Nusrat Fateh Ali Khan

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Nusrat Fateh Ali Khan (Urdu: نصرت فتح علی خان) (October 13, 1948 - August 16, 1997), a world-renowned Pakistani musician, was primarily a singer of Qawwali, the devotional music of the Sufis, a mystical sect of Islam.

Nusrat Fateh Ali Khan (second from left, with hands raised) on Pakistani TV (circa 1983)
Nusrat Fateh Ali Khan (second from left, with hands raised) on Pakistani TV (circa 1983)

Traditionally, Qawwali has been a family business. Nusrat's family (originally from Afghanistan) has an unbroken tradition of performing qawwali for the last 600 years. He was also called Shahenshah-e-Qawwal meaning King of Qawwals.

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[edit] Life and career

Nusrat was born in Faisalabad, Punjab on Wednesday, October 13, 1948 to Ustad Fateh Ali Khan, a distinguished musicologist, vocalist, instrumentalist, and skilled Qawwali performer. He had one brother, Farrukh Fateh Ali Khan. Initially, his father did not want Nusrat to follow him into the Qawwali business. He had his heart set on Nusrat choosing a much more respectable career path and becoming a doctor, because he felt Qawwali artists had low social status. However, Nusrat showed such an aptitude for, and interest in, Qawwali that his father finally relented and started to train him in the art of Qawwali and he was also taught to sing within the classical framework of Khayal. This training was still incomplete when Ustad Fateh Ali Khan died in 1964 while Nusrat was still in school, and the training was continued by Nusrat's paternal uncle, Ustad Mubarak Ali Khan. Ten days after his father's death, Nusrat had a dream where his father came to him and told him to sing, touching his throat. Nusrat woke up singing, and was moved by the dream to decide that he would make Qawwali his career. His first public performance was at his father's funeral ceremony forty days later. Under the guidance of Ustad Mubarak Ali Khan, he became the group's leader in 1965 and the group was called Nusrat Fateh Ali Khan, Mujahid Mubarak Ali Khan & Party ("party" is the term used in Qawwali for the supporting members of the group).

Nusrat's first public performance as leader of the family Qawwali group was in March 1965, at a studio recording broadcast as part of an annual music festival called Jashn-e-Baharan organized by Radio Pakistan. It took Nusrat several years more to perfect his craft and emerge from the shadow of the groups that were regarded as the leading contemporary Qawwals. But once he did, there was no looking back. He firmly established himself as the leading qawwal of the 20th century. His incredible voice and his complete mastery of the genre made him a superstar in the Islamic world, especially in Pakistan and India. He sang in Urdu and his native Punjabi, as well as Persian. He was also one of the first South Asian singers to perform before large Western audiences.

Nusrat took over his family's qawwali party in 1971 after the death of his father and his uncle. In Pakistan, his first major hit was the song "Haq Ali Ali". This was performed in a traditional style and with traditional instrumentation, and featured only sparse use of Nusrat's innovative sargam improvisations. Nevertheless the song became a major hit, as many listeners were attracted to the timbre and other qualities of Nusrat's voice.

He reached out to Western audiences with a couple of fusion records produced by Canadian guitarist Michael Brook. In 1995, he collaborated with Eddie Vedder on the soundtrack to Dead Man Walking. His contribution to that and several other soundtracks and albums (including The Last Temptation of Christ and Natural Born Killers), as well as his friendship with Peter Gabriel, helped to increase his popularity in Europe and the United States. Peter Gabriel's Real World label released five albums of Nusrat's traditional Qawwali performances in the West. Real World also released albums of his experimental work, including Mustt Mustt and Star Rise. He also performed traditional Qawwali live to Western audiences at several WOMAD world music festivals.

Apparently, when Nusrat toured in foreign countries, he would watch television commercials in order to identify the melodies and chord progressions popular in that country. He would then try to choose similar sounding songs from his repertoire for his performances.

According to the Guinness Book of World Records, Nusrat Fateh Ali Khan holds the world record for the largest recorded output by a Qawwali artist—a total of 125 albums.

Nusrat was taken ill with kidney and liver failure on Monday, August 11, 1997 in London, England while on the way to Los Angeles from Lahore to receive a kidney transplant. While still at Cromwell Hospital, Nusrat died of a sudden cardiac arrest on Saturday, August 16, 1997, aged 48. His body was then transported back to Faisalabad, Pakistan where thousands of distraught people attended his funeral and burial procession.

