Graham Gouldman
From Wikipedia, the free encyclopedia
| Graham Gouldman | ||
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| Background information | ||
| Born | May 10, 1946 | |
| Origin | Broughton, Salford, England | |
| Genre(s) | Soft rock, Pop | |
| Instrument(s) | Guitar, Bass | |
| Years active | 1963—present | |
| Label(s) | Mercury Records, A&M | |
| Associated acts |
10cc Wax |
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| Website | gg06.co.uk | |
Graham Keith Gouldman (born on 10 May 1946, in Broughton, Salford, Lancashire, in England) is an English songwriter and musician who was a long-time member of British band 10cc.
Contents |
[edit] Career
[edit] '60s pop career: 1963-1968
Gouldman played in a number of Manchester bands from 1963, including The High Spots, The Crevattes, The Planets and Whirlwind, which became a house band at his local Jewish Lads' Brigade. The Whirlwinds – comprising Gouldman (vocals, guitar), Bernard Basso (bass), Stephen Jacobsen (guitar, bongos), Malcom Wagner, Maurice Spering and Phil Cohen – secured a recording contract with HMV, releasing a cover of the Buddy Holly song “Look At Me”, backed with "Baby Not Like You", written by Lol Creme, in June 1964.
In late 1964 Gouldman dissolved Whirlwind and in February 1965 formed The Mockingbirds with Jacobsen and Basso and a former member of fellow Manchester band The Sabres, Kevin Godley (drums). The Mockingbirds signed with the Columbia label, which rejected Gouldman’s first offering as a single – "For Your Love" (later a major hit for The Yardbirds) and issued two inferior tracks, "That’s How (It’s Gonna Stay" (February 1965) and "I Can Feel We’re Parting" (May 1965)[1]. The band switched to the Immediate label for "You Stole My Love" (October 1965) and Decca for "One By One" (July 1966) and "How to Find a Lover" (October 1966)[2].
The band also began a regular warm-up spot for BBC TV’s Top of the Pops, transmitted from Manchester.[1]
In 1966-67 Gouldman recorded singles with two other bands, High Society and The Manchester Mob, both of which featured singer Peter Cowap.[3]
From 1965 Gouldman wrote a string of million-selling hit songs: as well as "For Your Love" he penned "Heart Full of Soul", "Still I'm Sad", and "Evil-Hearted You" for The Yardbirds, "Bus Stop" and "Look Through Any Window” for The Hollies', "No Milk Today" and "Listen People" for Herman's Hermits, "Pamela, Pamela" for Wayne Fontana and the Mindbenders, "Behind the Door" for Cher and "Tallyman" for Jeff Beck.
He signed as a songwriter for the Robbins Music company in 1967 and a year later released three singles as a solo artist before recording his debut solo album, The Graham Gouldman Thing. In March 1968 Gouldman stepped in as a temporary replacement for bassist Bob Lang in The Mindbenders, writing the band’s final single, "Uncle Joe, the Ice Cream Man". The Mindbenders dissolved in November 1968.
[edit] Writer for hire: 1969-1972
Gouldman’s reputation as a hit songwriter attracted the attention of bubblegum pop producers Jerry Kasenetz and Jeff Katz of Super K Productions, who invited him to New York to write formula bubblegum songs.
In what he later called a "creative lowpoint",[4] Gouldman accepted. One of his first tasks for Super K was writing and singing lead vocals on "Sausalito (Is the Place to Go)", which was released in July 1969 under the name of The Ohio Express.
In December 1969 Gouldman convinced Kasenetz and Katz that the series of throwaway two-minute songs he was writing could all be performed and produced by him and three friends, Godley, Creme and former Mindbender Eric Stewart, at a fraction of the price of hiring outside session musicians. He proposed the quartet work at Strawberry Studios, a Stockport recording studio in which he and Stewart were financial partners. Kasenetz and Katz booked the studio for three months.
Kevin Godley later recalled:
| We did a lot of tracks in a very short time – it was really like a machine. Twenty tracks in about two weeks – a lot of crap really &ndash really shit. We used to do the voices, everything – it saved 'em money. We even did the female backing vocals. |
When the three-month production deal with Kasenetz-Katz ended, Gouldman returned to New York to work as a staff songwriter for Super K Productions while the remaining three continued to dabble in the studio.
In late 1970 Gouldman returned to the UK to join Stewart, Godley and Creme – who had in the interim scored an international hit single with "Neanderthal Man" under the name of Hotlegs – on an abbreviated British tour supporting The Moody Blues.
[edit] 10cc: 1972-1983
The four musicians continued work at Strawberry Studios, producing and backing artists including Cowap, Dave Berry, Wayne Fontana, Herman's Hermits and Neil Sedaka. In July 1972 they were signed by entrepreneur, producer and recording artist Jonathan King and bestowed with the name 10cc.
Over the course of the next 23 years, 10cc scored three UK No.1 singles and five Top 10 albums, with Gouldman co-writing some of their biggest hits, including "The Wall Street Shuffle" (1974), "I'm Not In Love" (1975), "I’m Mandy, Fly Me" and "Art For Art’s Sake" (1976), "The Things We Do For Love" (1977) and "Dreadlock Holiday" (1978).
