List of compositions by Antonio Salieri
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This list of compositions by Antonio Salieri is a list of the musical compositions of Antonio Salieri (August 18, 1750 – May 7, 1825), organized by genre.
Contents |
[edit] Secular vocal music
[edit] Operas
-
- Annibale in Capua (1801)
- Armida (1771)
- Axur, Re d'Ormus (1788)
- Catilina (1790-92), premiered posthumously in Darmstadt, 1994
- Cesare in Farmacusa (1800)
- Così fan tutte, ossia La scuola degli amanti (1789), unfinished
- Cublai, gran Kan de' Tartari (1786-88), premiered posthumously in Würzburg, 1998
- Danaus (ca. 1807), German version of Les Danaïdes
- Das Posthaus, lost fragment
- Delmita e Daliso (1776)
- Der Rauchfangkehrer oder Die unentbehrlichen Verräter ihrer Herrschaften aus Eigennutz (1781)
- Die Generalprobe, fragment
- Die Neger (1802, premiered in 1804)
- Don Chisciotte alle nozze di Gamace (1770)
- Eraclito e Democrito (1795)
- L'Europa riconosciuta (1778)
- Falstaff ossia Le tre burle (1799)
- Ifigenia in Tauride (1783), fragment
- Il Barone di Rocca Antica (1772)
- Il Mondo alla rovescia (1792, premiered in 1795)
- Il Moro (1796)
- Il Pastor fido (1789)
- Il Ricco d'un giorno (1784)
- Il Talismano (1779), first act by Salieri, second and third act by Giacomo Rust
- Il Talismano (1788)
- I tre filosofi (1797), fragment
- L'Amore innocente (1770)
- L'Angiolina ossia Il matrimonio per sussurro (1800)
- La Bella selvaggia (1802), not performed in Salieri's lifetime
- La Calamità de' cuori (1774)
- La Cifra (1789)
- La Dama pastorella (1780)
- La Fiera di Venezia (1772)
- La Finta scema (1775)
- La Grotta di Trofonio (1785)
- La Locandiera (1773)
- La Moda ossia Gli scompligi domestici (1771), Pasticcio, parts of second and third act by Salieri
- La Partenza inaspettata (1779)
- La Scuola de'gelosi (1778, second version 1783)
- La Scuola degli amanti ossia Così fan tutte (ca. 1789), fragment
- La Secchia rapita (1772)
- La Vestale (1769), lost
- Le Couronnement de Tarare (1790), addition to Tarare
- Le Donne letterate (1770)
- Les Danaïdes (1784)
- Les Horaces (1786)
- Palmira, Regina di Persia (1795)
- Prima la musica e poi le parole (1786)
- Semiramide (1782)
- Tarare (1787)
[edit] Insertion arias and ensembles
-
- "Addio carina bella" (Meng.) aria in G major for bass and orchestra, for?
- "Affé questa sera grandissima" - "Una domina? Una nipote?" (Don Anchise) arie & recitative for bass and orchestra (1775?), for P. Anfossi's "La Finta giardiniera"?
- "Ah ciel che noja è questa" - fragment -
- "Ah dove amici" recitative for soprano and orchestra, for?
- "Ah non siete ogni si facile" (Tenast) aria for tenor and orchestra, for?
- "Alla speranza" (Galatea) aria for soprano and Orchestra, for?
- "All'idea del gran mistero" aria in A major for soprano, choir and orchestra, for?
- "Anch'io nello specchio talora" aria in E major for soprano and orchestra (1771), for?
- "Cedo l'intatto pegno" (Dely - Davidde) duet for soprano, tenor and orchestra, for?
- "Che mi s'appresti?" (Capitano) aria in C major for bass and orchestra (1775), for?
- "[...] che strane vicende" (Ros. - Fior. - Pasq. - Fulg.) fragmentary finale of an opera (Atto II), for A. Felici's "La Novità"?
- "Chi vuol la zingara" Duett für zwei Soprane und Orchester, für?
- "Dall'uso parigino il bello, il sopraffino" aria in C major for soprano and orchestra (1773), for?