[edit] Nusrat's style of Qawwali

Nusrat is responsible for the modern evolution of qawwali. Although not the first to do so, he popularized the blending of khayal singing and techniques with qawwali. This in short took the form of improvised solos during the songs using the sargam technique, in which the performer sings the names of the notes he is singing (for example, in western notation it would be "do re mi"). He also attempted to blend qawwali music with more western styles such as techno.

Nusrat's qawwali songs usually follow the standard form. A song begins with a short instrumental prelude played on the harmonium and tabla. Then the instruments stop, and the main singers (but not the chorus) launch into the alap, which establishes the raga, the tonal structure of the song. At this point, introductory poetic verses are sung. These are usually drawn not from the main song, but from other thematically related songs. The melody is improvised within the structure of the raga.

After the introductory verses, the main song starts, and the rhythmic portion of the song begins. The tabla and dholak begin to play, and the chorus aids and abets percussion by clapping their hands. The song proceeds in a call and response format. The same song may be sung quite differently by different groups. The lyrics will be essentially the same, but the melody can differ depending on which gharana or lineage the group belongs to. As is traditional in qawwali, Nusrat and the side-singers will interject alap solos (listen here), and fragments of other poems or even improvised lyrics (listen here). A song usually has two or three sets of refrains, which can be compared to the verse chorus structure found in western music. Songs last about 20 minutes on average, with a few lasting an hour or more.

Nusrat was noted for introducing other forms of improvisation into the style. From his classical music training, he would interject much more complex alap improvisations, with more vibrato and note bending. He would also interject sargam improvisations (listen here).

While it is undoubtedly difficult to put into words what makes Nusrat's music appeal so deeply to so many listeners, many of whom do not understand a single word of the languages he sings in, here is one fan's attempt to explain: "Nusrat's music invites us to eavesdrop on a man communing with his God, ever so eloquently. He makes the act of singing a passionate offering to God. But we do not merely eavesdrop. The deepest part of Nusrat's magic lies in the fact that he is able to bring our hearts to resonate with the music, so deeply, that we ourselves become full partners in that offering. He sings to God, and by listening, we also sing to God."

[edit] Tributes

Eddie Vedder said, "I was lucky to work with Nusrat, a true musician who won't be replaced in my life. There was definitely a spiritual element in his music." Eddie Vedder also incorporated 'Nusrat Fateh Ali Khan' into the lyrics of 'Wishlist' during the 98' Yield tour in Melbourne, Australia.

The late American rock singer Jeff Buckley paid his tribute to Nusrat on the album, Live at Sin-é. In his introduction, he states, "Nusrat, he's my Elvis," before performing the song "Yeh Jo Halka Halka Saroor Hai." The recording generated interest among the audience who were previously unaware of his music. He also stated in an interview, "I idolize Nusrat, he's a god too." Buckley died in May 1997 in Memphis, Tennessee, 3 months before Nusrat. In addition, Nusrat's posthumously released The Supreme Collection Vol.1 has liner notes written by Buckley, to whom this album is dedicated.

In 2005, a tribute band called, Brook's Qawwali Party was formed in New York, by percussionist Brook Martinez to perform the music of Nusrat. The 11 piece group still performs mostly instrumental jazz versions of Nusrat's qawwalis using the instruments conventionally associated with jazz like saxophones, brass, electric guitar, double bass, djembe, drum set, and percussion rather than those with qawwali.

SPIN magazine lists Nusrat as one of the 50 most influential artists of music in 1998.

TIME magazine's issue of November 6, 2006, "60 Years of Asian Heroes", lists Nusrat as one of the top 12 Artists and Thinkers in the last 60 years (see article).

[edit] Films

[edit] Documentaries

  • Nusrat has Left the Building... But When? (1997). Directed by Farjad Nabi. (This 20-minute docudrama focuses on Nusrat's early career.)
  • A Voice from Heaven (1999). Directed by Giuseppe Asaro. (This 75-minute documentary, available on VHS and DVD, provides an excellent introduction to Nusrat's life and work.)

