Generation Swine
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Generation Swine | ||
Studio album by Mötley Crüe | ||
Released | June 24, 1997 | |
Recorded | 1996 | |
Genre | Rock Industrial |
|
Length | ? | |
Label | Elektra | |
Producer(s) | Scott Humphrey | |
Professional reviews | ||
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Mötley Crüe chronology | ||
Mötley Crüe (1994) |
Generation Swine (1997) |
New Tattoo (2000) |
Generation Swine, is an album by the American hard rock band Mötley Crüe released in 1997. The album was the first by the band with singer Vince Neil since 1989s Dr. Feelgood.
Contents |
[edit] The album
[edit] Background
Following the commercial failure of the Mötley Crüe album and tour, the band, then officially consisting of vocalist/guitarist John Corabi, bassist Nikki Sixx, drummer Tommy Lee and guitarist Mick Mars were under pressure by executives at Elektra records to return Mötley Crüe to the level of commercial success that the band enjoyed in the 1980s.
The band was so frustrated with the failure of the tour that they fired numerous people around the group, including their accountant, manager Doug Thaler, and their producer Bob Rock. The band then highered Allen Kovac as their new manager and started looking for another producer to work with for their next record which was originally titled Personality #9.[1][2]
After the mass firing, the band was called to a meeting with Warner Bros. CEO Doug Morris to discuss the current state of the band. At the meeting, Morris tried to convince Sixx and Lee to get rid of Corabi, as he wasn't a "star," and reunite with original singer Vince Neil. Sixx and Lee were not interested in the idea of working with Neil again, and insisted on keeping Corabi in the group. With some additional convincing from Elektra CEO Sylvia Rhone, Morris agreed and the band continued with their work.[1]
[edit] Recording
The band had returned to the studio intending to record a straight rock record, and with Rock producing they had recorded material such as "The Year I Lived In a Day" and "La Dolce Vita." The band was so excited about the new music, that according to Corabi; "At the end of each day we'd walk around the studio carrying our huge cocks in our hands because the music rocked so hard."[1]
After Rock was fired for being "Too expensive and overproduc[ing] the music,"[1] the band eventually chose Scott Humphrey to take Rock's place, and both Sixx and Lee agreed to serve as co-producers on the album. After Humphrey, Sixx and Lee took over as producers, the recording process became very disorganized. Humphrey and Sixx regularly argued over ideas for the album, and Mars' role in the band was greatly reduced due to an ongoing feud between him and Humphrey. Corabi was given a hard time as well, learning and writing material only to find it completely changed by the time he returned to the studio.
As the recording of the album continued, the band was still being pressured to reunite with Neil, and Corabi deceided that he had had enough of the frustration of working under the pressure that the band and Humphrey were putting on him. With Corabi out of the band, the door was now open for Neil to return.
Neil meanwhile, had been busy with his own solo career and the untimely death of his daughter, Skylar, when Kovac had approached him with the same idea of reuniting with Mötley Crüe. Neil, like Sixx and Lee, was against the idea or working with the band again, but Kovac had planted the idea in Neil's head that eventually changed his mind. After meeting with Sixx and Lee, Neil agreed to rejoin the band and finish the album who's titled had now been changed to Generation Swine.
Musically, the album shows Mötley Crüe trying to update their image and sound, and shows the band experimenting with current sounds such as electronica and alternative rock throughout the record. Most of the album was written while Corabi was with the band,[3] and as such Neil (who's voice is higher and cleaner than Corabi's) had difficulty adjusting his voice to the new material and sound.
Even with Neil back in the band, the album proved to be a departure from traditional Mötley Crüe albums. Besides the aforementioned experimenting with various types of music, the album featured Sixx and Lee on lead vocals for the first time. Sixx was featured on lead on the song "Rocketship," which was written as a love song to his new romance with model Donna D'Errico, and sang lead on parts of "Find Myself" and "Beauty." Lee was featured on lead vocals on the song "Brandon," which was a namesake song to his first born son, and his then-current wife, model Pamela Anderson.
Lyrically, the songs on the album ranged from drugs and prostituion on songs such as "Find Myself" and "Beauty," to the anti-suicide stance on "Flush," and familial love on "Rocketship" and "Brandon."