- "Del morir le angoscie adesso" scene and aria for tenor and orchestra
- "Denke nicht der Zeit der Schmerzen" duet for soprano, tenor and orchestra, for?
- "Dico sol, che la padrona" (Lena) aria for soprano and orchestra, for "La Locandiera"?
- "D'oro saranno i letti" (Fulg.) aria in D major for bass and orchestra (1775), for?
- "Dottorini saputelli" (Clar.) arie for soprano and orchestra (1774), for?
- "Eccomi al punto ch'io già tanta temei" fragmentary aria for soprano and orchestra, for?
- "Fate largo al gran Pasquino" (Pasquino) aria in D major for bass and orchestra (1775), for A. Felici's "La Novità"?
- "Figlia mia diletta" trio for soprano, tenor, bass and orchestra, for?
- "Fra tanto pietre brune" (Polidoro) recitative for bass and orchestra (1785?), für D. Cimarosa's "L'Italiana in Londra"?
- "Gelosia d'amore è figlia" aria for soprano and orchestra, for?
- "Goder lasciatemi" (Gianetta) aria for soprano and orchestra, for?
- "Gran diavolo!" (Uberto) aria in F major for bass and orchestra, for?
- "Guarda in quel volto" aria in E flat major for soprano and orchestra, for?
- "Ho perduto la mia pace" (Brettone) aria for tenor and orchestra (1775), for G. Paisiello's "L'Innocenza fortunata"?
- "Ho stampato libri in foglio" aria for tenor and orchestra, for?
- "Il pargoletto amabile" aria in A major for tenor and orchestra, for?
- "In tuo favore mi parla il core" duet for two sopranos and orchestra, for?
- "Io contento", recitative, for?
- "Io di nuovo vel ripeto" aria for soprano and orchestra (1777), for?
- "Io lo dico e il posso dire" trio for alto, tenor, bass and orchestra, for?
- "Io non so che pensare" recitative and cavatina for tenor and orchestra, for?
- "La donna è sempre instabile" (Belfusio) aria for tenor and orchestra, for "La Fiera di Venezia"?
- "La mia morosa me l'ha fatta" (Sandrina) aria for soprano and orchestra, for "Il Talismano"?
- "L'amour est un dieu" Canzone for soprano and orchestra, for?
- "La sposa se cedo" aria for soprano and orchestra, for?
- "Le diras, che il campione" (Gusman) aria for bass and orchestra (1775), for?
- "Le Inconvenienze teatrali" quartet for soprano, alto, tenor, bass and orchestra, for?
- "L'introduco immantinente" - "Quando ho visto il dottorino" (Rosina) recitative and aria for soprano and orchestra (1776), for "La Finta scema"
- "Madame vezzosissima" (Zeffirina - Valerio) fragmentary recitative and duet, for?
- "Ma quai mali intorno al core" aria for tenor and orchestra
- "Ma quale agli occhi miei" (Conte) recitative, for?
- "Mia vaga Dorilla" aria for Bass and orchestra (1775), for B. Galuppi's "Il Marchese villano"
- "Moriam, moriam mia vita" recitative and duet for soprano, tenor and orchestra, for?
- "Nel mio seno" aria, for?
- "Non per parlar d'amore" (Laurina) aria in E flat major for soprano and orchestra, for N. Piccinni's "L'Astretta"
- "Non temer che d'altri" (Falsirena) aria for soprano and orchestra (1779), for "La Fiera di Venezia"
- "Non veste alla moda" (Aga.) aria for bass and orchestra (1774), for?
- "Non vi fidate" aria for soprano and orchestra, for?
- "Oh che donna che matta" (Peppino), recitative, for?
- "Oh me infelice - Allor potrei" recitative and aria, for?
- "Oh qual sorpasso giubilo" (Pilemone) aria in F major für bass and orchestra, for "Eraclito e Democrito"?
- "Oh quanti veggarsi" (Cardano) aria for tenor and orchestra, for "Il Talismano"?
