Eugene Pallette

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Eugene Pallette (July 8, 1889-September 3, 1954) was an American actor who appeared in over 240 films.

Born in Winfield, Kansas, Pallette became a silent screen actor beginning in 1912. He quickly advanced to featured status, appearing in many westerns. He worked with D.W. Griffith on such famous films as The Birth of a Nation (1915) and Intolerance (1916). At this time, he was a slim, athletic figure onscreen, a far cry from the portly build that would gain him fame later in his career.

After gaining a substantial amount of weight, Pallette's status as a recognizable character actor rose. In 1927, Pallette signed as a regular for Hal Roach Studios, and was a reliable comic foil in several early Laurel and Hardy films before the advent of talkies. In later years, Pallette's weight may have topped out at 300 pounds.

Sound proved to be the second major career boost for Pallette. His inimitable rasping gravel voice (described as "half an octave below anyone else in the cast") made him one of Hollywood's most sought after character actors in the 1930s and 1940s.

The typical Pallette role was the comically exasperated head of the family (as in My Man Godfrey and The Lady Eve), the cynical backroom sharpy (as in Mr. Smith Goes to Washington), or the gruff detective. However, Pallette's best known role may be as Friar Tuck in The Adventures of Robin Hood (1938).

BBC commentator Dana Gioia gave this extensive description of Pallette's onscreen appeal:

"Pallette could anchor a scene just by walking downstairs. When he enters Preston Sturges's The Lady Eve (1941), trotting down to breakfast singing a merry ballad, he embodies all the small human hopes that screwball comedy exists to shatter.... The mature Pallette character is a creature of provocative contradictions—tough-minded but indulgent, earthy but epicurean, relaxed but excitable. His grit and gravel voice sounds simultaneously tough and comic. Even his corpulence is two-sided. In his best films Pallette made his fatness seem like a sign of moderation and common sense. As Friar Tuck in The Adventures of Robin Hood (1938) or Fray Felipe in The Mark of Zorro (1940), he shows that a fat priest is no heartless zealot but understands the sins of the flesh. Playing a tubby millionaire like the beer baron in The Lady Eve or Alexander Bullock in My Man Godfrey (1936), Pallette uses his girth to create a common touch. Stuffed into a tuxedo that seems perpetually near bursting, he seems more down-to-earth than the stylish high society types who surround him. Even Pallette's villains, like the corrupt and cynical politico Chick McCann in Mr. Smith Goes to Washington, are immensely likeable. Pushed too far, Pallette confidently uses his weight for physical force. When Bullock finally evicts the free-loading Carlo (Mischa Auer) in My Man Godfrey, we are not so much surprised as reassured by Pallette's manly strength. In battle his sword-wielding Friar Tuck is a glory to behold. Pallette may have gained weight, but he never lost his underlying virility."

In increasingly ill health by his late fifties, Pallette made fewer and fewer movies, and for lesser studios. His final film, Suspense, was released in 1946. He died in Los Angeles from cancer.