Talk:List of Romantic composers
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Please be careful that a link goes where you think it does... lots of those in the Late Romantic Composers sections, even those that aren't redlinks, don't. Could be confusing for a reader, I'd think. Schissel : bowl listen 16:47, 27 September 2005 (UTC)
(Obviously meant going by former, in comment) Schissel : [[User_talk:Schissel|''bowl listen'']] 05:00, 15 November 2005 (UTC)
[edit] Composers removed from page
These composers have been removed in an attempt to consolidate the list. There is a reference to the standard reportoire list; if you can find a similar list, please reference it before adding one of these composers back onto the list. Thank you. Dafoeberezin3494 16:53, 14 August 2006 (UTC)
- Anthony Philip Heinrich (1781-1861), American composer of Bohemian origin, first significant American orchestral composer, wrote highly original program music
- Pietro Raimondi (1786-1853), Italian composer, noted for innovative contrapuntal experiments
- Jean-Louis Tulou (1786-1865) [1], French composer and flutist
- Nicolas Bochsa (1789-1856), French composer best known today for his studies and exercises for the harp, one of the most celebrated harpists of the 19th century
- Carl Czerny (1791-1857), Austrian composer best known today for his studies and exercises for the piano
- Jan Václav Voříšek (1791-1825), Czech composer, pianist, and organist
- Johann Carl Gottfried Löwe (1796-1869), German composer of lieder
- Alexei Fyodorovich Lvov (1799-1870), Russian composer, wrote God Save the Tsar!, the Russian national anthem from 1833-1917
- Josef Lanner (1801–1843), Austrian dance music composer
- Albert Lortzing (1801-1851), German composer of comic opera
- Julius Benedict (1804-1885), English composer and conductor, wrote many operas
- Juan Crisóstomo Arriaga (1806-1826), Spanish composer who moved to Paris, France
- Johann Kaspar Mertz (1806-1856), Austrian composer for the classical guitar
- Michael William Balfe (1808-1870), Irish opera composer, best known for The Bohemian Girl (1844)
- Frederick Nicholls Crouch (1808-1896), English composer and cellist
- Stephen Heller (1813-1888), Hungarian composer and pianist, influenced later Romantic composers
- William Henry Fry (1813-1864), American composer, wrote the first opera written and produced in the United States
- Heinrich Wilhelm Ernst (1814-1865), German violinist and composer, considered by some the greatest violinist of his time after Paganini
- Vasilii Sarenko (1814-1881), Russian composer for the classical guitar
- Herman Severin Løvenskiold (1815-1870), Norwegian, wrote the score for the ballet La Sylphide
- August Wilhelm Ambros (1816-1876), Austrian composer, similar in style to Felix Mendelssohn
- Edouard Deldevez (1817-1897), French composer, conductor, and violinist
- Eduard Franck (1817-1893), German composer who studied with Mendelssohn
- Gunnar Wennerberg (1817-1901), Swedish composer, poet, and politician
- Louis Théodore Gouvy (1819-1898), French composer of lieder
- Henry Charles Litolff (1818-1891), English composer and virtuoso keyboardist
- Carl Mikuli (1819-1897), Polish composer, conductor, and pianist, student of Frédéric Chopin
- Joachim Raff (1822-1882), Swiss-born composer, noted for his eleven symphonies, particular nos. 3 (Im Walde), 4 and 5 (Lenore)
- Josef Strauss (1827-1870), Austrian dance music composer
- Woldemar Bargiel (1828-1897), German composer and teacher
- Louis Moreau Gottschalk (1829-1869), American composer, incorporated Creole melodies into his work
- Anton Rubinstein (1829-1894), Russian composer and pianist
- Karl Goldmark (1830-1915), Hungarian influenced by Wagner
- Gustav Lange (1830-1889), German composer and pianist, two of his best loved piano solos are Edelweiss (Op. 31) and Blumenlied (Op. 39), a.k.a, Flower Song
- August Söderman (1832-1876), Swedish composer, noted for his lieder and choral works
- Francis Edward Bache (1833-1858), English composer-pianist
- Felix Draeseke (1835-1913), German composer of the 'New German' school who nevertheless composed in the classical forms: his greatest work is the Symphony No. 3 (Tragica); the Cello Sonata, Op. 51 is also worthy to be ranked with Brahms
- Mily Balakirev (1837-1910), Russian composer, member of The Mighty Handful
- Emile Waldteufel (1837-1915), French composer of popular music as well as waltzes and polkas
- Friedrich Gernsheim (1839-1916), German composer, conductor, pianist and teacher (Moscheles pupil and friend of Brahms)
- Josef Rheinberger (1839-1901), Liectensteinian composer and teacher of the organ
- Calixa Lavallée (1842-1891), Canadian composer best known for the national anthem "O Canada," wrote many operettas and was a contemporary of Sir Arthur Sullivan
- Karl Michael Ziehrer (1843-1922), Austrian composer and military bandmaster
- Luigi Denza (1846-1922), Italian composer of Funiculì, Funiculà
- Robert Fuchs (1847-1927), Austrian composer and teacher, taught Sibelius, Wolf, Mahler, Melartin, among others
- Agathe Backer Grøndahl (1847-1907), Norwegian composer and pianist, contemporary of Edvard Grieg
- Zdeněk Fibich (1850-1900), Czech composer of chamber music, symphonic poems, and operas
- Xaver Scharwenka (1850-1924), Polish-German composer, pianist, and teacher
- Aleksandr Taneyev (1850-1918), Russian nationalist composer
- Francisco Tárrega (1852-1909), Spanish composer who wrote many works for guitar
- George Whitefield Chadwick (1854-1931), little known today, but one of the first significant American composers
- Julius Röntgen (1855-1932), German-born, later Dutch composer of the school of Brahms: wrote over 600 works in all the classical forms
- Anatoly Konstantinovich Lyadov (1855-1914), Russian nationalist composer
- Giuseppe Martucci (1856-1909), Italian composer, conductor and pianist, teacher of Respighi, early advocate of Wagner in Italy who however composed almost entirely instrumental music
- Sergei Taneyev (1856-1915), Russian, oriented towards classical forms and the central European tradition
- Eugène Ysaÿe (1858-1931), Belgian virtuoso violinist and composer
- Hans Rott (1858-1884), Viennese composer, studied organ with Anton Bruckner
- Mikhail Ippolitov-Ivanov (1859-1935), Russian composer noted for his orchestral suite Caucasian Sketches
- Ignacy Jan Paderewski (1860-1941), Polish composer and pianist, also a politian and onetime Prime Minister of Poland
- Anton Arensky (1861-1906), Russian composer, and a teacher of Rachmaninoff among others. His first piano trio and Variations on a Theme of Tchaikovsky (arranged from the second of his string quartets) are most often played presently.