- "Oh sancte inviete" aria for soprano and orchestra (1775), for?
- "Padrona stimatissima" (Pasquino) aria in D major for bass and orchestra, for A. Felici's "La Novità"?
- "Parlaste d'un cappone" aria for bass and orchestra (1776), for?
- "Pasquino avrà quest'ora" recitative, for A. Felici's "La Novità"?
- "Paterio giudizio" aria for bass and orchestra, for?
- "Per amore io già vancillo" (Perillo) aria for tenor and orchestra (1770), for?
- "Perder sogetto amato" duet for two sopranos and orchestra, for?
- "Per voi s'avanzi" aria for bass and orchestra, for?
- "Qual densa notte" (Artalice - Chabri - Nehemia - Chor) finale of an opera, for?
- "Quando sarà mia sposa" (Capitano) aria for bass and orchestra (1775), for?
- "Quest'è un mar di confusione" quartet for sopran, alto, tenor, bass and orchestra, for?
- "Rasserena nel tuo barbaro" fragmentary aria, for?
- "Sans argent et sans crédit" (Boschetto - Pirati - Lauretta) scene with orchestra (1768), for?
- "Scomodarmi da palazzo e trattarmi in questa guisa" aria in F major for soprano and orchestra (1775), for?
- "Se amor m'ha dato in testa, se mi far delirare" aria for soprano and orchestra (1776), for?
- "Se credessi di volare" (Peppino) aria in E flat major for bass and orchestra (1774), for?
- "Se Dio veder tu vuoi" (Achio - Azia) duet, for?
- "Se tu vedessi il core" (Isabella) aria in G major for soprano and strings, for B. Galuppi's "Il Villano geloso"
- "Signor mio scrivete bene" (Pasquino) aria in F major for bass and orchestra (1775), for A. Felici's "La Novità"?
- "S'odo, o duce" (Epponina - Voadice - Sabino - Arminio - Annio) finale of an opera (1785?), for G. Sarti's "Giulio Sabino"
- "Son dama, ma so l'arte ancor delle plebe" (Polissena) aria in B flat major for soprano and orchestra (1774), for G. Paisiello's "Il Tamburo (notturno)"
- "Son nipote d'un togato" (Isabella) aria in F major for soprano and strings, for B. Galuppi's "Il Villano geloso"
- "Sopra il volto sbigotito" aria in E flat major for bass and orchestra, for?
- "Talor non si comprende" aria for bass and orchestra, for?
- "Tenero cor" recitative and cavatina for soprano and orchestra (1780), for?
- "Tu che ferita sei" aria for tenor and orchestra, for "Il Barone di Rocca antica"?
- "Tutte le furie unite in questo petto io sento" aria for soprano and orchestra (1776), for?
- "Tutti dicon che la moglie" aria for bass and orchestra, for?
- "Una domina? una nipote?" - see: aria "Affé questa saria grandissima" -
- "Un bel marito" aria for soprano and orchestra, for?
- "Un pescatore mi pare amore" aria for bass and orchestra, for?
- "Vedi ben che queste scene" trio for soprano, alto, bass and orchestra, for?
- "Venga su la finestra" aria for tenor, choir and orchestra, for?
- "Venissi cari, l'affare è serio" (Patenio) aria for bass and orchestra (1777), for?
- "Verdammter Streich" (Mauser) aria for tenor and orchestra, for?
- "[...] vicino a perdere l'amato ben" fragmentary aria, for?
- "Villottino mio bellino" (Lisetta) aria for alto and orchestra (1775), for?
- "Vi son sposa" aria, for?
- aria (Polissena) for soprano and orchestra (1774), for G. Paisiello's "Il Tamburo (notturno)"
- finale of an opera for three sopranos, two tenors, bass and orchester (1779), for "La Scuola de'gelosi"?
