Ignazio Giorgi
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Ignazio Giorgi, born to Ragusa, 13 the February 1675, was rich descendant of a family of and noble ragusan, passed the life in unbridled way and often spudorato. After to have concluded the education from the Jesuits to Ragusa, in 1693 it entered in the Greater Council and it carried out some classified functions to the noble young people. For its adventures lovings lost the title it of knight of Sipan, where it came denigrated for the excess of lascivia, and for deficiencies in the development of its function of tutor of the monopoly of the grain. After these disadvantages (it was spoken also about an indecente relation), Giorgi was moved to Rome to the age of 23 years, and entered in the order of the Jesuits. Here it carried to term the biennial novitiate and the triennial course of philosophy, that it inside qualified it to the instruction of the Order to Loreto and Prato.
[edit] Return to Ragusa
It returned to Ragusa in 1705, like erudite priest with remarkable linguistiche competences in Latin, Greek and in some modern languages. In 1707 it left the order of the Jesuits in order to rejoin with the Benedictines, being taken the name of Ignazio Order. From 1713 to the 1723 it was dedicated to the writings. In that time it wove relationships of intense sympathy with the Academy of the Pigroni. Soggiornò in the monastero of Saint Giacomo close to Ragusa, but after an argument with the Senate of the Republic, came esiliato in Italy for two years.
To the return in its monastery he became some Abbot, it was moved for a short time on the island of Meleda, and returned in the monastery of Saint Giacomo, where it died the 21 or 22 January 1737, and it was buried them.
He was poet trilingue, it wrote deals to you historical-biographical, satirica poetry and religious, controversies that reveal a detached dowry for the pungente spirit and place it in the tradition been born from the tradition of the humanistic comic poetry. Giorgi, whose works are placed to you concern to us of the baroque literary tradition to Ragusa, appears an exponent of the tardoumanistica spiritual contradiction and the last phase of dalmatica literature a been born from alive and tenacious fidelity to the italiche traditions, that one acknowledges also in its poetry in Slav.