Multiple-camera setup
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The multiple-camera setup (aka, multiple-camera mode of production) is a method of shooting films and television programs. Several cameras—either film or video—are employed on the set and simultaneously record (or broadcast) a scene. It is often contrasted with the single-camera setup, which uses just one camera on the set.
Generally, the two outer cameras shoot close shots or crosses of the two most active characters on the set at any given time, while the central camera or cameras shoot a wider master shot to capture the overall action and establish the geography of the room. In this way, multiple shots are obtained in a single take without having to start and stop the action. This is more efficient for programs that are to be shown a short time after being shot as it reduces the time spent of editing the footage. It is also a virtual necessity for regular, high-output shows like daily soap operas. Apart from saving editing time, scenes may be shot far more quickly as there is no need for re-lighting and the set-up of alternate camera angles for the scene to be shot again from the different angle. It also reduces the complexity of tracking continuity issues that crop up when the scene is reshot from the different angles. It is also vital for live television.
While shooting, the director and assistant director create a line cut by instructing the technical director to switch the feed to various cameras. The line cut may later be refined in editing, as the picture from all cameras is recorded, both separately and as a combined reference display called the quad split. The camera currently being recorded to the line cut is indicated by a tally light on the camera as a reference both for the actors and the camera operators. A recent addition to this technique, borrowed from sports broadcasting, is called the "iso" recording (for "isolated" camera), where each camera's signal is recorded independently, in addition to feeding the switcher for the line cut.
[edit] History and use
Although it is often claimed that the multiple-camera setup was pioneered for television by Desi Arnaz and cinematographer Karl Freund on I Love Lucy, other television shows had already used it, including another comedy on CBS, The Amos 'n Andy Show, which was filmed at the Hal Roach Studios and was on the air four months earlier. The technique was developed for television in 1950 by Hollywood short-subject veteran Jerry Fairbanks, assisted by producer-director Frank Telford.[1] Desilu's innovation was to use a multiple-camera setup before a live studio audience.
The multiple-camera mode of production gives the director less control over each shot, but is faster and less expensive than a single-camera setup. In television, multiple-camera is commonly used for sports programs, soap operas, talk shows, game shows, and some sitcoms. Many sitcoms from the 1950s to the 1970s were actually shot using the single camera mode of production, including The Adventures of Ozzie and Harriet, Leave It to Beaver, The Andy Griffith Show, The Addams Family, The Munsters, Get Smart, Bewitched, I Dream of Jeannie, Gilligan's Island, Hogan's Heroes and The Brady Bunch. These did not have a live studio audience were shot using the single-camera technique, as are more recent programs such as The Larry Sanders Show (1992-1998), Malcolm in the Middle (2000-2006), Scrubs (2001-), and My Name Is Earl (2005-).
Television prime-time dramas are usually shot using a single-camera setup. Most films also use the single-camera setup. In recent decades larger Hollywood films have begun to use more than one camera on-set, usually with two cameras simultaneously filming the same setup, however this is not a true multicamera setup in the television sense. Sometimes feature films will run multiple cameras, perhaps four or five, for large, expensive and difficult-to repeat special effects shots such as large explosions. Again this is not a true multicamera setup in the television sense as the resultant footage will not always be arranged sequentially in editing and multiple shots of the same explosion may be repeated in the final film - because the different shots are taken from different angles they can appear as different explosions to audience members.
The choice of single-camera or multiple-camera setups is made separately from the choice of film or video. That is, either setup can be shot in either film or video.
