George Thalben-Ball
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Sir George Thomas Thalben-Ball (18th June 1896 - 18th January 1987) was an English organist and composer.
He was born in Sydney, Australia of English parents who brought him back to England when he was 4. Until he was a young man he went by the name of George Thomas Ball.
He studied piano at the Royal College of Music in London at the unusually early age of 14 and there he was the soloist in the first English performance of Rachmaninov's famously difficult Piano Concerto No. 3. He also studied the organ there and was elected a Fellow of the Royal College of Organists (of which he later became President).
He was asked to deputise as organist at the Temple Church by its then organist Sir Henry Walford Davies and, in 1923, he succeeded him as organist and director of the Temple Church choir, a post he was to retain for nearly sixty years.
Under his direction, the choir achieved in 1927 international fame with its ground breaking recording of Mendelssohn's Hear My Prayer with boy soprano soloist Ernest Lough. This was followed by a number of other recordings on the HMV label.
He composed numerous anthems and organ works of which the best known is his meditative Elegy for organ which was played, for example, at the funeral of Diana Princess of Wales. It was said to have had its origin in an improvisation which Thalben-Ball played one morning at the conclusion of a Temple Church service. He also compiled a complete set of chants for the psalms, most of them being original compositions by himself, which was published as The Choral Psalter.
In 1935 he was awarded the Lambeth degree of Doctor of Music and from that time until his knighthood was generally known by his colleagues, as Walford Davies had been known before him, simply as "Doctor".
He was a regular broadcaster for the BBC. He was also a frequent organ recitalist in many concert venues and opened the organs at the Royal Albert Hall (where he had the post of curator organist) and the BBC Concert Hall. He was also, for 30 years, Civic and University Organist to the City of Birmingham where he gave over 1,000 weekly recitals.
He continued in post at the Temple Church until 1982 and, immediately upon his retirement, received his knighthood.
Thalben-Ball was throughout his life an unashamed virtuoso and performer, whether as pianist, organist, choirmaster or broadcaster. His style of performance was rooted in the nineteenth century and made full use of every facility of the modern organ: with many registration changes, ample swell pedal and dramatic contrasts in dynamic, even when playing baroque repertoire. He could sightread, transpose and improvise in any style and at any length to the highest standard without effort. Long after this had ceased to be customary elsewhere, he retained full conduct of his choir, without any assistant organist or voice coach.
He was twice married and had a son.
