Miniskirt
From Wikipedia, the free encyclopedia
The miniskirt (often hyphenated as mini-skirt) is a skirt with a hemline well above the knees (generally 20 cm - about 8 inches - or more above knee level). Another way to tell whether a skirt is in fact a mini is to check if the wearer can reach past the hemline of the skirt with her ring and index finger while standing straight; if she cannot, it is not a mini. The mini was the defining fashion symbol of "swinging" London in the 1960s.
Contents |
[edit] Origin
After World War I, hemlines had risen rapidly and, by the mid 1920s, dresses worn by young "flappers" were often above the knee. One by-product was the abandonment of the constraining corsetry of Victorian and Edwardian times. The miniskirt's existence in the 1960s is generally credited to the fashion designer Mary Quant, who was inspired by the Mini automobile, although the French designer André Courrèges is also often cited as its inventor (the French referred to it as la mini-jupe), and there is disagreement as to who invented it first. Some give the credit to Helen Rose who made some miniskirts for actress Anne Francis in the 1956 science fiction movie, Forbidden Planet. [1]
Recently, Marit Allen, a Vogue "Young Ideas" editor at the time, has stated that "John Bates, in particular, has always been completely unappreciated for his contribution to the innovation and creativity he brought to the London design scene." He bared the midriff, used transparent vinyl and, Marit Allen asserts, was responsible for "the raising of the hemline. It was John Bates, rather than Mary Quant or Courrèges, who was responsible for the miniskirt." Bates' costumes and accessories for Diana Rigg, as Emma Peel in the ABC TV series, The Avengers, from 1965-7, helped to define "Mod style." [2].
[edit] Mary Quant and Jean Shrimpton
Mary Quant ran a popular clothes shop in the Kings Road, Chelsea, London called Bazaar, from which she sold her own designs. In the late 1950s she began experimenting with shorter skirts, which resulted in the miniskirt in 1965—one of the defining fashions of the decade.
Owing to Quant's position in the heart of fashionable "Swinging London", the miniskirt was able to spread beyond a simple street fashion into a major international trend. Its acceptance was greatly boosted by Jean Shrimpton's wearing a short white shift dress, made by Colin Rolfe, in November 1965 at the Melbourne Cup race meeting in Australia, where it caused a sensation. According to Shrimpton, who claimed that the brevity of the skirt was due mainly to Rolfe's having insufficient material, the ensuring controversy was as much as anything to do with her having dispensed with a hat and gloves, seen as the essential accessories in such conservative society [1].
[edit] Development
The miniskirt was further popularised by André Courrèges, who developed it separately and incorporated it into his Mod look, for spring/summer 1965. His miniskirts were less body-hugging, and worn with the white "Courrèges boots" that became a trademark. By introducing the miniskirt into the haute couture of the fashion industry, Courrèges gave it a greater degree of respectability than might otherwise have been expected of a street fashion.
The miniskirt was followed up in the late 1960s by the even shorter micro skirt, which has been referred to derogatorily as a belt or pelmet. Upper garments, such as rugby shirts, were sometimes adapted as mini-dresses. Tights or panty-hose became highly fashionable, in place of stockings, specifically because the rise in hemlines meant that stocking tops would be visible. Mary Quant cited this development in defence of the miniskirt: "In European countries where they ban mini-skirts in the streets and say they're an invitation to rape, they don't understand about stocking tights underneath" [2].
[edit] 1970s
During the 1970s, the fashion industry largely returned to longer skirts such as the midi and the maxi. Journalist Christopher Booker gave two reasons for this reaction: firstly, that "there was almost nowhere else to go ... the mini-skirts could go no higher"; and secondly, in his view, "dressed up in mini-skirts and shiny PVC macs, given such impersonal names as 'dolly birds', girls had been transformed into throwaway plastic objects" [3]. Certainly this lengthening of hemlines coincided with the growth of the feminist movement. However, in the 1960s the mini had been regarded as a symbol of liberation, and it was worn by some, such as Germaine Greer and, in the following decade, Gloria Steinem[3], who became known for their promotion of women's issues. Greer herself wrote in 1969 that
The women kept on dancing while their long skirts crept up, and their girdles dissolved, and their nipples burst through like hyacinth tips and their clothes withered away to the mere wisps and ghosts of draperies to adorn and glorify ... [4].
Indeed, miniskirts never entirely went away and, for example, were often worn by Deborah Harry, of the group Blondie, during the "new wave" of the late 70s. The song (I Don't Want to Go to) Chelsea (1978) by new wave artist, Elvis Costello, contained the line, "There's no place here for the mini-skirt waddle".
[edit] 1980s and 90s
In 1980s short skirts began to re-emerge, notably in the notably in the form of "rah-rahs", which were modelled on those worn by female cheer-leaders at sporting and other events. In the mid 80s the "puffball" skirt enjoyed short term popularity, being worn by, among others, the Princess of Wales and singers Pepsi and Shirlie [5]. Many women began to incorporate the miniskirt into their business attire, a trend which grew during the remainder of the century. Films and television series made in the mid 1990s (Friends, Caroline in the City, Ally McBeal, for example) show how ubiquitous the mini had become again. In the BBC TV series Keeping Up Appearances (1990-5) the snobbish Hyacinth Bucket was frequently outraged by the brevity of her sister Rose's skirts.
[edit] 21st century
Around the turn of the 21st century, hipster trousers became highly fashionable for women. The micro has been reworked as an even less substantial beltskirt, which is more an evocation of the idea of a skirt than something that covers anything substantial. It may perhaps also provide rhythm for the hipline. Due to its revealing nature, the beltskirt is rarely worn in public. Miniskirts are also seen worn over trousers or jeans, or with leggings that provide coverage of each leg from above the knee. Although "floaty" skirts were most closely associated with the boho look of the mid noughties, short skirts also featured in some outfits and in London, for example, minis were more widespread during the hot summer of 2006 than for several years, a trend that continued into the mild autumn.
[edit] Notes
[edit] Further reading
 |
Wikimedia Commons has media related to: |
- Quant, Mary (1996). Quant by Quant. London: Cassell.
