List of polytonal pieces

From Wikipedia, the free encyclopedia

Musical pieces by style
Period
Neoclassical (see Neoclassicism)
Modernistic (see Modernism)
Style
Dadaistic (see Dada)
Impressionistic (see Impressionist music)
Jazz (see Jazz)
Minimalistic (see Minimalist music)
Nationalistic (see Nationalism)
Populistic (see Populism)
Postminimalistic (see Postminimalism)
Surrealist (see Surrealism)
Technique
Atonal (see Atonality)
Twelve-tone (see Twelve-tone technique)
List of pieces which use serialism (see Serialism)
Extended techniques (see Extended technique)
Pandiatonic (see Pandiatonic)
Polytonal (see Polytonality)
Process music (see Process music)
Quartal (see Quartal harmony)
Quarter tone (see Quarter tone)
Whole tone (see Whole tone scale)
Phase (see Phasing)
Quotation (see Quotation)
Mikrokosmos Volume 5 number 125: The opening (mm. 1-14) of "Boating", (actually bimodality) in which the right hand uses pitches of the pentatonic scale on Eb and the left hand uses those of either G mixolydian or dorian:
Symphony No. 2, used for ambiguity
Patton (1970)
Lincolnshire Posy
Variations on America (1891), polytonal interludes added 1909-1910
Cabaret (1966), in the Finale Ultimo
Scaramouche, in the first movement "Vif" (AllClassicalGuide)
The Untouchables (1987)
Ein musikalischer Spass (Reti, 1958)
A Festival Prelude
George Washington Bridge
Petrushka, opening fanfare
Star Wars [citation needed]


[edit] Source

  • Reti, Rudolph (1958). Tonality, Atonality, Pantonality: A study of some trends in twentieth century music. Westport, Connecticut: Greenwood Press. ISBN 0-313-20478-0.