When Godley and Creme departed in 1976 to explore new musical territories, Gouldman remained with Stewart, continuing the band essentially as a two-piece, although with regular collaborators including Rick Fenn, Paul Burgess and Stuart Tosh. 1980’s Look Hear? album marked the end of the band’s run of chart success and 1983’s Windows in the Jungle became the last 10cc album for more than a decade.
In 1979 Gouldman scored a minor hit with his single "Sunburn", written for the Farrah Fawcett/Charles Grodin film of the same name. Two years later he produced the Pleasant Dreams album for the Ramones – a record dismissed by the band’s guitarist, Johnny Ramone, as "too slick".
For more information, see the main entry at 10cc
[edit] Wax tracks: 1984-1990
From 1984 to 1990 Gouldman teamed with American singer Andrew Gold, with whom he had co-written material in 1981, to form Wax. They produced four albums. Gold explained how the partnership began:
| In 1982 I was called by the (then) Head of A&R at Warner Brothers Lenny Waronker, who I had known for years. He asked if I was a fan of 10cc, and I told him that indeed I was, very much. He said the band had a new album they were releasing called Ten Out Of 10, and he was of the opinion that, although the album was very strong, it might benefit the US audience to have a few additional cuts tailored more for the American ear. As he knew I was an Anglophile, we might hit it off well.
I said it would be an honour if the band said OK. I spoke to Graham and Eric by phone and soon I was in the UK, co-writing and co-producing three tracks for the album, which was a blast to do and turned out very well. During the course of my three-week stay, Eric, Graham and I fell in love, as it were, and soon they asked me to join the band, which was an extremely exciting offer. For various reasons, which now seem dumb to me, and after great consideration, I demurred in favour of pursuing my own career and returned to America. But before long Graham and I were talking again, and he asked if I wanted to return to England to write and just kind of hang for a few weeks. I went and ended up staying for seven months. Eric had decided to take some time off from 10cc and Graham, ever happy to be working, hunkered down with me writing and recording in his home studio in Cheshire. Soon we realised that what we were doing was basically writing and recording a home made band album.[ http://www.minestrone.org/lp0067.htm] |
[edit] 10cc again: 1992-1995
After a 12-year break Gouldman and Stewart resurrected 10cc for 1992’s ...Meanwhile album, which featured performances by Godley, Creme and Gold. Three years later came the final album by the band, Mirror Mirror. By then the decades-long partnership between Gouldman and Stewart was apparently over: the pair each wrote and recorded six songs separately, in different countries, playing together on just one song – an acoustic reworking of "I’m Not In Love".
The final album featured a song, "Ready to Go Home", written by Gouldman in memory of his father, poet and playwright Hyme Gouldman, who had died in 1991.
In an interview with the Jewish Telegraph Gouldman spoke of his father’s influence on his life and career:
| I'm always happy to talk about my father. He was the biggest influence on me. I always used to phone him during my 10cc days for help. Kevin called him "Hyme the Rhyme". He loved words. He always taught me to be original. He had high standards. He was a genius. What he did for a living was incidental, it was the writing that he lived for. And some of that has rubbed off on me. |
Gouldman included a new version of the song on his 2000 solo album, And Another Thing.... On the liner notes of his solo album, he noted: "It reflects my feelings at the time. I suppose I was trying to put a positive slant on his passing, remembering all the things we had done together and his artistic legacy to me. The last verse of the song best reflects my feelings on this. This song has been recorded by many artists and remains one of my favourites. Very emotional."
[edit] Graham Gouldman and Friends: 2004-2006
Gouldman began touring as "10cc featuring Graham Gouldman and Friends", with his band comprising Rick Fenn, Paul Burgess, Mike Stevens and Mick Wilson.
In January 2004 he reconvened with Kevin Godley to write more songs. Godley explained:
| In a nutshell ... unfinished business. In all the years we’ve known each other we’ve only written three pure, Godley-Gouldman songs. That, and a desire to find out if the music muscle still worked with someone I enjoyed and didn’t have to spend weeks getting to know. |
In Gouldman’s words:
| Kevin and I have always stayed in touch even though we haven’t actually worked together for many years, so I was delighted when he called to suggest we write some songs. When I asked "Why?" He said, "No reason ... just to do it and see what happens." A good enough reason for me. What followed was a series of writing and recording sessions ... Something like the early days when we wrote and recorded for ourselves with one ear half cocked for something that broke the mould.
I always figured Mr G had the best voice in the band, ironic then that he never sang lead on a 10cc single … Even I managed that. Now justice has been done. Kevin’s voice and razor sharp lyrics take us to places we haven’t visited before… Always a good place to start.[5] |
In July 2006, Godley and Gouldman's website offered four downloadable tracks, "The Same Road", "Johnny Hurts", "Beautifulloser.com" and "Hooligan Crane". The songs are the initial "offering" of a group of songs they have been working on over the past two years.
[edit] Discography
[edit] Albums
- The Graham Gouldman Thing (1968) (USA) RCA Victor LPM-3954 (mono), LSP-3954 (stereo)
- Animalympics (1980) (USA) A&M SP-4580
- And Another Thing... (2002) Dome FLYCD14
[edit] Singles
- "Sunburn" (1979) UK #52 Australia #26 - theme music to film Sunburn
[edit] References
- Guinness Book of British Hit Singles 7th Edition - 1988
- ^ "Q Rock Stars Encylopedia" by Dafydd Rees and Luke Crampton, Dorling Kindersley, 1999