[edit] Concert films

  • The JVC Video Anthology of World Music and Dance (1990). Video 14 (of 30) (South Asia IV). Produced by Ichikawa Katsumori; directed by Nakagawa Kunikiko and Ichihashi Yuji; in collaboration with the National Museum of Ethnology, Osaka. [Tokyo]: JVC, Victor Company of Japan; Cambridge, Massachusetts: distributed by Rounder Records. Features a studio performance by Nusrat Fateh Ali Khan and Party (two Urdu-language songs: a Hamd (song in praise of Allah), and a Manqabat for Khwaja Mu`inuddin Chishti, a 13th century Sufi saint. Filmed in Tokyo, Japan, September 20, 1987, for Asian Traditional Performing Arts).
  • Nusrat! Live at Meany (1998). Produced by the University of Washington. (87-minute document of a January 23, 1993 concert at the Meany Theater, University of Washington School of Music in Seattle, during Nusrat's residency at the Ethnomusicology Program there.)
  • Concert films released by Oriental Star Agencies Ltd.
    • Live in Concert in UK (DVD vol. 1)
    • Live in Concert (DVD vol. 2)
    • Live in Concert (DVD vol. 3)
    • Live in UK (DVD vol. 4)
    • Live in UK (DVD vol. 5)
    • Live in Concert (DVD vol. 6)
    • Live in UK (DVD vol. 7)
    • Live in UK (DVD vol. 8)
    • Live in UK (DVD vol. 9)
    • Live in UK (DVD vol. 10)
    • Live in UK (DVD vol. 11)
    • Digbeth Birmingham 12 November 1983 (DVD vol. 12)
    • Digbeth 30 October 1983 (DVD vol. 13)
    • Luxor Cinema Birmingham (VHS vol. 1, 1979)
    • Digbeth Birmingham (VHS vol. 2, 1983)
    • St. Francis Hall Birmingham (VHS vol. 3, 1983)
    • Royal Oak Birmingham (VHS vol. 4, 1983)
    • Private Mehfil (Wallace Lawley Centre, Lozells Birmingham, November 1983) (VHS vol. 5)
    • Private Mehfil (VHS vol. 6, 1983)
    • Natraj Cinema Leicester (VHS vol. 7, 1983)
    • Live In Southall (VHS vol. 8)
    • Live In Bradford (VHS vol. 9, 1983)
    • Live In Birmingham (VHS vol. 10, 1985)
    • Allah Ditta Hall (VHS vol. 11, 1985)
    • Harrow Leisure Centre (VHS vol. 12)
    • University Of Aston (VHS vol. 13, 1988)
    • Aston University (VHS vol. 14, 1988)
    • WOMAD Festival Bracknell (VHS vol. 15, 1988)
    • Live In Paris (VHS vol. 16, 1988)
    • Poplar Civic Centre London (VHS vol. 17)
    • Imperial Hotel Birmingham (VHS vol. 18, 1985)
    • Slough Gurdawara (SHABADS) (VHS vol. 19)
    • Imran Khan Cancer Appeal (VHS vol. 20)
    • Town Hall Birmingham (VHS vol. 21, 1993)
  • Concert films released by Nupur Audio
    • Akhiyan Udeek Diyan (DVD)
    • Je Tun Rab Nu Manauna (DVD)
    • Yaadan Vicchre Sajan Diyan Aayiyan (DVD)

[edit] Composition of Nusrat's Qawwali Party

The composition of Nusrat's party changed many times over the 26 years that he led the party. Two members who remained from the beginning to the end were Farrukh Fateh Ali Khan and Dildar Hussain. Listed below is a snapshot of the party on an unknown date, but probably circa 1983:

1) Mujahid Mubarak Ali Khan: Nusrat's first cousin, Vocals
2) Farrukh Fateh Ali Khan: Nusrat's brother, Vocals and Lead Harmonium
3) Rehmat Ali: Vocals and Second Harmonium
4) Maqsood Hussain: Vocals
5) Rahat Nusrat Fateh Ali Khan: Nusrat's nephew, pupil singer
6) Dildar Hussain: Tabla
7) Majawar Abbas: Mandolin, Guitar
8) Mohammed Iqbal Naqbi: Chorus, secretary of the party
9) Asad Ali: Chorus
10) Ghulam Farid: Chorus
11) Kaukab Ali: Chorus

The one significant member of the party who does not appear on this list is Atta Fareed. For many years, he alternated with Rehmat Ali on Vocals and Second Harmonium. He is easily identifiable in videos since he plays the harmonium left-handed.

[edit] External links

[edit] See also

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