[edit] Ballets and incidental music
-
- Ballet in 7 movements for "L'Europa riconosciuta" (1778)
- Ballet in 16 movements
- Ballet in 10 movements
- Ballet in 8 movements
- Fragmentary ballet
- Overture, four incidental pieces and nine choirs for "Die Hussiten vor Naumburg" by August von Kotzebue (1803)
[edit] Secular cantatas
-
- "Cantata per le nozze di Francesco I" for soloists, choir and orchestra (1808)
- "Der Tyroler Landsturm" for soprano, tenor, bass, choir and orchestra (1799)
- "Die vier Tageszeiten" for choir and orchestra (1819)
- "Du, dieses Bundes Fels" for choir and orchestra
- "Habsburg" for tenor, bass, choir and orchestra (1805/06)
- "Il Trionfo della Gloria e della Virtù" for two sopranos, tenor, choir and orchestra (1774 or 1775)
- "La Riconoscenza" for soprano, choir of five voices and orchestra (1796)
- "La Riconoscenza de' Tirolesi" for choir and Orchester (1800)
- "La Sconfitta di Borea" for soloists, choir and orchestra (1774 or 1775)
- "Lasset uns nahen alle" for tenor, bass, choir and Orchester
- "Le Jugement dernier" for tenor, choir and orchestra (1787/88)
- "L'Oracolo muto" for soloists, choir and orchestra (1802/03)
- "Wie eine purpur Blume" for two sopranos, choir and orchestra
[edit] Secular choirs
-
- "An den erwünschten Frieden im Jahr 1814" for choir and orchestra (1814)
- "An die Religion" for choir a cappella (1814)
- "Bei Gelegenheit des Friedens" for soprano solo, tenor, bass and orchestra (1800)
- "Beide reichen Dir die Hand" for choir - fragment -
- "Del redentore lo scempio" for choir and orchestra (ca. 1805)
- "Der Vorsicht Gunst beschütze, beglücktes Österreich, dich" for choir and orchestra (1813) - new version of the final movement of "Der Tyroler Landsturm" (1799) -
- "Dio serva Francesco" for choir and orchestra
- "Do re mi fa" for choir a cappella (1818)
- "Es schallen die Töne" for choir and orchestra
- "Herzliche Empfindung bey dem so lange ersehnten und nun hergestellten Frieden im Jahr 1814" for choir and orchestra (1814)
- "O Friede, reich am Heil des Herrn" - see: "Herzliche Empfindung bey dem so lange ersehnten und nun hergestellten Frieden im Jahr 1814" -
- "Hinab in den Schoß der Amphitrite" for choir and orchestra (from "Danaus"?)
- "Il piacer la gioia" for choir and orchestra
- "Ogni bosco, ogni pendice" for choir and orchestra
- "Religion, Du Himmelstochter" - see: "An die Religion" -
- "Schweb herab, o holder Seraph Friede" - see: "An den erwünschten Frieden im Jahr 1814" -
- "Schwer lag auf unserem Vaterlande" - see: "Rückerinnerung der Deutschen nell'anno 1813" -
- "Rückerinnerung der Deutschen nell'anno 1813" for choir and orchestra (1813/14)
- Songs, ensembles and canons with or without piano
- ca. 340 works -
[edit] Sacred vocal music
[edit] Oratories and sacred cantatas
-
- "Davidde" for soloists, choir and orchestra (1791) - fragment -
- "Gesù al limbo" for soloists, choir and orchestra (1803)
- "La passione di Gesù Cristo" for soloists, choir and Orchester (1776)
- "Le Jugement dernier" for tenor, choir and orchestra (1787/88) - see above -
- "Saul" for soloists, choir and orchestra (1791) - fragment -
[edit] Masses und single movements
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- Mass in C major for choir a cappella (1767)
- Mass in D major for choir and orchestra (1788) - called "Hofkapellmeistermesse" -
- Mass in C major for double choir and orchestra (1799) - called "Proklamationsmesse" -
- Mass in D minor for soloists, choir and orchestra (1805)
- Mass in B flat major for soloists, choir and orchestra (1809)
- Kyrie in C major for soloists, choir and orchestra (1812) - part of an unfinished mass -
- Kyrie in F major for choir and orchestra - fragment -
[edit] Requiem masses
