Joan of Arc facts and trivia

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Joan of Arc drawing by Clément de Fauquembergue, 1429.
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Joan of Arc drawing by Clément de Fauquembergue, 1429.

Joan of Arc facts and trivia covers topics of specialized interest that pertain to the life and legacy of Joan of Arc. For art, literature, and popular culture references see Cultural depictions of Joan of Arc.

Contents

[edit] Trivia

Joan of Arc dictated her letters. Three of the surviving ones are signed.
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Joan of Arc dictated her letters. Three of the surviving ones are signed.

[edit] Name

Joan of Arc did not come from a place called Arc, but was born and raised in the village of Domrémy in what was then the northeastern frontier of France. In the English language her first name has been repeated as Joan since the fifteenth century because that was the only English equivalent for the feminine form of John during her lifetime. Her surviving signatures are all spelled Jehanne without surname. The surname of Arc is a modern transliteration of d'Arc, which itself is a nineteenth century French approximation of her father's name. Apostrophes were never used in fifteenth century French surnames, which sometimes leads to confusion between place names and other names that happen to begin with the letter D. Based on Latin records, which do reflect a difference, her father's name was more likely Darc. Spelling was also phonetic and original records produce his surname in at least nine different forms.[1]

To further complicate matters, surnames were not universal in the fifteenth century and surname inheritance did not necessarily follow modern patterns. Joan of Arc testified at her trial that the local custom in her native region was for girls to use their mother's surname. Joan of Arc's mother was known both as Isabelle Romée and Isabelle de Vouthon. No surviving record from Joan of Arc's lifetime shows that she used either her mother's or her father's surname, but she often referred to herself as la Pucelle, which roughly translates as the Maiden. Prior to the mid-nineteenth century when Jeanne d'Arc and Joan of Arc became standard, literature and artistic works that refer to her often describe her as la Pucelle or the Maid of Orléans. Her native village has been renamed Domrémy-la-Pucelle in reflection of that tradition.[2]

[edit] Portrait

The only surviving image of Joan of Arc that was made during her lifetime is a doodle by Clément de Fauquembergue in the register for the Parlement of Paris. This accompanied the news of her victory at Orléans. She had never been near Paris at that point in her career, so he could not have known what she looked like.

[edit] Duel

Joan of Arc inspired a nineteenth century duel between Henri Rochefort and Paul de Cossagnac. The two men disputed a published article about her.

[edit] Asteroid

The asteroid 127 Johanna, discovered by P.M. Henry in 1872, is probably named after Joan of Arc.

[edit] Fashion

Joan of Arc's short haircut had a profound effect on women's hairstyles in the twentieth century. In 1909, the Paris hairdresser Antoine took Joan of Arc as the inspiration for the bob, which ended centuries of taboo against women who cut their hair. The style became popular in the 1920s and was associated with liberated women. Nearly all subsequent Western hair fashions are designed for women who cut their hair at least occasionally.

[edit] Mexican history

During the Cristero War in 1927, a group of female Cristeros named themselves after Joan of Arc. They obtained money, supplies, and intelligence for the male combatants. They often smuggled weapons into war zones and cared for the wounded. By the end of the war they had 35,000 participants.

[edit] People compared to Joan of Arc

[edit] Relics and sites

The Joan of Arc museum at Chinon, France has a charred bone fragment reputed to belong to Joan of Arc. Its authenticity is unconfirmed and appears to be unlikely, given the circumstances of her death. The English ordered her body burned to ashes and the ashes cast in the Seine river. The Metropolitan Museum of Art in New York City has a helmet in its arms and armor collection with a legendary attribution to Joan of Arc. The museum makes no claims that this legend is true but notes that the helmet dates from the right time period.

Several locations associated with Joan of Arc still exist, including the house where she was born at Domrémy-la-Pucelle. The site has been converted to a museum. The adjacent church has undergone extensive alterations since the fifteenth century but still contains a fourteenth century statue of St. Margaret before which Joan of Arc probably prayed. By contrast, the royal castle at Chinon is now a ruin. Little more than the outer wall remains. One wall remains of the great hall where she met Charles VII.

[edit] Alternative historical interpretations

Joan of Arc's coat of arms, per a grant by Charles VII of France.  In 1805 Pierre Caze claimed the sword was a baton of bastardy.
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Joan of Arc's coat of arms, per a grant by Charles VII of France. In 1805 Pierre Caze claimed the sword was a baton of bastardy.
An actual baton sinister from an old heraldry manual.
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An actual baton sinister from an old heraldry manual.

The following interpretations are sometimes advanced to the public but do not gain significant acceptance among academic historians.

[edit] Royal bastard

In 1805 Pierre Caze published his interpretation that Joan of Arc was the illegitimate daughter of the Queen, Isabeau of Bavaria, and Duke Louis of Orléans. According to Caze's reasoning, the queen hid their daughter in the countryside with the d'Arc family. When Joan of Arc met the future King Charles VII she would have given him a private sign that she was his half sister. The coat of arms he later granted her included a sword as a baton of bastardy.

Although this would provide an explanation for how she gained the trust of Charles VII in early 1429, this hypothesis has too many other difficulties to be taken seriously. Foremost among them is that the duke of Orleans died on November 23, 1407. Isabeau of Bavaria delivered a son on November 10, 1407. The likelihood of conceiving a daughter in the interim is exceedingly small. Assuming Joan of Arc was born the following year, she would have been 23 years old at her trial in 1431. She estimated her own age at 19 and all but one of the 115 witnesses at the trial of rehabilitation concurred with that age.

If the sword in Joan of Arc's coat of arms represented a baton of bastardy, then it would be unique in heraldry. It would also mean that Joan of Arc and several witnesses perjured themselves about her birth. In the words of Regine Pernoud and Marie-Veronique Clin, "Yet amateur historians still insist that all these people - as well as Charles VII, the duke of Alençon, Dunois, Bertrand de Poulengy - carried out an intricate plot to disguise Joan's authentic royal parents. This thesis lacks credible documentation." [1]

[edit] Survival

Several impostors claimed to be Joan of Arc after the execution date. The most successful was Claude des Armoises. Claude des Armoises married the knight Robert des Armoises and claimed to be Joan of Arc in 1436. She gained the support of one of Joan of Arc's brothers. She carried on the charade until 1440, gaining gifts and subsidies. One chronicle states, "In this year there came a young girl who said she was the Maid of France and played her role so well that many were duped by her, and especially the greatest nobles." Some modern authors attempt to revive this claim by asserting that some other victim was substituted for Joan of Arc at the stake. The likelihood of this is extremely thin, since the trial of nullification records sworn testimony from numerous witnesses who were present at the execution and confirmed her identity.[2]

[edit] Speculation about Homosexuality

In 1936, in a popular biography, novelist Vita Sackville-West hinted that Joan of Arc might have been a lesbian. She based this on two facts: Joan of Arc dressed in men's clothing and often slept in the same bed with various young girls. Historical consensus is that Sackville-West misinterpreted period customs. Until the mid-nineteenth century it was normal for heterosexual women to share the same bed when there was a shortage of beds or to discourage the advances of heterosexual men. Some of Joan of Arc's bedmates were actually children: at Orléans she lodged with the duke's treasurer in the room of his eight-year-old daughter. Sackville-West's book remains in print and has spawned several popular variants despite its rejection by the scholarly community.

[edit] See also

[edit] Notes

  1.   Pernoud and Clin, p. 222.
  2.   Pernoud and Clin, pp. 234 - 235.

[edit] External links