Eric Lott

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Eric Lott (b. 1959) is an American social historian and a member of the English faculty of the University of Virginia. He received his Ph. D. in 1991 from Columbia University. Lott's book about the origins, evolution, and cultural significance of blackface minstrelsy, Love and Theft: Blackface Minstrelsy and the American Working Class (1993), received the 1994 Avery O. Craven Award from the Organization of American Historians and the first annual Modern Language Association's "Best First Book" prize. ^[1]

Bob Dylan is widely reported to have taken the title of his album Love and Theft from that of Lott's book; Lott, in turn, considered his own title "a riff on" Leslie Fiedler's Love and Death in the American Novel.^[2]

Love and Theft extensively documents the racism and cultural appropriation inherent in blackface performance; Lott also argues that it demonstrates a current of homosexual desire for Black men's bodies;^[3] he also argues that "mixed in with vicious parodies and lopsided appropriation, minstrelsy involved a real love of African American culture."^[4]

[edit] Books

• The Disappearing Liberal Intellectual (2006)
• Love and Theft: Blackface Minstrelsy and the American Working Class (1993)
• The Cambridge Handbook of American Literature (1986) (co-author)

[edit] Notes

1. ^ Nationally acclaimed author to give Nye Lecture as part of Ethnomusicology Forum University of Michigan, April 15, 1999. Accessed online 10 August 2006.
2. ^ David McNair and Jayson Whitehead interview with Lott on Gadfly Online. Accessed online 10 August 2006.
3. ^ Love and Theft, passim.
4. ^ Abstract for Lott's plenary talk "Love and Theft Revisited: Poseurs and Playas from Blackface to Hip-Hop (And What This All Means for Rock and Roll)" at the Pop Conference, Experience Music Project, 2005. Accessed online 10 August 2006.