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- Requiem in c minor for soloists, choir and orchestra (1804)
- Requiem in d minor for choir and orchestra (ca. 1815-20) - fragment -
[edit] Graduals
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- "Ad te levavi animam meam" in E flat major for choir and orchestra
- "A solis ortu" pro Festo SS. Corporis Christi, in C major for choir and orchestra (1810)
- "Benedicam Dominum" pro Dominica 12ma post Pentecostem aut de Tempore, in B flat major for choir and orchestra
- "Confirma hoc Deus" in C major for soloists, choir and orchestra (1809)
- "Improperium" in c minor for choir a cappella
- "Justorum animae" in A major for choir and orchestra
- "Liberasti nos, Domine" pro Dominica XXIII. et ultima post Pentecostem, in D major for choir and orchestra (1799)
- "Magna opera Domini" da tempore, in D major for choir and orchestra (1810)
- "Spiritus meus" in d minor for choir and orchestra (1820)
- "Tres sunt, qui testimonium dant in coelo" de SS. Trinitate, in D major for choir and orchestra
- "Veni Sancte Spiritus" in B flat major for choir and orchestra (1800)
- "Veni Sancte Spiritus" pro Festo Pentecostem, in B flat major for choir and orchestra (1805)
- "Venite gentes" in C major for double choir and orchestra (1799)
- "Vox tua mi Jesu" in C major for choir and orchestra (1774)
[edit] Offertories
-
- "Alleluja (deinde) Bonum est" in D major for choir, strings and organ
- "Alleluja" in D major for choir and orchestra (1774) - 1788 reused as "Amen"-Fugue in the "Gloria" of the Mass in D major -
- "Assumpta est Maria" in C major for choir and orchestra (1799)
- "Audite vocem magnam" in C major for Chor und orchestra (1809)
- "Beatus vir, qui non abit" in D major for soloists, choir and orchestra
- "Benedixisti Domine" in F major for choir a cappella
- "Benedixisti Domine" in F major for choir a cappella
- "Cantate Domino omnis terra" in C major for double choir and orchestra (1799)
- "Desiderium animae" in F major for soprano, alto, bass and orchestra
- "Domine, Dominus noster" in G major for choir and orchestra (1812)
- "Dum corde pio" in C major for choir, double-bass and organ
- "Excelsus super omnes gentes Dominus" in C major for choir and orchestra (1806)
- "Gloria et honor(e)" in C major for choir and orchestra (1809)
- "Jubilate Deo" in A major for choir and orchestra
- "Justus ut palma" in B flat major for choir and orchestra
- "Lauda Sion Salvatorem" in C major for choir and orchestra (1805)
- "Laudate Dominum omnes gentes" in D major for choir and orchestra (1809)
- "Magna et mirabilia sunt opera tua" in C major for choir and orchestra (1809)
- "Magna opera Domini" in C major for chor and orchestra (1812)
- "Miserere nostri" in g minor for choir and orchestra (1805)
- "Miserere nostri" in E flat major for choir and orchestra (1803)
- "O altitudo divitiarium" in C major for choir and orchestra (1809)
- "O quam bonus et suavis est" in B flat major for soloists, choir and orchestra
- "Populi timente sanctum nomen Domini" in E flat major choir and orchestra (1778)
- "Salve Regina" in D major for choir and orchestra (1815)
- "Salve Regina" (on German words) in G major for choir and organ
- "Salve Regina" in B flat major for choir and orchestra
- "Salvum fac populum" (1805) - lost -
- "Si ambulavero in medio" in g minor for choir and orchestra (1809)
- "Sub tuum praesidium" in B flat major for choir and orchestra (1820)
- "Tui sunt coeli" in C major for choir and orchestra
- "Tui sunt coeli" in E flat major for choir and orchestra
[edit] Psalms
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- "Beatus vir, qui timet Dominum" in D major for two tenors, choir and orchestra
- "Confitebor Domine" in B flat major for choir and orchestra
- "De profundis" in f minor for choir, bass and organ (1815)
