Great Synagogue, Plzeň

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Basic information
Great Synagogue, Plzeň Velká Synagoga

Location	Plzeň, Czech Republic
Architectural description
Architect/s	Emmanuel Klotz
Architectual style	Moorish-Romanesque
Year completed	1892
Construction cost	162,138 guilders
Specifications
Height (max)	45 meters

The Great Synagogue (Czech: Velká Synagoga) in Plzeň, Czech Republic is the second largest synagogue in Europe.

A Viennese architect called Fleischer drew up the original plans for the synagogue in Gothic style with granite buttresses and twin 65-meter towers. The cornerstone was laid on December 2, 1888 and that was about as far as it got. City councillors rejected the plan in a clear case of tower envy as they felt that the grand erection would compete with the nearby St. Bartolomeus Church. Emmanuel Klotz put forward a new design in 1890 retaining the original ground plan and hence the cornerstone, but lowering the towers by 20m and creating the distinctive look combining Romantic and neo-Renaissance styles covered with Oriental decorations and a giant Star of David. The design was quickly approved and master builder Rudolf Štech completed work in 1893 for the bargain price of 162,138 guilders. At the time the Jewish community in Plzeň numbered some 2,000. The mixture of styles is truly bewildering; from the onion domes of a Russian orthodox church, to the Islamic style ceiling, to the distinctly Indian looking Aron kodesh. The synagogue served uninterrupted until the Nazi occupation of World War II, and the Jewish community that retook possession of the synagogue at the end of hostilities had been decimated by the Holocaust. The last regular service was held in 1973, and then the synagogue was closed down and allowed to fall into disrepair under communist rule. Restoration was undertaken from 1995-98, and the synagogue was reopened on February 11, 1998 for the significantly higher price of 63 million Kč. The building is now put to good use with the central hall used for concerts from such legends as Joseph Malowany, Peter Dvorský, and even Karel Gott, while the walls play host to temporary photographic exhibitions of various worthy-causes.