Marie-Catherine de Villedieu

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Marie-Catherine de Villedieu, born Marie-Catherine Desjardins and generally referred to as Madame de Villedieu (Alençon (Orne) 1640 - Saint-Rémy-du-Val (Sarthe) 1683) was a French writer of plays, novels and short fiction. Largely forgotten or eclipsed by other writers of the period (such as Madame de Lafayette) in the works of literary historians of the 19th and 20th centuries, Madame de Villedieu is currently enjoying a literary revival.

Madame de Villedieu came to Paris at the age of twenty and came under the protection of the duchess of Rohan (thanks to the poems she presented her). Louis XIV gave Madame de Villedieu a pension of 1500 livres. She was admitted to the Academy of the Ricovrati of Padua.

Madame de Villedieu was prolific in the genre of "nouvelles historiques" and "nouvelles galantes" which began to appear in France in the 1660s. An interest in love, psychological analysis, moral dilemmas and social constraints permeated these relatively short novels. When the action was placed in an historical setting, this was increasingly a setting in the recent past, and although still filled with anachronisms, these novels showed an interest in historical detail; these are generally called "nouvelles historiques". A number of these short novels recounted the "secret history" of a famous event, linking the action generally to an amorous intrigue; these were called "histoires galantes". Les Désordres de l’Amour is perhaps Madame de Villedieu's most well-known work in this genre.

Her masterpiece is perhaps the pseudo-memoir novel Mémoires de la vie d'Henriette-Sylvie de Molière, a remarkably realistic story (in the vein of a picaresque novel) recounting the economic and emotional misfortunes of a young woman in contemporary French society.

Along with her novels, she wrote three plays: the tragicomedy Manlius performed with critical success by the actors of the Hôtel de Bourgogne in 1662 (the play engendered a debate between Jean Donneau de Visé and François Hédelin, abbé d'Aubignac concerning its historic accuracy); the tragedy Nitétis performed April 27, 1663; and the tragicomedy Le Favori, performed January 14, 1665 at Versailles and in June 1665 in Paris.