Mrinal Sen
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Mrinal Sen (মৃনাল সেন, Mrinal Shen) is a Bengali Indian filmmaker. He was born on (May 14, 1923) , in the town of Faridpur, now in Bangladesh. After finishing his high school there, he left home to come to Calcutta as a student and studied physics at the Scottish Church College and at the University of Calcutta. During his student days, he got involved with the cultural wing of the Communist party. Though he never became a member of the party, his association with the Indian Peoples Theatre Association ( IPTA ) brought him close to a number of like-minded cultural people.
His interest in films started after he stumbled upon a book on film aesthetics. However his interest remained mostly intellectual, and he was forced to take up a job of a medical representative, which took him away from Calcutta. This did not last very long, and he came back to the city and eventually took a job of an audio technician in a Calcutta film studio, which was the beginning of his film carrier.
Mrinal Sen made his first feature film, (Raatbhor), in 1955. His next film, (Neel Akasher Nichey) (Under the Blue Sky), earned him local recognition, while his third film, Baishey Shravan (Wedding Day) was his first film that gave him international exposure.
After making five more films, he made a film with a shoe-string budget provided by the government of India. This film, Bhuvan Shome (Mr. Shome), finally launched him as a major filmmaker, both nationally and internationally. Bhuvan Shome also initiated the “New Cinema” film movement in India.
His next few films were overtly political, and earned him the reputation as a Marxist artist. This was also the time of large-scale political unrest throughout India, particularly in and around Calcutta. This phase was immediately followed by a series of films where he shifted his focus, and instead of looking for enemies outside, he looked for the enemy within his own middle-class society. This was arguably his most creative phase and won him a large number of international awards.
Mrinal Sen never stopped experimenting with his medium. In his later films he tried to move away from the narrative structure and worked with very thin story lines. After a long gap of eight years, at the age of eighty, he made his latest film, Aamar Bhuban, in 2002.
During his career, Mrinal Sen’s film have received awards from almost all major film festivals, including (Cannes, Berlin, Venice, Moscow, Karlovy Vary, Montreal, Chicago, and Cairo). Retrospectives of his films have been shown in almost all major cities of the world. However, in recent years his work has lost popularity and seen by many as unnecessarily "arty" and political. Many younger viewers find it difficult to relate to his work and find it too contrived.
In 2004 Mrinal Sen completed his autobiographical book, Always Being Born.
[edit] Select Filmography:
- Raatbhor (1955)
- Neel Akasher Neechey (1959)
- Baishey Sravan (1960)
- Punascha (1961)
- Abasheshe (1963)
- Pratinidhi (1964)
- Akash Kusum (1965)
- Matira Manisa (1966)
- Bhuvan Shome (1969)
- Ichhapuran (1970)
- Interview (1970)
- Ek Adhuri Kahani (1971)
- Kolkata 71 (1972)
- Padatik (1973)
- Chorus (1974)
- Mrigaya (1976)
- Oka Uri Katha (1977)
- Parasuram (1978)
- Ek Din Pratidin (1979)
- Akaler Sandhane (1980)
- Chalchitra (1981)
- Kharij (1982)
- Khandahar(1983)
- Genesis (1986)
- Ek din Achanak(1989)
- Citi Life - Calcutta My El Dorado (1989)
- Mahaprithibi (1991)
- Antareen (1993)
- 100 Years of Cinema (1999)
- Amar Bhuban (2002)
