Indo-Caribbean music

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Indo-Caribbean music is the musical traditions of the Indo-Caribbean people of the Caribbean music area. Indo-Caribbean music is most common on Trinidad and in the mainland South American countries of Guyana and Suriname; significant populations also exist on Jamaica, in the United States and elsewhere. Indo-Caribbean traditional music often reflects the Bhojpuri heritage of many Indo-Caribbeans; women's folk songs are especially reflective of the music of Bhojpur. These include folk songs for childbirth (sohar), humorous and light-hearted songs for a bride's family to insult the groom's (gali), funereal songs (nirgun) and sexual matkor. Other women's folk songs are seasonal and are performed at festivals like the phagwa and holi. Instrumentation is based around the dantal, a metal rod and claper, and the dholak, a two-headed barrel drum. Traditional Hindu bhajans are also common.

Modern Indo-Caribbean traditions include the seasonal, responsorial men's form, the chowtal, and a vocal song form called tan-singing, performed by a single male vocalist accompanied by his own harmonium and further accompaniment by the dholak and dantal. Tassa drumming is also common.

Indo-Caribbean contributions to popular music are very important. The most well-known is the Indo-Trinidadian chutney music tradition. Chutney is a form of popular dance music that developed in the mid-to late 20th century. Modern Indian film music, filmi, is also renowned among Indo-Caribbeans.

[edit] Reference

• Manuel, Peter (2001). “Indo-Caribbean Music”, Garland Encyclopedia of World Music. New York and London: Garland Publishing, 813 - 818. ISBN 0824060407.