Humdrum
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Humdrum is an animated short film directed by Peter Peake. It was released in 1998 and produced by Aardman Animations and received an Oscar nomination for Animated Short Film and a BAFTA nomination in the same category.
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[edit] Plot summary
The film features two anonymous Scottish-accented Shadow Puppets (voiced by Jack Docherty and Moray Hunter) who are sitting around a table with nothing to do. They explore and reject several options including watching television (the only thing on is 'some weird animation thing'), listening to the radio (but 'it's all the same rubbish these days' - in this case La Cucaracha) and playing chess (the white pieces have been eaten due to a bet).This is briefly interrupted when the doorbell rings and one character answers it to find a pesky dog (in actual fact a double-glazing salesman for some reason) before the other persuades him to enter into a game of shadow puppets. The first character is frustrated by his acquaintance's appalling representation of a cow and later his failure to recognise a really quite fantastic rabbit (His mislead guesses include a 'fire engine chasing an igloo' and an 'auto with two sausage strapped to his head'). After an amusing outburst from the poor fellow, his annoying partner accuses him of being 'shorty'. This leads him to explode, furiously crying "I'm stuck indoors playing 'Guess the misshapen beast' with someone who clearly wouldn't recognise a rabbit if it came to his house for tea, said 'What's up Doc?' and started burrowing into his head! There are blind people with no fingers who are better at shadow puppets than you! No wonder I'm a 'tad miffed!'" An awkward silence follows this, until the doorbell rings and the first character goes to answer it, and finds the second character's 'cow' shadow puppet, which moos. Despite being disappointed with being wrong about a cow's appearance, he simply responds to this with a cheery "Not today, thank you." and closes the door in front of the camera, thus ending the animation.
[edit] Film technique
The film employs a distinctive stop motion cutout animation technique to animate the shadow puppets, making them move in ways that traditional shadow puppets cannot but retaining the impression of being projected onto every day backgrounds.
[edit] The Credits
- Music by: Andy Price
- Lighting Camera: Jeremy Hogg, Toby Howell, Andy MacCormack
- Title Designer: Marg Day
- Cutting Room Assistant: Maggie O'Connor
- Sparks: John Bradley, John Truckle
- Technical Boffs: Janet Legg, Alan Yates
- Special Thanks to: Pete Atkin, Maxine Guest, Claire Jennings, Terry Krejzl, Helen Nabarro, Lynda Ware
- Production Designer: Peter Peake
- Dubbing Editors: Ben Jones, James Mather, Tamsin Parry
- Production Assistants: Margaret House-Hayes, Lisa Pavitt
- Film Editor: Nick Upton
- Associate Producer: Julie Lockhart
- Executive Producers: Peter Lord, David Sproxton
- Produced by: Michael Rose, Carla Shelley
- Written and Directed by: Peter Peake
[edit] See also
- List of stop-motion films
- Silhouette animation (a similar technique but with the light coming from behind)