Ernst Toller

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Ernst Toller (December 1, 1893 – May 22, 1939) was a German Communist playwright, best known for his expressionist plays.

1 Biography
2 Works
3 Books
4 External links

[edit] Biography

Ernst Toller was born in Samotschin, Posen, Prussia (now Poland) in 1893. At the outbreak of the Great War, he volunteered for military duty, spent thirteen months on the Western Front, and suffered a complete physical and psychological collapse. His first drama, Transformation (Die Wandlung), was to be inspired by his wartime experiences.

Toller was involved in the 1919 Munich Soviet Republic along with other leading anarchists—such as B. Traven, Minister-President Kurt Eisner, and Gustav Landauer—and communists. This republic was short-lived and was defeated by right-wing forces. He was imprisoned for his part in the revolution.

While imprisoned, he completed work on Transformation, which premiered in Berlin under the direction of Karlheinz Martin in September 1919. At the time of Transformation's hundredth performance, the Bavarian government offered Toller a pardon, which the writer refused out of solidarity with other political prisoners. Toller would go on to write some of his most celebrated work in prison, including the dramas Masses Man (Masse Mensch), The Machine Breakers (Die Maschinenstürmer), Hinkemann, the German (Der deutsche Hinkemann), and many poems. It would not be until after his release from prison in July 1925 that he would finally see a performance of one of his plays. In 1925, the most famous of his later dramas, Hoppla, We're Alive (Hoppla, wir Leben!) directed by Erwin Piscator, premiered in Berlin. It tells the story of a revolutionary who is discharged from a mental hospital after eight years to discover that his once-revolutionary comrades have grown complacent and hopelessly compromised within the system they once opposed. In despair, he kills himself.

In 1933, while in Germany, he was detained by the Nazis. Toller recalled of the incident, "It was terrible and inhuman. The guards forced me to swallow almost a complete volume of one of my latest books". After this incident, he was exiled from Germany. His citizenship was nullified by the National Socialist government later that year. He traveled to London and participated as co-director in the Manchester production of his play Rake Out the Fires (Feuer aus den Kesseln) in 1935. He went on a lecture tour of the United States and Canada in 1936 and 1937, before settling in California, where he worked on screenplays which remained unproduced. Toller moved to New York City in 1936, where he lived with a group of artists and writers in exile, including Klaus Mann, Erika Mann, and Therese Giehse. Suffering from deep depression (his sister and brother had been arrested and sent to concentration camps) and financial woes (he had given all his money to Spanish civil war refugees), he committed suicide by hanging in his hotel room on May 22, 1939.

[edit] Works

Die Wandlung (1919)
Masse Mensch (1921)
Die Maschinenstürmer (1922)
Hinkemann (org. Der deutsche Hinkemann), Uraufführung (19 September 1923)
Hoppla, wir leben (1927)
Feuer aus den Kesseln (1930)
Eine Jugend in Deutschland (1933), autobiography, Amsterdam
Briefe aus dem Gefängnis (1935), Amsterdam
I was a German (1934), autobiography, New York

[edit] Books

Tankred Dorst: Toller, edition suhrkamp, Suhrkamp Verlag, ISBN 3-518-10294-X
Ernst Toller: Eine Jugend in Deutschland, ISBN 3-499-14178-7
Werner Fuld/Albert Ostermaier(Hrsg.): Die Göttin und ihr Sozialist: Gristiane Grauthoff - ihr Leben mit Ernst Toller, Weidle Verlag, Bonn 1996, ISBN 3-931135-18-7

His plays have been recently translated into English by Alan Pearlman.