[edit] Reaction
When Generation Swine was released, it debuted at #4 on the Billboard charts and was awarded Gold status by the RIAA on August 27, 1997.[4] Despite the high initial charting position though, the album failed to return the band to the level of commerical success that had been hoped for with the reunion.
"Afraid" was released as the first single from the album. The video featured Hustler Magazine publisher Larry Flynt, who also put the band on the cover of Hustler Magazine. "Afraid" reached #10 on the US mainstream rock charts, but that too did little to generate interest in the album. The band felt that Elektra wasn't interested in promoting them properly, claiming that the label was only interested in promoting R & B acts. Rhone discredited this claim though, stating that Mötley Crüe were a major priority for Elektra and that the the label had spent a large sum of money in order to get the band to perform "Shout at the Devil '97" on the American Music Awards in January of 1997.[1]
[edit] Lawsuit
On July 7, 1997, Corabi filed a $4-million[5] lawsuit against the band for alleged breach of contract, fraud, and slander.[6] Corabi's claim was that he had not received royalties or credit for his work and contributions while he was in the band.[6]
Corabi was only officially credited for two songs on the original pressing of Generation Swine, "Flush" and "Let Us Prey," but claimed that he was responsible for at least 80% of the material.[5]
[edit] Track listing
- "Find Myself" (Nikki Sixx, Mick Mars, Tommy Lee) – 2:51
- "Afraid" (Sixx) – 4:07
- "Flush" (Sixx, Lee, John Corabi) – 5:03
- "Generation Swine" (Sixx, Lee) – 4:39
- "Confessions" (Lee, Mars) – 4:21
- "Beauty" (Sixx, Lee, Scott Humphrey)– 3:47
- "Glitter" (Sixx, Humphrey, Bryan Adams)– 5:00
- "Anybody Out There?" (Lee, Sixx) – 1:50
- "Let Us Prey" (Sixx, Corabi) – 4:22
- "Rocketship" (Sixx) – 2:05
- "A Rat Like Me" (Sixx) – 4:13
- "Shout at the Devil '97" (Sixx) – 3:43
- "Brandon" (Lee) – 3:25
[edit] 2003 remastered edition
In 2003, the band re-issued their albums on their own label Mötley Records including added bonus tracks from each album's specific era.
- 14. "Afraid" (Sixx) - (Swine/Jimbo Mix) – 3:58
- 15. "Wreck Me" (Lee, Vince Neil, Mars, Sixx) - (previously unreleased) – 4:19
- 16. "Kiss The Sky" (Corabi, Lee, Neil, Mars, Sixx) - (previously unreleased) – 4:47
- 17. "Rocketship" (Sixx) - (early demo) – 1:37
- 18. "Confessions" (Lee) - (featuring Tommy Lee on vocals, demo) – 3:35
- 19. "Afraid" (Sixx) - [Video]
[edit] Personnel
Vince Neil - vocals
Mick Mars - guitar
Nikki Sixx - bass, vocals, guitar
Tommy Lee - drums, vocals, piano
Mötley Crüe |
Vince Neil | Mick Mars | Nikki Sixx | Tommy Lee |
John Corabi | Randy Castillo | Samantha Maloney | Greg Leon | O'Dean | Robin |
Discography |
---|
Studio Albums: Too Fast for Love | Shout at the Devil | Theatre of Pain | Girls, Girls, Girls | Dr. Feelgood | Mötley Crüe | Generation Swine | New Tattoo |
Compilations and EPs: Decade of Decadence | Quaternary | Greatest Hits | Supersonic and Demonic Relics | Loud as F*@k | Red, White and Crüe |
Live albums: Live: Entertainment or Death | Carnival of Sins Live |
Related articles |
Brides of Destruction | Methods Of Mayhem |
[edit] References
- ^ a b c d e Lee, Tommy, Mick Mars, Vince Neil, Nikki Sixx and Neil Strauss. The Dirt: Confessions of the World's Most Notorious Rock Band, Regan Books, 2002. ISBN 0-06-039288-6
- ^ Rolling Stone Crue to be Kind
- ^ Crücial Crüe Remaster liner notes
- ^ RIAA Certification
- ^ a b Yahoo! News And Justice For All...Heavy Metal Lawsuits Parker, Lyndsey
- ^ a b Corabi Files Lawsuit Against Motley Crue, Elektra Records