Freiburg Cathedral Boys' Choir
From Wikipedia, the free encyclopedia
The Freiburg Cathedral Boys' Choir (Freiburger Domsingknaben) is one ensemble of the "Freiburg Cathedral Music" in southwest Germany, which has a history that can be traced back over eight centuries. It is directed by Boris Böhmann and composed of about 55 boys and 25 adult voices. The choir has earned international reputation through its various concert tours.
Contents |
[edit] Historical Overview
As early as the 13th century, there is evidence of a Latin school which had an important role in the formation of choral music at the Cathedral in Freiburg. Since the 16th century, polyphonic music for the boys’ choir at the Cathedral has been passed down in written form.
The boys sang at early mass, at vespers, and on Sundays and holidays, often together with the Cathedral Chamber Choir, right into the 20th century. During the Nationalsocialist period, the choirs were dissolved, only to be officially reinstated on the Feast of All Saints in 1970. This was accomplished by Director of Music and prelate Dr. Raimund Hug, whose 30-year direction brought a new level of international acclaim for the choir. Since the 1970s, the Boys’ Choir has been responsible for Sunday and feast day masses at the Cathedral.
Besides this, it has performed in spiritual and secular concerts under such renowned conductors as Lorin Maazel, Michael Gielen, Neville Creed, Philippe Herreweghe, Roland Bader and Moshe Atzmon. For its musical achievements, the choir has received various honours and awards. Concert tours have taken the Freiburg Cathedral Boys’ Choir throughout Germany and Europe as well as to Canada, Japan, South America, South Africa and Australia. In 2003, conductor Boris Böhmann assumed the artistic direction of the Freiburg Cathedral Music, and has continued the tradition of a Boys’ Choir at the archepiscopal chair in Freiburg. Various CD productions of a cappella and oratorio works as well as many radio and television productions have confirmed the musical and artistic niveau of the Freiburg Cathedral Boys’ Choir up to the present day.
[edit] Musical training
The musical education and promotion of young singers has its home in the Archbishop’s Palace, directly across from the Cathedral in Freiburg. This historical residence of the Freiburg bishops was completely renovated in 1995, and since then has become an institution of the Freiburg Cathedral Music, known as the Freiburg Cathedral Choir School. Here, children from three years of age and upwards often come into contact with elements of classical music for the first time.
Before a youngster of 10 years of age is accepted into the Boys’ Chamber Choir, he must complete a challenging and comprehensive musical training from individual voice lessons, to choir stages (Early Education, Pre-Choir, A-Choir, Chamber Choir), to music theory. After having passed the entrance examination under the choir director, the singer receives a small Cathedral cross which symbolizes his complete affiliation with the Freiburg Cathedral Boys’ Choir. The men's voices consist of experienced former choir boys who are further instructed after the change of voice.
[edit] Discography
- W. A. Mozart: Requiem (2006)
- G.F. Händel: Dixit Dominus (2005)
- J. Haydn: Stabat Mater (2004)
- W. A. Mozart: Requiem (2003)
- Celebrations of the Church Year – Choir and Organ Pieces (2003)
- Baroque Christmas Concert from the Cathedral in Freiburg (DVD, 2002)
- Festive Music from Benedictan Monasteries of South-Western Germany (2002)
- Sax’n Dom – Children’s Songs (2002)
- J.B. Bach: St. Matthew Passion (2001)
- J. G. Rheinberger: The Star of Bethlehem (2001)
- Ave Maria – Songs of Mary (2000)
- G. Mahler: Symphony No. 3 (1997)
- Rejoice, Heavenly Queen (1997)
- Where One Sings: Popular Melodies with the Freiburg Cathedral Boys’ Choir (1996)
- Jesus is Born: The Saviour of the World (1994)
- Jubilate Deo – Festive Motettes of the Church Year (1994)
- For Unto Us a Child is Born – Christmas with the Freiburg Cathedral Boys’ Choir (1994)
- Masses by M. Haydn and J. G. Albrechtsberger (1991)
