National Museum of Australia

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National Museum of Australia
Established 1980
Location Acton, Australian Capital Territory, Australia
Director Craddock Morton
Website [1]


The National Museum of Australia was established by the National Museum of Australia Act 1980 and first opened its doors to the public in March 2001 in the nation's federal capital city of Canberra. It encompasses nearly every aspect of Australian life and culture from its geography, prehistoric history, Aboriginal first inhabitants to white settlement and subsequent development, and its future.

The museum is located on Acton Peninsula in the suburb of Acton, next to the Australian National University. The peninsula on Lake Burley Griffin was previously the home of the Royal Canberra Hospital which was demolished on July 13, 1997. The museum was officially created by Act of Parliament in 1980, but didn't have a permanent home until the opening of its current buildings in 2001. Since 2003, the museum has also hosted Talkback Classroom, a Radio National student political forum.

[edit] Architecture

Entrance to National Museum of Australia
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Entrance to National Museum of Australia
Central "garden" of the National Museum of Australia.
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Central "garden" of the National Museum of Australia.

As designed by architect Howard Raggatt (design architect and design director for the project), the museum building is based on a theme of knotted ropes, symbolically bringing together the stories of Australians. The architects stated "We liked to think that the story of Australia was not one, but many tangled together. Not an authorized version but a puzzling confluence; not merely the resolution of difference but it’s wholehearted embrace."[1] The building is meant to be the centre of a knot, with trailing ropes or strips extending from the building. The most obvious of these extensions forms a large loop before becoming a walkway which extends past the neighbouring AIATSIS building ending in a large curl, as if a huge ribbon has haphazardly unrolled itself along the ground. Known as the "Uluru Axis" because it aligns with the central Australian natural landmark, the ribbon symbolically integrates the site with the Canberra city plan by Walter Burley Griffin and the spiritual heart of indigenous Australia.

The shape of the main entrance hall continues this theme: it is as though the otherwise rectangular building has been built encasing a complex knot which does not quite fit inside the building, and then the knot taken away. The entirely non-symmetrical complex is designed to not look like a museum, with startling colours and angles, unusual spaces and unpredictable projections and textures.

Though hard to precsiely categorise, the building can be seen as an example of Charles Jenck's 'new paradigm'.[citation needed] Some characteristics of Deconstructivism can also be identified.

The organising concept of the scheme using the idea of a 'tangled vision' incorporates a variety of references including:

The building's architecture is thus meant to imply that the story of Australia is not one story, but many stories tangled together. The buidling also refers to, or quotes other buildings:[2]

"mate" in braille
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"mate" in braille
Obscured braille
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Obscured braille

The plan of the National Museum of Australia incorporates an exact copy of the lightning-flash zigzag that Libeskind created for the Berlin Museum by breaking a five-pointed star of David. The Bulletin magazine first publicly raised allegations of plagiarism in June 2000. Libiskind was reported to be angry with the copying. Raggatt's defence against plagiarism was that the design was a quotation rather than a copy.[3] The director of the museum, Dawn Casey, claimed in the press that she and her council were not aware of this symbolism when they approved the plan.[4]

The exterior of the building is covered in anodised aluminium panels. Many of the panels include words written in braille.[5] Among the messages are "mate" and "she'll be right". Also included were such controversial words and phrases as "sorry" and "forgive us our genocide". These more controversial messages have been obscured with silver discs being attached to the surface making the braille illegible.[6]

Among the phrases in braille are the words "Resurrection city". The phrase may refer to the clearing of the former Canberra Hospital to make way for the museum or it could be a reference to reconciliation between Indigenous Australians and European settlers. The phrase is used as a label in tiles on another of Raggett's buildings, the Storey Hall in Melbourne. Raggett says of that message: " I guess that tries to be some big sort of theme for this building as well and its sort of set of memories."[7]

[edit] References

  1. ^ Ashton Raggatt McDougall. Robert Peck von Hartel Trethowan. Architects. (2002). National Museum of Australia - in the architects' words. Project entry. architecture.com.au. Retrieved on 2006-12-01.
  2. ^ a b Anne Susskind quoted in Rimmer, Matthew (2002). Crystal Palaces: Copyright Law and Public Architecture (pdf). Bond Law review, December 2002, volume 14, no. 2. Bond University. Retrieved on 2006-06-15.
  3. ^ Sudjic, Deyan (2001). Australia looks back in allegory at its inglorious past. Architecture. The Guardian. Retrieved on 2006-06-11.
  4. ^ Windschuttle, Keith (2001). How not to run a museum. thesydney line republishing article that first appeared in Quadrant. Retrieved on 2006-06-11.
  5. ^ The building. About Us. National Museum of Australia. Retrieved on 2006-06-11.
  6. ^ Devine, Miranda (2006). Disclosed at last, the embedded messages that adorn museum. Opinion. Sydney Morning Herald. Retrieved on 2006-06-11.
  7. ^ Episode 1: Keeping the faith (Program transcript). In the mind of the architect. Australian Broadcasting Corporation (2000). Retrieved on 2006-06-12.
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Coordinates: -35.300° 149.117°

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