Madis Kõiv
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Madis Kõiv (born in December 1929), is an Estonian writer and physicist.
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[edit] Education
Kõiv attended school in Tartu after the first World War. He graduated in the early 1950s with a degree in nuclear physics. Kõiv worked as a scientist and lecturer until 1991.
[edit] Career as a Playwright
Kõiv always entertained a fascination with and love for literature. He wrote mostly for personal entertainment until the 1950s, when he became active in Estonian literary circles. His earliest published works were written with friends from these circles. He also wrote under a pseudonym for several years.
His first published work was a play called Küüni täitmine (Filling the Barn) written as a collaboration between Kõiv (using his pseudonym, Jaanus Andreus Nooremb) and Hando Runnel in 1978. In 1999, the play was successfully produced for the first time.
Kõiv then wrote two pieces with Vaino Vahing. The first was a play titled Faehlmann. Keskpäev. Õhtuselgus. (Faehlmann. Noon. Evening Clarity.) The two also wrote the dialogue novel Endspiel. Laskumine orgu. (Endspiel. Descent into the Valley.)
Just before the end of the decade, Kõiv began to publish works he had previously written for his own amusement under his own name. Kõiv became the most essential Estonian playwright of the 1950s and 1960s.
In the early 1990s, Kõiv began to gain fame. In 1991 and 1993, he won the Tuglas short story award for Film and The Life of an Eternal Physicus, respectively. He won the annual Estonian literary award in 1991 for The Meeting. He won the annual Estonian literary award again in 1995 for The Philosopher's Day and Return to Father. Kõiv won the award a third time in 1999 for Scenes From the Hundred Years' War.
Kõiv has released only 22 of the plays he has written and has said that these comprise half of the dramatic literature he has created.
[edit] Career as a Novelist
Kõiv is also the author of several novels. Widow and Aporia of Attica, Tragedy of Elea are two of his best known.
[edit] Memoirs
Kõiv's memoirs (the series Studia memoriae) are very famous. In sharp contrast to a typical biography format, Kõiv's memoirs consist largely of introspection.
