Naive John
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Naive John (born October 18, 1962) is a British Stuckist artist and figurative painter. His work is finely crafted with a great attention to detail with subjects that combine the mythic with the mundane.
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[edit] Life
Naive John was born Ian Wylie in Poole, Dorset, his family moving to Glasgow when he was two years of age. He attended Cumbernauld High School, Glasgow 1973–79. During the period 1979–83 he took part in a youth training scheme, where amongst other things he played cards, smoked dope and took LSD weekly. In 1983 he was accepted without academic qualifications as an exceptional student at Greys School of Art, Aberdeen, but was later expelled. Within two years he had sold a painting Yellow Envy to Edwin Morgan, Scotland's Poet Laureate and won an award for his short experimental animation film Phobia. 1983–98 he was hospitalised for a suicide attempt due to clinical depression and did a variety of jobs to support himself, including postman, ceramicist and illegal alcohol salesman. In 1998 he fled to Liverpool after a homophobic knife attack. Intensive psychotherapy followed during 1998 in an attempt to come to terms with his past traumatic experiences.[1] He has since been diagnosed as suffering from dysthymia. Throughout his periods of illness he continued to produce drawings and paintings albeit in limited numbers. Ex-Vaselines front woman Frances McKee commissioned the artist to create several CD covers for her band Suckle.
In 2003 he started a BA (Hons) Art History course at Liverpool John Moores University, where he won the Susan Cotton Travel Scholarship. He adopted the name Naive John in 2004 and founded the Liverpool Stuckist group. He adopted the pseudonym Naive John as a means of distancing himself from mainstream artistic concerns of being "relevant", "fashionable" and "cutting edge". In 2004 his work was included in The Stuckists Punk Victorian show at the Walker Art Gallery during the 2004 Liverpool Biennial. This exhibition was a definitive showing of the Stuckist oeuvre at a national gallery and marked a key point in the development of the art movement.
[edit] Triumph of Stuckism
At the invitation of Professor Colin Fallows, Chair of Research at Liverpool School of Art and Design, Naive John led The Triumph of Stuckism, an international symposium on Stuckism announced for October 2006 at the Liverpool John Moores University during the Liverpool Biennial, along with an accompanying exhibition in the 68 Hope Gallery at Liverpool School of Art and Design (John Moores University Gallery). The title of the symposium is an obvious reference to the Triumph of Painting shows staged in 2005 by Charles Saatchi, and according to The Independent newspaper, "Charles Saatchi is about to become the latest victim of a critical mauling from the people of Liverpool," whose "finest academics are meeting to slag off the secretive collector." It marks a new step for the artists: "The Stuckists have gained some academic credibility after being dismissed as a media freak-show."[2]
Naive John chaired the symposium, which was announced as a day of illustrated lectures, presented by leading Stuckist artists and independent art historians. Booked speakers included: Guy Denning, Paul Harvey, Jacqueline Jones, Bill Lewis, Charles Thomson and Odysseus Yakoumakis. John also curated the exhibition of Stuckist paintings. The event was part of the programme of the 2006 Liverpool Biennial, and followed the Stuckist show at the 2004 Liverpool Biennial. Artists exhibiting in the 2006 show included Philip Absolon, Godfrey Blow, John Bourne, Jaime Braz, Guy Denning, John Geggie, Ella Guru, Paul Harvey, Naive John, Jacqueline Jones, Peter Klint, Bill Lewis, Mike Mayhew, Jesse Richards, Kim Richardson, Mary Von Stockhausen, Charles Thomson and Odysseus Yakoumakis.
[edit] Art
Naive John is a self-taught artist with a perfectionist’s attention to detail and craft. His paintings combine mythological and surreal images juxtaposed with Liverpool's urban setting. They often refer to concerns for the environment with a humorous element. The painting Sefton Park – Genetically Modified is a good example of the issues the artist has explored. In other paintings figures are shown in isolation and appear pensive and alienated from the rest of society. The relationship between the difficulty facing ordinary human beings making moral choices when they have to face hostile environmental factors is portrayed in Toxteth Cherub.[1]
Naive John works very slowly, late at night. He produces numerous studies for his paintings and a painting can take six weeks or longer to finish. He uses water-based oil paints and his paintings are built up in layers using a variety of techniques: rubbing with his fingers, wiping paint off with a kitchen towel and other innovative methods.[1]
His work is represented in private and public collections, including the Hunterian Museum, Scotland.
[edit] See also
[edit] References
Milner, Frank ed. (2004), "The Stuckists Punk Victorian" National Museums Liverpool, ISBN 1-902700-27-9
[edit] Footnotes
- ^ a b c Milner p.126
- ^ "Hughes gets involved in another gay party affair" The Independent, April 14, 2006 (pay to view rest of article). Accessed April 18, 2006
