of WikiProject Songs, an attempt to build a comprehensive and detailed guide to songs on Wikipedia. If you would like to participate, you can edit the article attached to this page, or visit the project page, where you can join the project and/or contribute to the discussion. |
Stub |
This article has been rated as Stub-Class on the assessment scale. |
|
This article is part of WikiProject Films, an attempt to build a comprehensive and detailed guide to films and film characters on Wikipedia. If you would like to participate, you can edit the article attached to this page, or visit the project page, where you can join the project and/or contribute to the discussion. |
|
Editing Guidelines
Please remember these guidelines when editing a film article:
We are always looking for new members! Join us today!
|
|
[edit] Best known film?
The description of Oh, Mr. Porter as Hay's 'best known film' is a bit too subjective, IMHO. Figures in the trade papers suggest that Good Morning, Boys and Windbag the Sailor took considerably more money at the box office. IMHO this could use some rephrasing to make it clear that this is a value judgement applied by contemporary critics as distinct from an indication of the film's success at the time of its release.