Henry Cole
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Sir Henry Cole (15 July 1808, Bath, England – 18 April 1882, London, England) was a civil servant who facilitated many innovations in commerce and education in 19th century Britain.
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[edit] Biography
Cole began his career at the age of 15 at the Public Record Office, where he became Assistant Keeper and was instrumental in reforming the organisation and preservation of the British national archives.
From 1837 to 1840, he worked as an assistant to Rowland Hill and played a key role in the introduction of the Penny Post. He is sometimes credited with the design of the world's first postage stamp, the Penny Black.
In 1843, Cole introduced the world's first commercial Christmas card, commissioning artist John Callcott Horsley to make the artwork.
[edit] As Felix Summerly
Cole was personally interested in industrial design, and under the pseudonym Felix Summerly designed a number of items which went into production, including a prize-winning teapot manufactured by Minton. As Felix Summerly, he also wrote a series of children's books, including A book of stories from The home treasury; A hand-book for the architecture, sculpture, tombs, and decorations of Westminster Abbey (1859); and The most delectable history of Reynard the Fox (illustrated with twenty-four coloured pictures by Aldert van Everdingen) (1846).
[edit] Cole and the Exhibitions
Through his membership of the Society for the Encouragement of Arts, Manufactures, and Commerce, Cole lobbied government for support for his campaign to improve standards in industrial design. The backing of Prince Albert was secured, and in 1847 a royal charter was granted to the Royal Society for the Encouragement of Arts, Manufactures and Commerce (RSA). Under the patronage of Prince Albert, Cole organized a successful Exhibition of Art Manufactures in 1847, with enlarged exhibitions following in 1848 and 1849.
Cole visited the 1849 11th Quinquennial Paris Exhibition and noticed the lack of an exhibition open to international participants. He saw that the RSA's planned exhibitions for 1850 and 1851 could be adapted into a larger international exhibition, and he secured the backing of Queen Victoria to establish in 1850 the Royal Commission for the Exhibition of 1851 to manage the new exhibition, under the Presidency of Prince Albert.
The Great Exhibition of the Works of Industry of all Nations was held in The Crystal Palace in Hyde Park, London, from 1 May to 15 October 1851, and was an enormous popular and financial success, partially due to the astute management of Henry Cole.
As one of the Commissioners, Cole was instrumental in the decision that the £186,000 surplus from the Great Exhibition would be used for improving science and art education in the United Kingdom. Land was purchased in the South Kensington area and developed as the centre for a number of educational and cultural institutions, known half-jokingly as "Albertopolis". Henry Cole was appointed the first General Superintendent of the Department of Practical Art, set up by the government to improve standards of art and design education in Britain with reference to their applicability to industry. In this capacity he was instrumental in the development of the Victoria and Albert Museum which had begun as the Museum of Ornamental Art in Marlborough House. Cole oversaw its move to its current site, and became first director of what was initially called South Kensington Museum from 1857 to 1873.
[edit] Honors and Legacy
He was instrumental in the development of the Royal College of Art as a postgraduate design school and played a part in the establishment of many other South Kensington institutions, such as the Royal College of Music and Imperial College London. In fact, the Imperial College Mathematics Department was formerly based in the Sir Henry Cole Wing on Exhibition Road, before the premises were donated to the Victoria & Albert Museum.
He was awarded the CB for his work on the Great Exhibition and was knighted by Queen Victoria in 1875. Often referred to in the press as "Old King" Cole, he was known to have the closest personal backing of the Queen and especially of the Prince Consort, who when he needed a facilitator for one of his pet projects, was heard to remark: "We must have steam, get Cole".
[edit] Further reading
- Henry Cole – Fifty years of public work of Sir Henry Cole accounted for in his deeds, speeches and writings. In two volumes. London, Bell and Sons, 1884 (Completed by Henrietta and Alan S. Cole after Henry Cole's death)
- Elizabeth Bonython – King Cole: A Picture Portrait of Sir Henry Cole, London, 1985
- (English) Design Council Archive _ University of Brighton Design Archives (Journal of Design and Manufactures is still not digitalised, but open to researchers.)
- (English) Journal of Design and Manufactures
