Linocut

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Colour Linocut
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Colour Linocut
 Linocut Gandria by Carl Eugen Keel
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Linocut Gandria by Carl Eugen Keel

Linocut is a printmaking technique, a variant of woodcut in which a sheet of linoleum (sometimes mounted on a wooden block) is used for the relief surface. A design is cut into the linoleum surface with a sharp knife, with the raised (uncarved) areas representing a reversal (mirror image) of the parts to show printed. The cut areas can then be pulled from the backing. The linoleum sheet is inked with a roller (called a brayer), and then impressed onto paper or fabric. The actual printing can be done by hand or with a press.

As the material being carved has no particular direction to its grain and does not tend to split, it is easier to obtain certain artistic effects than with most woods, although the resultant prints lack the wood character of wood block printing. Linoleum is also much easier to cut than wood, which must be carved away, but the pressure of the printing process degrades the plate faster. It is also difficult to create larger works due to the material's fragility.

Colour linocuts can be made by using a different block for each colour, as in woodcut.

Due to ease of use, linocut is widely used at schools to introduce children to the art of printing; similarly, non-professional artists tend to use linocut rather than woodcut. But it was and is also widely used by professional artists, for similar reasons.

[edit] Selected Artists

[edit] See also

[edit] Further reading

  • Rice, William S., Block Prints: How to Make Them, Milwaukee: Bruce Publishing Company, 1941.
  • Draffin, Nicholas, Australian Woodcuts and Linocuts of the 1920s and 1930s, South Melbourne: Sun Books, 1976.