Genesius of Rome
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| Saint Genesius of Rome | |
|---|---|
| Actor & Martyr | |
| Born | unknown |
| Died | 286 or c. 303 |
| Venerated in | Roman Catholic Church |
| Beatified | 741 |
| Major shrine | chapel of St. Lawrence Rome |
| Feast | August 25 |
| Patronage | actors, comedians, converts, dancers, printers, prostitutes, lawyers, epileptics, thieves, torture victims |
 Saints Portal |
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Saint Genesius of Rome (died c. 286 or c. 303) was an actor hired for a play that made fun of Christian Baptism. During a performance in Rome before the emperor Diocletian Genesius had a change of heart and converted. Genesius proclaimed seeing visions of angels and announced his new found allegiance to Jesus. He was killed for his actions.
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[edit] Last show and death
At the start of the play Genesius lay down on the stage as if sick. Two other actors asked what ailed him. Genesius said he felt a great weight that he wanted removed. Hence, two other actors, dressed as a priest and exorcist, were called in. They asked what the star wanted. He replied, “A baptism.” There upon, he said, he saw a vision of angels bearing a book with all his sins inscribed. The actor portraying the priest asked him: "My child, why did you send for me?"
At this point, Genesius claimed to actually see Angels and asked to be baptized himself onstage. Enraged, Diocletian had him turned over to Plautia, prefect of the praetorium, who tortured him in an effort to force him to sacrifice to the pagan gods. When Genesius persisted in his faith, he was beheaded.
[edit] Burial and legacy
He was buried on the Via Tiburtina. His relics are said to be partly in San Giovanni della Pigna, partly in Santa Susanna di Termini and in the chapel of St. Lawrence. The legend was dramatized in the fifteenth century; embodied in later years in the oratorio "Polus Atella" of Löwe, and still more recently in a work by Weingartner. The historic value of the Acts, dating from the seventh century, is very doubtful, though defended by Tillemont (Mémoires, IV s. v. Genesius). The very existence of Genesius is called into question, and he is held to be a Roman counterpart of St. Gelasius (or Gelasinus) of Hierapolis (d. 297). He was venerated, however, at Rome in the fourth century: a church was built in his honour very early, and was repaired and beautified by Pope Gregory III in 741.
He is the patron saint of actors, attorneys, barristers, clowns, comedians, comics, converts, dancers, epileptics, lawyers, musicians, printers, stenographers, and torture victims. His feast day is 25 August.
He should not be confused with Genesius of Arles.
[edit] External links
- Catholic Encyclopedia article on the various St. Genesius's
- Catholic Online article on St. Genesius of Rome
[edit] Alternative Interpretation - Rome, Arles or Both?
Although some say that Genesius of Arles and Genesius of Rome are not to be confused, in fact it seems that the cult properly should not differentiate between the two.
Genesius (Gennys) died as a martyr in c.303. He is mentioned in several sources as having been martyred under the persecutions of Maximian and Diocletian. Genesius was a legal clerk, and on one occasion was so upset by the edict of persecution that he heard that he left his position. He went in search of baptism, but was not trusted by the bishop he found, who instead advised him that marytrdom was at least as good in the eyes of God. Genesius was eventually beheaded.
The cult of Genesius spread quickly out of Arles and into other parts of the empire, including Rome, where a titular church was built. It was then assumed that he was a Roman martyr: hence 'Genesius of Rome'. Later on, even more confusion helped to create an entirely fictional legend, in which he was a comedian who had converted to Christianity half-way through performing an anti-Christian satire, and was then beheaded. This latter story began in the 6th century at the latest.
The Feast Day of Genesius is the 25th of August; the dedication of his basilica at Arles on the 16th of December.
See: Farmer, D. H., 1997. Oxford Dictionary of Saints. Fourth Edition. Oxford University Press, p. 200.
