Erato

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For other uses, see Erato (disambiguation).

Erato with Eros by Simon Vouet

In Greek mythology Erato's name would mean "lovely" if it were actually derived from Eros, as Apollonius of Rhodes playfully suggested in the invocation to Erato that begins Book III of his Argonautica. Erato was named with the other muses in Hesiod's Theogony. She was invoked at the beginning of a lost poem Rhadine that was refered to and briefly quoted by Strabo,^[1]: the love story of Rhadine made her supposed tomb on the island of Samos a pilgrimage site for star-crossed lovers in the time of Pausanias,^[2] and Erato was linked again with love in Plato's Phaedrus^[3]; nevertheless, even in the third century BCE, when Apollonius wrote, the Muses were not yet as inextricably linked to specific types of poetry as they became^[4] Erato is the Muse of lyric poetry, especially love and erotic poetry. In the Orphic hymn to the Muses, it is Erato who charms the sight. Since the Renaissance she is often shown with a wreath of myrtle and roses, holding a lyre, or a small kithara, a musical instrument that Apollo or she herself invented. In Simon Vouet's representation (illustration); at her feet two turtle-doves are eating seeds. Other representions may show her holding a golden arrow, reminding one of the "eros", the feeling that she inspires in everybody, and at times she is accompanied by the god Eros, holding a torch.

With Arcas she had one son: Azan.^{[citation needed]}

[edit] Notes

^ In Geography 8.3.20; Strabo's attribution of the poem to Stesichorus was refuted by H. J. Rose, "Stesichoros and the Rhadine-Fragment", The Classical Quarterly 26.2 (April 1932), pp. 88-92.
^ Description of Greece 7.5.13.
^ Phaedrus, 259
^ Richard Hunter, editor. Jason and the Golden Fleece (Oxford:Clarendon Press, 1993), p 66 note.