- "De profundis" in g minor for choir and orchestra (1815)
- "Dixit Dominus" in G major for choir and orchestra
- "Lauda, Jerusalem, Dominum" in C major for choir and orchestra (1815)
- "Laudate pueri Dominum" in G major for choir of six voices and orchestra
- "Magnificat" in C major for choir and orchestra (1815)
- "Magnificat" in F major for two-part choir and orchestra (1815)
[edit] Litanies
-
- "Litania di B.M.V." in F major for soloists, choir and orchestra
- "Litania pro Sabbato Sancto" in B flat major for choir a cappella (1820)
[edit] Hymns
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- "Coelestis urbs Jerusalem" Hymnus de dedicatione Ecclesiae, in A major for choir and orchestra
- "Genitori" in F major for soprano, choir and orchestra
- "In te Domine speravi" in E flat major for two sopranos and bass (1817)
- "Tantum ergo" in C major for double choir, two clarinets, four horns, four trumpets (Clarini), timpani, double-bass and organ
- "Tantum ergo" in C major for choir, two oboes, two bassoons, four trumpets (Clarini), timpani and organ
- "Tantum ergo" in C major for choir, two trumpets (Clarini), timpani and organ
- "Tantum ergo" in F major for soprano and strings (1768)
- "Te Deum laudamus" in C major for soloists, choir and orchestra (1819)
- "Te Deum laudamus" de Incoronazione, in D major for choir and orchestra (1790)
- "Te Deum laudamus" in D major for double choir and orchestra (1799) - new version of the "Te Deum" from 1790 -
[edit] Introitus
-
- "Avertisti captivitatem Jacob" pro Dominica XXIII. et XXIV. post Pentecostem, in B flat major for choir, strings and organ
- "Beati immaculati" de Virginibus et Martyribus et de Sancto Stephano, in F major for choir, strings and organ
- "Concupiscit et deficit" in dedicatione Ecclesia et in Festo Tranfigurationis Domini, in F major for choir, strings and organ
- "Dico ergo" pro Festis Beatae Mariae Virginis, in d minor for choir, strings and organ
- "Domine exaudi vocem meam" pro Dominica XXII. post Pentecostem, in F major for choir, strings and organ
- "Et justitiam tuam" pro Festo Epiphaniae, in d minor for choir, strings and organ
- "Et psallare" pro Festo S. Joannis Apost. et S. Joannis Bapt., in B flat major for choir, strings and organ
- "Inductus est Dominus" pro Dominica infra octavem Nativitas Domini et ad secundam missam, in F major for choir, strings and organ
- "In civitate" pro Festo Purificationis Mariae et Dominica VIII. post Pentecostem, in C major for choir, strings and organ
- "In mandatis ejus" de Confessore et in Festo Sancti Joachim, in g minor for choir, strings and organ
- "Jubilate Deo Jacob" pro Dominica in albis, pro Feria II. post Pentecostem et in solemnitate corporis Christi, in d minor for choir, strings and organ
- "Jubilate Deo" pro Festo St. Januarii Episcopus et Mart., pro Festo Ascensionis Domini, in F major for choir, strings and organ
- "Laetentur insulae" pro Dominica III., IV., V., VI. post Epiphaniam, in F major for choir, strings and organ
- "Ne quando taceas" pro Dominica VI. post Pentecostem, in d minor for choir, strings and organ
- "Neque celaveris" de Confessore, in B flat major for choir, strings and organ
- "Quam admirabile est nomen tuum" pro Festo Sanctissime Trinitatis, in d minor for choir, strings and organ
- "Tu cognovisti" pro Festo Sanctorum Apostolorum, in d minor for choir, strings and organ
[edit] Motets and sacred arias and chants
-
- "Audimus Dei verbum" - lost -
- "Contra vos, o monstra horrenda" in B flat major, motet for soprano, choir and orchestra (1769)
- "Cor meum conturbatum" in g minor for choir and orchestra
- "Ecce enim veritatem" in G major for bass, three violas, double-bass and organ
- "Fremat tirannus" in C major, motet for soprano, choir and orchestra (1778)
- "Magna est virtus" - lost -
