Little Richard

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Little Richard
Little Richard being interviewed by Army Archerd on the red carpet at the 60th Annual Academy Awards, April 11, 1988, photo by Alan Light
Little Richard being interviewed by Army Archerd on the red carpet at the 60th Annual Academy Awards, April 11, 1988, photo by Alan Light
Background information
Birth name Richard Wayne Penniman
Also known as Little Richard
The Real King of Rock 'n' Roll
Architect of Rock 'n' Roll
King of Rockin 'n' Rollin, Rhythm & Blues Soulin'
Born December 5, 1932
Origin Macon, Georgia, USA
Genre(s) R&B
Rock 'n' roll
Gospel
Instrument(s) Vocals
Piano
keyboard
Years active 1951 - present
Label(s) Specialty, numerous others

Little Richard (born Richard Wayne Penniman, December 5, 1932 in Macon, Georgia) is an American singer, songwriter, and pianist. An early pioneer of rock 'n' roll, Penniman has influenced generations of rhythm and blues and rock music artists. His original injection of funk into the rock and roll beat in the mid-1950s also had a profound influence on the development of the genre.

His early recording career in the 1950s established his reputation with a mix of boogie-woogie music and rhythm and blues, heavily steeped in gospel music, but with a heavily accentuated back-beat, funky rhythm, raspy-shouted vocals, and breathlessly delivered lyrics that marked a decidedly new kind of music.

Little Richard has been credited by James Brown, who called Little Richard his idol, with, "first putting the funk in the rock and roll beat", by Smokey Robinson as, "the start of that driving, funky, never let up rock 'n' roll", by Dick Clark as "the model for almost every rock and roll performer of the '50s and years thereafter", and Ray Charles, in 1989, as "the man that started a kind of music that set the pace for a lot of what's happening today."

Contents

[edit] Biography

One of twelve children, Penniman grew up in a Seventh-day Adventist family, but he mostly attended the New Hope Baptist Church in Macon, Georgia (Turner, Hungry for Heaven, p. 19). He also attended Holiness/Pentecostal churches of the U.S. South, where he learned Gospel music. He learned to play the piano and tried to sing gospel music, but he was rejected from some churches for screaming the hymns.

In 1952, Penniman's father (a moonshine-selling preacher) was murdered. After this, he returned to Macon and performed blues music at the "Tick Tock Club" in the evening, whilst also washing dishes at the cafeteria of a Greyhound Lines bus station during the day.

[edit] Influences on His Artistic Development

Richard Penniman was inspired by famous black gospel music singers of the 1930s and 1940s. Nearly all of his dramatic phrasing and swift vocal turns are derived from gospel artists, such as; Sister Rosetta Tharpe, whom he referred to as his favourite singer when he was a child (she invited him to sing a song with her onstage in 1944, after she heard him sing her hit "Strange Things Happening Everyday"), Marion Williams (from whom he got the "whoooo" in his vocal), Mahalia Jackson, and Brother Joe May. He was also influenced by late 1940s jump blues shouter Billy Wright and rhythm and blues star, Ruth Brown, from whom he once said that he borrowed his trademark whoop ("Lucille- uh").

Penniman's hard-driving piano rhythms came from two places. The late piano player, Esquerita (Eskew Reeder Jr.) who showed Penniman how to go high on treble without compromising bass. Penniman met Esquerita when he traveled through Macon with a preacher named Sister Rosa. Penniman credits his technical force to East St. Louis, Ill., gospel singer Brother Joe May, who was called "the Thunderbolt of the Middle West". Penniman explained, "I used to get in a room and try to make my piano sound just like him. He had so much energy." May generated energy by moving from a subtle whisper to a thunderous tenor and back in a four-bar phrase.

He learned to mix ministerial qualities with theatrics by watching the traveling medicine shows that rolled through his native Macon. Colorful medicine men would wear lavish capes, robes and turbans, all of which left an impression on Penniman.

[edit] Early career

Little Richard had begun recording songs for the Peacock Records label between 1951 and 1954, including "Little Richard's Boogie". These records sold poorly and Penniman had little success until he sent a demo tape to Specialty Records on February 17, 1955, where it fell into the hands of Robert Bumps Blackwell.[citation needed]

Blackwell arranged for a recording session in New Orleans, when, during a break, Little Richard began singing an impromptu recital of "Tutti Frutti", in his trademark raspy, shouted vocal style, while pounding out a boogie-woogie based rhythm on the piano. Blackwell had a good ear for a hit, and was blown away by what he heard, so he had Little Richard record it. However, in order to make it commercially acceptable, he had the lyrics changed from "tutti-frutti, good booty" to "tutti frutti, aw rooty."[1]

The song, with its introductory "Wop-bop-a-loo-mop-a-whop-bam-boom!", became the model for many subsequent Little Richard songs, with its driving piano, saxophone solo (by Lee Allen) and its unrelenting beat. In the next few years, Richard had several more hits, including; "Long Tall Sally", "Slippin' and Slidin'", "Jenny, Jenny" and "Good Golly, Miss Molly". His frantic performing style can be seen in such period films as Don't Knock the Rock (1956) and The Girl Can't Help It (also 1956), for which he sang the title song, written by Bobby Troup.