- Edward German (1862-1936), English composer known for his comic opera and light music
- Henry Holden Huss (1862-1953), American composer, pianist, and music teacher
- Emil von Sauer (1862-1942), German composer for the piano, also wrote lieder
- Horatio Parker (1863-1919), American composer, highly regarded in the late 19th century
- Felix Weingartner (1863-1942), Austrian conductor, composer, and pianist, wrote seven symphonies
- Alexander Gretchaninov (1864-1956), Russian composer, wrote five symphonies
- Joseph Guy Ropartz (1864-1955), French composer, wrote symphonies, violin sonatas, and cello sonatas
- Albéric Magnard (1865-1914), French composer similar in style to Anton Bruckner
- Vasily Kalinnikov (1866-1901), Russian, composed two symphonies and other works influenced by folk music
- Amy Beach (1867-1944), American, the leading female composer of her time
- Hamish MacCunn (1868-1916), Scottish composer, noted for the overture The Land of the Mountain and the Flood
- John Blackwood McEwen (1868-1948), Scottish composer, known for his tone poems and symphonies
- Guillaume Lekeu (1870-1894), Belgian/Walloon, best known for his violin sonata (1892-3)
- Zygmunt Stojowski (1870-1946), Polish composer and pianist, student of Ignacy Jan Paderewski
- Oscar Straus (1870-1954), Austrian operetta composer known for Ein Walzertraum (A Waltz Dream) and The Chocolate Soldier
- Louis Vierne (1870-1937), French organist and composer
- Hugo Alfvén (1872-1960), Swedish composer, conductor, and violinist
- Paul Juon (1872-1940), Russian-born though much-travelled composer with a large output of chamber works and lieder especially
- Josef Suk (1874-1935), Czech composer and violinist
- Franco Alfano (1875-1954), Italian opera composer, known for Cyrano de Bergerac
- Erkki Melartin (1875-1937), Finnish composer, pupil of Robert Fuchs, whose six symphonies show the influence of Mahler and Sibelius (and in the vocalise of the fourth, also of Nielsen)
- Donald Francis Tovey (1875-1940), British composer, pianist, musical analyst, and musicologist
- Mieczysław Karłowicz (1876-1909), Polish composer
- Ernest Schelling (1876-1939), American composer, conductor, and pianist
- Sergei Bortkiewicz (1877-1952), Russian composer and pianist
- Ernő Dohnányi (1877-1960), Hungarian composer, influenced by Hungarian folk music as well as the work of Johannes Brahms
- Isidor Bajić (1878-1915), Serbian composer influenced by folk music from his native land
- Joseph Canteloube (1879-1957), French composer best known for his Songs of the Auvergne
- Othmar Schoeck (1886-1957), Swiss composer of lieder and song cycles
- Kurt Atterberg (1887-1974), Swedish composer, noted for his symphonies, ballets, and operas
- Grigoraş Dinicu (1889-1949), Romanian composer best known for his violin showpiece Hora staccato
[edit] What?
All the other period composer lists contain redlinks and not-so-terribly famous composers. I think the lists should be exhaustive of composers who are notable enough to be on Wikipedia. If you want to make a separate "standard repertoire" list, I think it should be done on another page. Mak (talk) 02:43, 27 October 2006 (UTC)
- This was an uncompleted project by me in the summer. My sources were ridiculed by User:Musikfabrik and I basically stopped the project. I really wouldn't care if this page were completely re-done, although I don't see how your solution would be any different than a category. Then again, we could just merge this list into the category... Dafoeberezin3494 02:48, 27 October 2006 (UTC)
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- Well, part of the point of lists is that they can contain redlinks. Which, to be honest, I am adding now, since I'm trying to get broader exposure for women in music, it's actually part of my work on the List of female composers. Which I was sort of goaded into by Musikfabrik, strangely. I think perhaps the list in its current incarnation should be moved to a more clear title, which reflects that it's reflecting the standard repertory, and have a fuller list under this title. Mak (talk) 02:52, 27 October 2006 (UTC)
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- I removed the notice about the standard repertoire lists. Feel free to do anything you wish to this page, maybe you could put the composers listed above back on it? The only thing I would really like to see is that they are annotated (making them more useful than a category!) Dafoeberezin3494 03:23, 27 October 2006 (UTC)
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