Kailash Temple

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The view of the Kailash temple from the top. The photo is taken at the cave temples clusters of Ellora, Maharastra, India.
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The view of the Kailash temple from the top. The photo is taken at the cave temples clusters of Ellora, Maharastra, India.
The view of the Kailash temple from the top. Note the unfinished shrine roof.The roof is carved first, then the walls, then the floor and so on.  The photo is taken at the cave temples clusters of Ellora, Maharastra, India.
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The view of the Kailash temple from the top. Note the unfinished shrine roof.The roof is carved first, then the walls, then the floor and so on. The photo is taken at the cave temples clusters of Ellora, Maharastra, India.
Another view of the Kailash temple .Note the steep cliff & the shrine roof. The photo is taken at the cave temples clusters of Ellora, Maharastra, India.
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Another view of the Kailash temple .Note the steep cliff & the shrine roof. The photo is taken at the cave temples clusters of Ellora, Maharastra, India.


Kailash Temple , also Kailasanatha Temple is a cave temple dedicated to Lord Shiva -- cave 16 of the complex located at Ellora, Maharastra, India. It is the largest and most complicated example of Rock-cut architecture in the world. It is designed to recall Mount Kailash, the abode of Lord Shiva. While it resembles a freestanding, multi-storied temple complex, it was carved out of one single rock, and covers an area double the size of Parthenon in Athens.

The Kailash Temple is notable for its vertical excavation -- carvers started at the top of the original rock, and excavated downward.

It’s estimated that about 200,000 tons of rocks was scooped out over hundreds of years to construct this monolithic structure. From the chisel marks on walls of this temple, archeologists could conclude that three types of chisels were used to carve this temple.

All the carvings are done in more than one level. A two-storeyed gateway opens to reveal a U-shaped courtyard. The courtyard is edged by a columned arcade three stories high. The arcades are punctuated by huge sculpted panels, and alcoves containing enormous sculptures of a variety of deities. Originally flying bridges of stone connected these galleries to central temple structures, but these have fallen.

Within the courtyard are two structures. As is traditional in Shiva temples, an image of the sacred bull Nandi fronts the central temple housing the lingam. In Cave 16, the Nandi Mandap and main Shiva temple are each about 7 meters high, and built on two stories. The lower stories of the Nandi Mandap are both solid structures, decorated with elaborate illustrative carvings. The base of the temple has been carved to suggest that elephants are holding the structure aloft.

A living rock bridge connects the Nandi Mandap to the porch of the temple. The temple itself is tall pyramidic structure reminiscent of a South Indian temple. The shrine – complete with pillars, windows, inner and outer rooms, gathering halls, and an enormous lingam at its heart – carved from stone, is carved with niches, plasters, windows as well as images of deities, mithunas (erotic male and female figures) and other figures. Most of the deities at the left of the entrance are Shaivaite (followers of Lord Shiva) while on the right hand side the deities are Vaishnavaites (followers of Lord Vishnu).

There are two Dhvajastambhas (pillars with the flagstaff) in the courtyard. The grand sculpture of Ravana attempting to lift Mount Kailasa, the abode of Lord Shiva, with his full might is a landmark in Indian art.

[edit] See also

Ellora