Fritz Spiegl
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Fritz Spiegl (27 January 1926 - 23 March 2003) was an Austrian-born musician, journalist, broadcaster, humorist and collector who lived and worked in England from 1939.
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[edit] Early life
Spiegl was born near the Hungarian border in the village of Zurndorf, Burgenland, Austria, where his father was a businessman manufacturing, among other things, carbonated water. Spiegl attended the Gymnasium in Eisenstadt but, as the family were Jewish, they soon found themselves being persecuted by the Nazis in the wake of the Anschluss of 1938. All their property having been confiscated, Fritz's parents succeeded in leaving the country in 1939, eventually escaping to Bolivia while sending Fritz and his older sister Hanny (born 1923) to England, where, in Northamptonshire, they received a warm welcome.
A native speaker of German, Fritz Spiegl did not speak a word of English when he moved to England as a 13 year-old -- a fact which has often been regarded as the trigger for his preoccupation with language phenomena such as, say, malapropisms and for the biting yet humorous linguistic purism of his later years. As one commentator remarked, Spiegl
...soon knew a great deal more about the language than most English people do. And cared more too. One can understand this. It's galling, when you've taken the trouble to learn that "an alibi" is not the same as "an excuse", to find that the natives themselves seem to have forgotten the difference.
On arrival in Britain, Spiegl was sent to a minor public school, where he learned little beyond "rugger, plane-spotting and a bit of Latin". Eventually he went to London to work for an advertising agency. But he soon switched to music, taught himself to play the flute, enrolled at the Royal Academy of Music and, within a short time, became Principal Flautist with the Royal Liverpool Philharmonic Orchestra, a position he kept for more than a decade. Ear damage appears to have played a part in his exit from professional playing, as in later years he would occasionally refer to having been "invalided out by the brass section".
However, during that time he also pursued other interests and began his association with the BBC, aiming to be a popularizer of classical music. A resident of Liverpool, he organised annual Nuts in May concerts, featuring a Liszt Twist and other parody items. This approach helped draw new young audiences into concert halls. Less attracted to pop music, Spiegl once called the Beatles phenomenon "the greatest confidence trick since the Virgin Birth". However, he used to be tolerant towards journalists who, up to his death often misspellt his name Spiegel, Spiegle, Speigl, Speigel, or Speigle.
Fritz Spiegl died suddenly during a Sunday lunch with some friends and his wife, Ingrid Frances Spiegl.
[edit] Works
[edit] Compositions
As a composer, Spiegl scored a popular success with the original theme from the TV series Z-Cars, based on Johnny Todd, a Liverpool sea shanty. His Radio 4 UK Theme, in which national songs from each of the four constituent countries of the United Kingdom are ingeniously combined, sometimes in counterpoint with each other, and was heard on BBC Radio 4 at the beginning of each morning's broadcasting until April 2006.
[edit] Selected books
- How to Talk Proper in Liverpool (Lern Yerself Scouse S.) (1966)
- Keep Taking the Tabloids. What the Papers Say and How They Say It (1983)
- The Joy of Words. A Bedside Book for English Lovers (1986)
- The Lives, Wives and Loves of the Great Composers (1996)
- An Illustrated Everyday History of Liverpool and Merseyside (1998)
- MuSick Notes: A Medical Songbook (2001)
- Contradictionary: Of Confusibles, Lookalikes and Soundalikes (published posthumously in 2003)
[edit] Quotation from The Joy of Words
- "And do you know," said the Archbishop of Canterbury complaining to Winston Churchill about the upkeep of Lambeth Palace, "we have 42 bedrooms!" Churchill replied, "How very inconvenient." Then he added, "...especially when one reflects that you have only 39 Articles." Doubtless part of the Winston Book of Apocrypha; and in any case now so dated that the story has to be explained to most people under the age of 40.