- "Misericordius Dominus" in E flat major, duet for soprano, bass, violine and orchestra
- "O mortales, festinate" in B flat major, aria for soprano, clarinet and orchestra
- "Quae est illa" in B flat major, aria in honorem B.V.M. for soprano, oboe, strings and organ
- "Quem terra pontus sidera" in A major for soprano and orchestra
- "Salve Jesu pie" duet - lost -
- "Tu es spes mea, Domine" for soprano, flute, oboe and orchestra
[edit] Instrumental music
[edit] Concertos
-
- Concerto for oboe, violin, violoncello and orchestra in D major (1770)
- Concerto for organ and orchestra in C major (1773) - second movement lost -
- Concerto for piano and orchestra in C major (1773)
- Concerto for piano and orchestra in B flat major (1773)
- Concerto for flute, oboe and orchestra in C major (1774)
- Concertino da camera for flute and strings G major (1777)
[edit] Symphonies, overtures and variations
-
- Symphonie in D major "Il Giorno onomastico" (1775)
- Symphonie in D major "La Veneziana" (built from overtures to "La Scuola de'gelosi" and "La Partenza inaspettata")
- Three minuets for orchestra
- 26 Variations on "La Follia di Spagna" for orchestra (1815)
- Allegretto in D major for orchestra
- Symphonie (ouverture) in C major - overture to "Habsburg" -
- Overture "La Frascatana"
- Fragmentary Symphonie (overture) in G major
- Fragmentary movement for bassoons and strings
[edit] Serenades
-
- "Picciola Serenata" in B flat major for 2 oboes, 2 horns and bassoon (1778)
- Serenade in B major for 2 clarinets, 2 bassoons, 2 horns and double-bass
- Serenade in C major for 2 flutes, 2 oboes, 2 bassoons, 2 horns and double-bass (alternative version of the serenade in B flat major for seven instruments)
- Serenade in F major for 2 flutes, 2 oboes, 2 bassoons, 2 horns and double-bass
- Cassation in C major for 2 oboes, 2 English horns, 2 bassoons and 2 horns
- Three trios in G major, E flat major and C major for 2 Oboes and bassoon
- "Armonia per und tempio della notte" in E flat major for 2 oboes, 2 clarinets, 2 bassoons and 2 horns (ca. 1795)
[edit] Marches
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- 11 Marches for orchestra (ca. 1804)
- March for wind ensemble "Prägt tief in eure Herzen, Brüder"
- "Parademarsch" in C major for wind ensemble
- March "Die Landwehr" (1809)
- March in honour of Gassmann in C major for orchestra (1820)
[edit] Chamber music
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- 4 Scherzi armonici istrumentali for string quartet
- Fugue for string quartet (tema H.! b.e.n. Die m. ist ein s. Ma non il testo)
- Fugue for three instruments
- Fugue in C major for two instruments (1818)
- Fugue in E flat major for two instruments (Tema Kerscorchiano)
- 6 little pieces for piano
- 6 pieces for guitar - lost -
[edit] Revisions of other composers' works and joint compositions with other composers
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- "La Betulia liberata" by Florian Leopold Gassmann: abridgements in recitatives and arias, and additional choirs taken from other compositions of Gassmann's (1820)
- "Il Talismano": jointly composition by Salieri (first act) and Giacomo Rust (second and third act) (1779)
- "Iphigénie en Tauride" by Christoph Willibald Gluck: Italian version called "Ifigenia in Tauride" in Lorenzo Da Ponte's translation (1783)
- "Per la ricuperata salute di Ofelia" for voice and piano: jointly composition by Salieri, Mozart and Cornetti (1785) - lost -
- "Requiem" by Niccolò Jommelli: additional instrumentation of two oboes, two bassoons and two trombones (for Christoph Willibald Gluck's solemn requiem on april 8th 1788)
- "Stabat Mater" in f minor by Giovanni Battista Pergolesi: version for soloists, choir and orchestra, instrumentation by Franz Xaver Süssmayr