However, neither Little Richard's raucous style nor his skin color were acceptable to many U.S. radio stations. In the commercial fashion of the day, several of his early hits were re-recorded in tamer fashion by white artists. Little Richard's first national success, Tutti Frutti, was covered by Pat Boone, whose version outdid the source record, #12 to #17. Boone also released a version of Long Tall Sally, with slightly bowdlerized lyrics. But this time, the Little Richard original outperformed it on the Billboard charts, #6 to #8. Bill Haley tackled Little Richard's third major hit, Rip It Up, but again, Little Richard prevailed. With the record-buying public's preference established, Little Richard's succeeding releases did not face the same chart competition.

Despite the raw sound of his music, the singles were carefully arranged, as documented on the three-volume album The Specialty Sessions, which include many false starts and variations.

[edit] Impact of Spirituality on His Career and Life

Little Richard quit the music business suddenly in 1957 (see 1957 in music), while on tour in Australia He became a born again Christian and then enrolled in Oakwood College in Huntsville, Alabama and became a Seventh-day Adventist minister. Little Richard is an ordained minister in the Adventist church and has never had his credentials rescinded. While Specialty Records released a few new songs based on past sessions, Richard recorded only gospel music in the late-1950s and early-1960s.He performed Gospel material on the Gospel circuit with artists who inspired him, such as Sister Rosetta Tharpe, and won the praises of Mahalia Jackson for his Gospel recordings. During this time, he did not perform his early rock hits, resenting his early rock 'n' roll roots.

In 1962, Penniman returned to performing rock music with an enthusiastically received tour of Europe. During that year, his opening act was a then-unknown band called The Beatles. The next year, his opening band was a then unknown Rolling Stones. Little Richard then introduced an unknown artist by the name of Maurice James as part of his band. James, who became known as Jimi Hendrix, said in 1966, "I want to do with my guitar what Little Richard does with his voice.".[2]

Little Richard largely ignored his calling to the ministry from the early 1960s through 1977. He returned to the ministry in the area of evangelism and recorded more gospel music, when Charles White's critically acclaimed 1984 biography The Life and Times of Little Richard brought Richard back into the public eye.[2] Mick Jagger proclaimed on the cover, "Little Richard is King."

As detailed in White's biography (2003 revision, pg. 221)[2], Richard's dilemma - whether to be a minister or to sing rock 'n roll - came to a head again while recording the soundtrack to the 1985 hit movie Down and Out in Beverly Hills, so he enrolled his old friend Billy Preston to help him write a song with spiritual lyrics that would sound like rock 'n' roll. The result was a song called "Great God A'Mighty", which he changed to "It's A Matter of Time", reflecting the conflict in his mind. He once said, "I believe that there is good and bad in everything. I believe some rock 'n' roll music is really bad, but I believe there is some not as bad. I believe if the message is positive and elevating, and wholesome and uplifting, this makes you think clearly. If it's not then it is not good even in Gospel." The song became his first hit in over a decade and became part of a Little Richard "messages in rhythm" album entitled Lifetime Friend released by WEA in 1986. Little Richard called his new music "message music", stating, "my mother died not long ago and it was only a few months before she died that she made me promise that I'd stay with the Lord. I have contentment and peace of mind, which is more important than anything. I am going to stay with God and just travel around."[2]

[edit] Recent Recording Highlights

Little Richard has remained a popular guest on television, in music videos, commercials, movies and as a recording artist. He has contributed new recordings to movie soundtracks (ex. Twins, Casper the Friendly Ghost, Why Do Fools Fall in Love) and tribute albums, such as Folkways: A Vision Shared ("The Rock Island Line") (1989) and Kindred Spirits: A Tribute to Johnny Cash ("Get Rhythm") (2002), along with duets with Jon Bon Jovi, Elton John, Tanya Tucker, and Solomon Burke. He also sang background vocals on the U2 / BB King hit song "When Love Comes To Town." In September 2006, a Jerry Lee Lewis album "Last Man Standing" featured a new duet recording of Jerry Lee Lewis and Little Richard covering the Little Richard-influenced, early 1960s, hit Beatles track "I Saw Her Standing There."

Little Richard has tour dates booked well into 2007.

