Mariano José de Larra
From Wikipedia, the free encyclopedia
Mariano José de Larra (24 March 1809 - 13 February 1837) was a Spanish writer noted for satire and perhaps the best prose writer of 19th-century Spain.
He was born at Madrid; his father served as a regimental doctor in the French army, and, as an afrancesado, was compelled to leave the Peninsula with his family in 1812. In 1817 Larra returned to Spain, knowing less Spanish than French. His nature was disorderly, his education was imperfect, and, after futile attempts to obtain a degree in medicine or law, he made an imprudent marriage at the age of twenty, broke with his relatives and became a journalist.
On the 27th of April 1831 he produced his first play, No más mostrador, based on two pieces by Scribe and Dieulafoy. Though wanting in originality, it is brilliantly written, and held the stage for many years. On the 24th of September 1834 he produced Macías, a play based on his own historical novel, El doncel de don Enrique el Doliente (1834).
The drama and novel are interesting as experiments, but Larra was essentially a journalist, and the increased liberty of the press after the death of Ferdinand VII gave his caustic talent an ampler field. He was already famous under the pseudonyms of Juan Pérez de Munguía and Fígaro which he used in El Pobrecito Hablador and La Revista Española respectively. Madrid laughed at his grim humour; ministers feared his vitriolic pen and courted him assiduously; he defended Liberalism against the Carlist rebellion; he was elected as deputy for Ávila, and a great career seemed to lie before him. But the era of military pronunciamientos ruined his personal prospects and patriotic plans. His writing took on a more sombre tinge; domestic troubles increased his pessimism, and, in consequence of a disastrous love-affair, he committed suicide in February 1837.
Larra lived long enough to prove himself the greatest prose-writer that Spain can boast during the 19th century. He wrote at great speed with the constant fear of the censor before his eyes, but no sign of haste is discernible in his work, and the dexterity with which he aims his venomous shafts is amazing. His political instinct, his abundance of ideas and his forcible, mordant style would have given him a foremost position at any time and in any country; in Spain, and in his own period, they placed him beyond all rivalry.
[edit] References
- This article incorporates text from the Encyclopædia Britannica Eleventh Edition, a publication now in the public domain.
[edit] Influence
- Some of his phrases like Vuelva usted mañana (come back tomorrow) or Escribir en España es llorar (To write in Spain is to cry) are still applied to chastise present-day ills.
- The Spanish-language clone of the Slashdot Internet forum, Barrapunto, uses Pobrecito Hablador ("Poor little talker") as the name for anonymous commenters.
- The Premio Mariano José de Larra rewards young outstanding journalists in Spain.
[edit] External links
- Mariano José de Larra in the Biblioteca Virtual Miguel de Cervantes.
- Proyecto Mariano José de Larra en Internet
- Mariano José de Larra: text, concordances and frequency list
