Henry VI, Part 3

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Title page of the first octavo
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Title page of the first octavo

The Third Part of Henry the Sixth, originally known as The True Tragedy of Richard, Duke of York, and the Good King Henry the Sixth is the third of William Shakespeare's plays set during the lifetime of King Henry VI of England, and prepares the ground for one of his best-known and most controversial plays: the tragedy of King Richard III (Richard III of England). It follows on from Henry VI, part 1 and Henry VI, part 2, though they may not have been written in that order.

The play is considered the best of the three "Henry VI" plays and evidence of Shakespeare's ability to produce scenes of moving drama. Of particular note are Act I, Scene 4, a dramatic torture followed by an indictment of the vicious Queen, Act II, Scene 5, a gloomy commentary by the title character on the ravages of war and the trials of kingship, and Act V, Scenes 5 and 6, in which two significant characters are killed in an unrealistic albeit dramatically effective manner. Act III, Scene 2, a comic courtship, also hints at the romantic comedies to come.

Like the preceding plays, "King Henry VI, Part III" is biased. Shakespeare writes from an anti-Yorkist standpoint most of the time, with the exception of Act I, Scene 4, which slanders Margaret of Anjou. Richard, Duke of Gloucester in particular is treated unfairly, and aged considerably in order to enable his increased participation.

This was one of Shakespeare's earliest plays, being written (with the other two parts) around 1590. (See the Chronology of Shakespeare plays.)

Contents

[edit] Performance and Publication

The play must have been on the stage by 1592, when Robert Greene parodied one of the play's lines in his pamphlet A Groatsworth of Wit (1592). The title page of the first published text states that the play was "sundry times acted" before its 1595 printing.

The relationship of that original 1595 text, The True Tragedy of Richard Duke of York (reprinted in 1600 and 1619), with the text of the First Folio (1623) has been a point of scholarly dispute. Nineteenth-century critics tended to see the True Tragedy as an anonymous play that Shakespeare used as a source; some even tried to attribute it to a known dramatist—like Thomas Lodge, or George Peele.[1] In 1929, Peter Alexander argued that the text belonged in the "bad quarto" category established by the New Bibliography.

The 1619 reprint of The True Tragedy was part of William Jaggard's False Folio.

[edit] Plot Summary

The play begins a confrontation between Richard, Duke of York and the reigning King Henry VI and their respective supporters. Threatened with physical violence by the Earl of Warwick (Richard Neville, Earl of Warwick), the king brokers a deal to make York his heir. Disgusted at his cowardice, his supporters abandon him. The Queen, Margaret of Anjou, makes it clear that she will not agree to this, and declares war on the Yorkists, with the assistance of the young Lord Clifford and other supporters, including her son, Edward, Prince of Wales.

At the Battle of Wakefield, the Yorkists are defeated, and there follow some of the bloodiest and most heart-rending scenes in all of Shakespeare, as Clifford murders York's young son, the Earl of Rutland. (In reality, Rutland was seventeen and had taken full part in the battle.) Margaret and Clifford then taunt the duke of York before killing him. The Earl of Warwick now takes York's eldest son, Edward (King Edward IV of England) under his wing. At the Battle of Towton, they take revenge on Margaret's army, and Clifford is killed. Following the battle, Edward is proclaimed king, and his two brothers, George and Richard are created Dukes of Clarence and Gloucester respectively. Richard is already showing signs of turning into one of Shakespeare's most famous villains, though in reality he was less than ten years old at the time of the battle.

Warwick turns against Edward when he marries Lady Grey (Elizabeth Woodville) while Warwick is in France courting the French king's sister on Edward's behalf. Queen Margaret, in France with the Prince of Wales to beg military aid from France, accepts the reconciliation; the Prince agrees to marry Warwick's daughter. The Duke of Clarence goes over to Warwick, marrying his other daughter. The invasion succeeds, and Edward IV is taken prisoner. Henry is restored to the throne and Warwick and Clarence are appointed as protectors. However, Edward is soon rescued by his brother Richard and the faithful Lord Hastings. News of this reaches Henry's court, and the young Earl of Richmond (the future King Henry VII of England), a descendant of John of Gaunt and therefore a potential Lancastrian heir, is shipped into exile in France for safekeeping. Edward defeats and kills Warwick at the Battle of Barnet. In a subsequent battle (Battle of Tewkesbury), he kills the Prince of Wales and captures Queen Margaret. Richard of Gloucester begins his campaign to remove all obstacles in his path to the throne by murdering King Henry VI who is a captive in the Tower of London. Henry prophesies Richard's career of villainy and his future notoriety. The play ends with the Yorkists apparently established for good: The Lancastrians are dead or exiled and the king's son has just been born. Only Richard knows the trouble yet to come.

[edit] Cast

  • Soldiers, attendants, etc.

[edit] Note

  1. ^ F. E. Halliday, A Shakespeare Companion 1564-1964, Baltimore, Penguin, 1964; p. 504.

[edit] Reference

  • Peter Alexander, Shakespeare's Henry VI and Richard III, Cambridge, Cambridge University Press, 1929.

[edit] External links

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The complete works of William Shakespeare
Tragedies: Romeo and Juliet | Macbeth | King Lear | Hamlet | Othello | Titus Andronicus | Julius Caesar | Antony and Cleopatra | Coriolanus | Troilus and Cressida | Timon of Athens
Comedies: A Midsummer Night's Dream | All's Well That Ends Well | As You Like It | Cymbeline | Love's Labour's Lost | Measure for Measure | The Merchant of Venice | The Merry Wives of Windsor | Much Ado About Nothing | Pericles, Prince of Tyre | Taming of the Shrew | The Comedy of Errors | The Tempest | Twelfth Night, or What You Will | The Two Gentlemen of Verona | The Two Noble Kinsmen | The Winter's Tale
Histories: King John | Richard II | Henry IV, Part 1 | Henry IV, Part 2 | Henry V | Henry VI, part 1 | Henry VI, part 2 | Henry VI, part 3 | Richard III | Henry VIII
Poems and Sonnets: Sonnets | Venus and Adonis | The Rape of Lucrece | The Passionate Pilgrim | The Phoenix and the Turtle | A Lover's Complaint
Apocrypha and Lost Plays Edward III | Sir Thomas More | Cardenio (lost) | Love's Labour's Won (lost) | The Birth of Merlin | Locrine | The London Prodigal | The Puritan | The Second Maiden's Tragedy | Richard II, Part I: Thomas of Woodstock | Sir John Oldcastle | Thomas Lord Cromwell | A Yorkshire Tragedy | Fair Em | Mucedorus | The Merry Devil of Edmonton | Arden of Faversham | Edmund Ironside
See also: Shakespeare on screen | Titles based on Shakespeare | Characters | Problem Plays | Ghost characters | Reputation | New Words | Influence on English Language | Authorship Question
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