[edit] Awards

In 1986, when the Rock and Roll Hall of Fame opened, Little Richard was among the first group of inductees. He then received a honorary Lifetime Achievement Grammy Award in 1993 from the National Academy of Recording Arts and Sciences. In 1994, he received the Pioneer Lifetime Achievement Award from the Rhythm and Blues Foundation. In 1997, he received the American Music Award of Merit. In 2002, Little Richard, along with Bo Diddley and Chuck Berry, were awarded the first BMI Icon Award as founding fathers of rock music. In 2003, he was inducted into the Songwriters Hall of Fame.

[edit] Trivia

Little Richard explains in his own words his experiences with homosexuality and subsequent conversion to born-again Christianity in Charles White's authorized biography.[2]

[edit] Discography

[edit] Albums

  • 1957: Here's Little Richard (Specialty)
  • 1958: Volume 2 (Specialty)
  • 1959: The Fabulous Little Richard (Specialty)
  • 1960: Clap Your Hands
  • 1960: Pray Along with Little Richard, Vol. 1
  • 1960: Pray Along with Little Richard, Vol. 2
  • 1962: King of the Gospel Singers
  • 1963: Sings Spirituals
  • 1964: Sings the Gospel
  • 1964: Little Richard Is Back And There's A Whole Lotta Shakin' Goin' On! (Vee-Jay)
  • 1964: Greatest Hits (Vee-Jay)
  • 1965: The Wild and Frantic Little Richard (Modern)
  • 1965: The Incredible Little Richard Sings His Greatest Hits Live! (Modern)
  • 1967: The Explosive Little Richard (Okeh)
  • 1967: Greatest Hits: Recorded Live! (Okeh)
  • 1967: Rock N Roll Forever
  • 1969: Good Golly Miss Molly
  • 1969: Little Richard
  • 1969: Right Now
  • 1970: Rock Hard Rock Heavy
  • 1970: Little Richard
  • 1970: Well Alright!
  • 1970: The Rill Thing (Reprise)
  • 1971: Mr. Big
  • 1971: King Of Rock And Roll (Reprise)
  • 1972: Southern Child (Reprise, unreleased)
  • 1972: The Second Coming (Reprise)
  • 1972: The Original
  • 1972: You Cant Keep a Good Man Down
  • 1973: Rip It Up
  • 1974: Talkin' 'Bout Soul
  • 1974: Recorded Live
  • 1975: Keep a Knockin'
  • 1976: Sings
  • 1976: Little Richard Live
  • 1977: Now
  • 1988: Lucille
  • 1992: Shake It All About
  • 1996: Shag on Down by the Union Hall
  • 2006: Here Comes Little Richard/Little Richard 2:1 UDSACD 2028 Ultradisc UHR SACD from Mobile Fidelity Sound Lab

[edit] Hit singles

Release date Title Chart Positions
US Charts US R&B chart UK Singles Chart
11/55 "Tutti Frutti" #17 #2 #29
4/56 "Long Tall Sally" #6 #1 #3
4/56 "Slippin' and Slidin'" #33 #2 -
6/56 "Rip It Up" #17 #1 #30
6/56 "Ready Teddy" #44 #8 -
10/56 "Heebie-Jeebies/" - #7 -
10/56 "She's Got It" - #9 #15
12/56 "The Girl Can't Help It/" #49 #7 #9
12/56 "All Around the World" - #13 -
3/57 "Lucille" #21 #1 #10
3/57 "Send Me Some Lovin'" #54 #3 -
6/57 "Jenny Jenny/" #10 #2 #11
6/57 "Miss Ann" #56 #6 -
9/57 "Keep A Knockin'" #8 #2 #21
2/58 "Good Golly, Miss Molly" #10 #4 #8
6/58 "Ooh! My Soul/" #31 #15 #22
6/58 "True, Fine Mama" #68 - -
9/57 "Baby Face'" #41 #12 #2
2/58 "Kansas City" #95 - #26
3/59 "By the Light of the Silvery Moon" - - #17
11/62 "He Got What He Wanted" - - #38
7/64 "Bama Lama Lama Loo" #82 #82 #20
11/65 "I Don't Know What You've Got But It's Got Me" #92 #12 -
8/66 "Poor Dog (Who Can't Wag His Own Tail)" - #41 -
5/70 "Freedom Blues" #47 #28 -
9/70 "Greenwood Mississippi" #85 - -
8/73 "In the Middle of the Night" - #71 -
3/86 "Great Gosh A'Mighty!" #42 - #62
10/86 "Operator" - - #67

[edit] Notes

  1. ^ http://www.wwnorton.com/college/music/rockhistory/reverb/int01_01.htm
  2. ^ a b c d e White, Charles. (2003). The Life and Times of Little Richard: The Authorised Biography. Pg. 226. Omnibus Press.

[edit] External links

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