Neal Stephenson

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Neal Stephenson

Stephenson at a book signing
Pseudonym(s): Stephen Bury
Born: October 31, 1959 (age 47)
Fort Meade, Maryland
Occupation(s): novelist, short story writer, essayist
Nationality: American
Genre(s): Science fiction, essays
Literary movement: Cyberpunk
Website: nealstephenson.com

Neal Town Stephenson (born October 31, 1959) is an American writer, known primarily for his science fiction works in the postcyberpunk genre with a penchant for explorations of society, mathematics, currency, and the history of science. He also writes non-fiction articles about technology in publications such as Wired Magazine, and works part-time as an advisor for Blue Origin, a company (funded by Jeff Bezos) developing a manned sub-orbital launch system. [1]

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[edit] Background

Born in Fort Meade, Maryland Stephenson came from a family composed of engineers and hard scientists he dubs "propeller heads". His father is a professor of electrical engineering whose father was a physics professor; his mother worked in a biochemistry laboratory, while her father was a biochemistry professor. Stephenson's family moved to Champaign-Urbana, Illinois in 1960 and then to Ames, Iowa in 1966 where he graduated from Ames High School in 1977. Stephenson furthered his studies at Boston University. He first specialized in physics, then switched to geography after he found that it would allow him to spend more time on the university mainframe. He graduated in 1981 with a B.A. in Geography with a minor in Physics. His first novel, The Big U, was published in 1984. The Big U was never popular, and for a while, was out of print. It has only recently been republished. Since 1984 he has lived mostly in the Pacific Northwest and currently resides in Seattle with his family.

[edit] Literary works

After The Big U, Stephenson published the eco-thriller Zodiac before rising to prominence in the early 1990s with the novel Snow Crash (1992), which fuses memetics, computer viruses, and other high-tech themes with Sumerian mythology, along with an analysis of the differences between ideologies such as libertarianism, laissez-faire capitalism, and communism. Averaging one novel every four years, he has written several subsequent novels:

Though it can be argued that neither Cryptonomicon nor The Baroque Cycle constitute works of science fiction, Stephenson himself insists on describing these books as SF and booksellers have tended to classify them as such.

With the 2003 publication of Quicksilver, Stephenson debuted The Metaweb, a wiki (using the same software as Wikipedia) annotating the ideas and historical period explored in the novel.

[edit] Style

Stephenson, at least in his earlier novels, deals heavily in pop culture-laden metaphors and imagery, and in quick, hip dialogue, as well as in extended narrative monologues. The tone of his books generally is more irreverent and less self-serious than in previous cyberpunk novels, notably those of William Gibson.

Stephenson's books tend to have elaborate, inventive plots drawing on numerous technological and sociological ideas at the same time. This distinguishes him from other mainstream science fiction authors who tend to focus on a few technological or social changes in isolation from others. This penchant for complexity and detail suggests a baroque writer. His book The Diamond Age features "neo-Victorian" characters and employs Victorian-era literary conceits, and perhaps could be considered as falling into the steampunk genre. In keeping with the baroque style, Stephenson's books have become longer as he has gained recognition. (At least one printing of Cryptonomicon is well over one thousand pages long and contains various digressions, including a lengthy erotic story about antique furniture and stockings.)

Characteristic aspects of his books include the "breakdown in events", an acceleration in plot development, typically about three quarters into the novel, accompanied by a marked increase in violence and general confusion among the characters (and often readers); and abrupt endings without strong conclusions or denouement, which sometimes leave the reader hanging. While many readers consider this an annoyance, there is a contingent that admires the author's ability to tie up loose ends and transact a great deal of novelistic business within the space of 20 or 30 pages. This pattern holds for all of Stephenson's books, including (when taken as a whole) The Baroque Cycle.

[edit] Quote

"The science fiction approach doesn't mean it's always about the future; it's an awareness that this is different". - Neal Stephenson

[edit] Bibliography

[edit] External links

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