Mitrofan Belyayev

From Wikipedia, the free encyclopedia

Mitrofan Petrovich Belyayev (Belaïeff) (ru Митрофан Петрович Беляев; old system 10./22 February 1836 in Saint Petersburg22 December 1903/4 January 1904) was a Russian music publisher and merchant.

Belyayev was the son of a rich Russian wood dealer and large land owner and of a Swedish mother. Early on he was established as a successful buyer in his father's company, whose line he took over after 30 years. His passion, at first private, was however for music.

Belyayev had learned and played violin, viola and piano even when in school, and played viola for many years in a string quartet. Later he became a member in a circle of friends in St. Petersburg of chamber musicians, and with the leaders of that time - Anatoly Konstantinovich Lyadov, Alexander Borodin - undertook journeys in Russia and abroad to learn more music, among other places to Bayreuth. Belyayev learned several foreign languages, including German.

In a moment important for Belyayev's future and his important role as leader in Russian music life, was his meeting in 1882 with the highly-talented, scarcely 17-year-old Alexander Glazunov, whose 1st Symphony was premiered at that time. Belyayev's increasing commitment to the promotion of Russian composers led to a gradual retreat from his activity as a wood dealer. In 1884 he became founder of the "Glinka prize", which was awarded annually. In the first years the winners included Borodin, Mily Balakirev, Pyotr Ilyich Tchaikovsky, Nicolai Rimsky-Korsakov, Cesar Cui and Liadov.

In 1885 Belyayev created the publishing house "M. P. Belaieff" in Leipzig. In this publishing house 1200 compositions in the following decade (the first publication was Glazunov's overture on Greek themes) were produced. In addition the works published there were edited with high quality, the authors received higher fees than was at this time usual, and kept full control over performance rights. Thus Belyayev made important contributions to the promotion and spreading of Russian music. At first Belyayev selected himself the works to be produced; later he conferred with a jury, which consisted of Rimsky-Korsakov, Lyadov and Glazunov. To the publishing house program composers from not only St. Petersburg were accepted, but also rather "western"-oriented Muscovite composers such as Taneyev and Scriabin.

Similarly in 1885 Belyayev brought the "Russian symphony concerts" to Petersburg, and as of 1891 in his house there were weekly "quartet Fridays" ("Les Vendredis") . The composers promoted by Belyayev several times wrote musical contributions both in his honor and to contribute to these occasions, for example contributing for his 50th birthday a joint string quartet composition of Rimsky-Korsakov, Borodin, Lyadov and Glazunov over the note/name sequence b-La-f (b-A-f). Another of their joint projects was a set of variations on a Russian theme for piano and orchestra, to which in addition Alexander Kopylov, Nikolay Sokolov and other members of the circle contributed individual movements.

In 1886 the important Russian painter Ilja Repin made a portrait of Belyayev.

[edit] Further reading

  • Schibli, Sigfried: Alexander Skrjabin und seine Musik. Piper, München/Zürich, 1983. ISBN 3-492-02759-8.

[edit] References

In other languages