Land Arts of the American West

From Wikipedia, the free encyclopedia

Land Arts of the American West is a studio-based field program that seeks to construct an expanded definition of land art through direct experience connecting the full range of human interventions in the landscape--from pre-contact indigenous to contemporary practice. Our definition of land art includes everything from constructing a road, to taking a walk, building a monument, and leaving a mark in the sand. The program seeks to expand upon connections between typically separate fields. Each fall we spend two months camping while traveling 10,000 miles to engage sites that range from the CLUI complex at Wendover, Utah to the pottery culture at Mata Ortiz, Mexico, from earth works like James Turrell’s Roden Crater to archeological sites like Chaco Canyon. We learn from the fact that Donald Judd surrounded himself with both contemporary sculpture and Navajo rugs; that Chaco Canyon and Roden Crater function as celestial instruments; and that the Very Large Array is a scientific research center with a powerful aesthetic presence on the land. We spend the semester living and working in the landscape with guest scholars that expand the range of our definition in disciplines including archeology, art history, architecture, ceramics, criticism, writing, design, and studio art. Occupying the land for weeks at a time, living as a nomadic group, students develop skills of perception and analysis unattainable in a standard classroom setting. This direct participation experiencing and shaping the landscape affects how we see and make.

Land Arts of the American West is co-sponsored by the University of New Mexico and the University of Texas at Austin. It was founded at UNM in 2000 and became a joint program in 2002. It is co-directed by Bill Gilbert at UNM and Chris Taylor at UT. The program is funded in part by Lannan Foundation and Andrea Nasher. wasa

[edit] External links

[edit] Guest Scholars who have participated

[edit] Sites Visited