L'Assemblée des six-comtés (painting)

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The painting of the Assembly of the Six Counties, made in 1890 by Charles Alexander Smith.

L'Assemblée des six-comtés (French for "The Assembly of the Six Counties"), also known as Manifestation des Canadiens contre le gouvernement anglais, à Saint-Charles, en 1837 ("Demonstration of the Canadiens against the English government, at Saint-Charles, in 1837"), is a large oil painting executed on canvas by Ontarian artist Charles Alexander Smith in 1890.

It depicts the Assembly of the Six Counties, an event in 1837, part of the history of Quebec and the Patriote movement. It is displayed in the permanent exhibition of the Musée national des beaux-arts du Québec in Quebec City.

1 Composition
2 History
3 Subject
4 Reference
5 See also
6 External link

[edit] Composition

The picture includes many elements of what is known about the Patriote movement and their time. It features a number of Patriote leaders, upon the stage at the right, with accurate appearance. Patriote leader Louis-Joseph Papineau is shown in a speech to the crowd. At the bottom left stand three flags. From the left, the first represents the influence the Patriotes received from the French Revolution, the second is the Patriote flag and the third embodies the admiration of the Patriote for the American Revolution. The Patriote flag remains a visual leitmotiv across the composition.

The right field profusely displays maple leafs, a symbol of the French Canadians of the time (they have now been left away by their modern-day Quebecois and Quebec nationalist successors because of its appropriation by the Canadian federation). In the same section is the Coat of arms of Quebec, leaned upon the wooden stage structure (one anachronistic detail, as this version, contemporary to the painting's execution, is the first arms of Quebec post-Conquest, granted in 1868).

The crowd, mesmerized and invigorated at the same time by Papineau's much celebrated oratory skills, holds many signs reading nationalist and independence slogans. Many in attendance wear the tuques and Ceintures fléchées belts characteristic of the Patriote symbology. The Colonne de la liberté stands tall in the background (the one from Henri Julien's illustration and the contemporary replica appear much shorter). Finally, a very young girl at the immediate left-of-the-middle evocatively stares at the spectator.

[edit] History

It was commanded to Smith to display in the chamber of the Legislative Assembly in the Parliament of Quebec City. However, the government of Premier of Quebec Charles-Eugène Boucher de Boucherville did not accept it and the work was passed unto various owners before finally becoming part of the Musée national des beaux-arts du Québec collection.

Located in room 10 ("Salle 10"), it is a part of the permanent exhibition of Quebec history-related art called "«Je me souviens». Quand l’art imagine l’histoire" ("Je me souviens [motto of Quebec]. When Art Imagines History"). The picture has seen restoration. Nowadays, a great number of books related to the Patriotes, or their era in Quebec, use the painting, often cropped, to illustrate their cover page.

In a similar fashion, initial plans to erect a statue in honour of Louis-Joseph Papineau on the Quebec City Parliament Hill were aborted because of the then-controversial aspect of what was seen as a revolutionary figure. A smaller statue was instead made for interior display in the Parliament and a monument such as the one originally envisioned would be inaugurated in the 2000s.

[edit] Subject

Main article: Assembly of the Six Counties.

The Assembly of the Six Counties gathered Patriote leaders and approximately 6,000 followers in Saint-Charles, Lower Canada (present-day Quebec) on October 23 and October 24, 1837. Presided by Wolfred Nelson, it is the most famous of the various popular assemblies held during that year protesting the Russell Resolutions. It was a prelude to the Lower Canada Rebellion of 1837 that sought the independence of a Lower Canada republic. Speakers were united it their protest of the British colonial government but, as one part supported economic boycotts of British products, the other appealed to an armed uprising.