Enrico Caruso
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For the song "Caruso" by Lucio Dalla, see Caruso (song).
Enrico Caruso | |
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Years active | 1895-1921 |
Genres | Opera |
Enrico Caruso (February 25, 1873–August 2, 1921) was an Italian opera singer and one of the most famous tenors in history. Caruso was also the most popular singer in any genre in the first twenty years of the twentieth century and one of the pioneers of recorded music. Caruso's popular recordings and his extraordinary voice, known for its range, power, and beauty, made him one of the best-known stars of his time.
During his career, he made nearly 260 recordings and made millions of dollars from the sale of his 78 rpm records. While Caruso sang at many of the world's great opera houses including La Scala in Milan and Covent Garden in London, he is best known as the leading male singer at the Metropolitan Opera in New York City for seventeen years. Conductor Arturo Toscanini, who conducted some of the operas that Caruso sang in at the Met, considered him one of the greatest artists he had ever worked with.
Caruso was baptized in the Church of San Giovanni e Paolo on February 26, 1873, having been born in Naples, Italy, one day earlier. He began his career in Naples in 1894. The first major role that he created was Loris in Giordano's Fedora, at the Teatro Lirico in Milan, on November 17, 1898. At that same theater, on November 6, 1902, he created the role of Maurizio in Cilea's Adriana Lecouvreur.
In 1903, with the help of his agent, the banker Pasquale Simonelli, he went to New York City, and, on November 23 of that year, he made his debut with the Metropolitan Opera as the Duke of Mantua in Verdi's Rigoletto. The following year Caruso began his lifelong association with the Victor Talking-Machine Company; his star relationships with both the Metropolitan and Victor would last until 1920.
Caruso was one of the first star vocalists to make numerous recordings. He and the disc phonograph did much to promote each other in the first two decades of the 20th century. His 1902 recording of Vesti la giubba from Leoncavallo's Pagliacci was the world's first gramophone record to sell a million copies. Many of Caruso's recordings have remained in print since their original issue a century ago.
On December 10, 1910, he starred at the Met as Dick Johnson in the world premiere of Puccini's La Fanciulla del West. His last performance at the Met was as Eléazar in Halévy's La Juive on December 24, 1920.
Caruso died in 1921, from what is thought to be complications of pleurisy, apparently not diagnosed in time to save him. He was 48. He is buried in Naples.
Caruso was portrayed by Mario Lanza in a highly fictionalized Hollywood motion picture, The Great Caruso, in 1951.
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[edit] Trivia
- Caruso performed in Carmen in San Francisco in front of thousands the night before the great San Francisco earthquake of 1906. Caruso was staying at the Palace Hotel in San Francisco when the earthquake struck. His eyewitness account can be seen here.
- Since his death, numerous compilation albums of his work have been created. Certain recordings of his were predominantly used in Woody Allen's Match Point. His recording of O Paradiso is a key part of the play "Awake and Sing" by Clifford Odets.
- At a performance of Puccini's La Boheme, the basso onstage lost his voice and Caruso reputedly began to sing his aria "Vecchia zimarra" while the basso mouthed the song. His performance was so appreciated he even went to record it but later asked for it to be destroyed. This recording has recently been rediscovered [citation needed].
- According to the website Daily Rotten, on November 16, 1906, Caruso was "charged with an indecent act committed in the monkey house of New York's Central Park Zoo. He pinched the bottom of a woman described as 'pretty and plump', causing outrage amongst New York high society. Caruso claimed a monkey pinched the lady's bottom."
[edit] Repertoire
Caruso's repertoire was the following:
- L'Amico Francesco (Morelli) - Napoli, 15 March 1895 (Creation);
- Faust - Caserta, 28 March 1895;
- Cavalleria Rusticana - Caserta, April 1895;
- Camoens (Musoni)- Caserta, May 1895;
- Rigoletto - Napoli, 21 July 1895;
- La Traviata - Napoli, 25 August 1895;
- Lucia di Lammermoor - Cairo, 30 October 1895;
- La Gioconda - Cairo, 9 November 1895;
- Manon Lescaut - Cairo, 15 November 1895;
- I Capuleti e i Montecchi - Napoli, 7 December 1895;
- Malia - Trapani, 21 March 1896;
- La Sonnambula - Trapani, 24 March 1896;
- Marriedda - Napoli, 23 June 1896;
- I Puritani - Salerno, 10 September 1896;
- La Favorita - Salerno, 22 November 1896;
- A San Francisco - Salerno, 23 November 1896;
- Carmen - Salerno, 6 December 1896;
- Un Dramma in vendemmia - Napoli, 1 February 1897;
- Celeste - Napoli, 6 March 1897 (Creation);
- Il Profeta Velato - Salerno, 8 April 1897;
- La Bohème - Livorno, 14 August 1897;
- La Navarrese - Milano, 3 November 1897;
- Il Voto - Milano, 10 November 1897 (Creation);
- L'Arlesiana - Milano, 27 November 1897 (Creation);
- Pagliacci - Milano, 31 December 1897;
- La bohème (Leoncavallo) - Genova, 20 January 1898;
- The Pearl Fishers - Genova, 3 February 1898;
- Hedda - Milano, 2 April 1898 (Creation);
- Mefistofele - Fiume, 4 March 1898;
- Sapho - Trento, 3? June 1898;
- Fedora - Milano, 17 November 1898 (Creation);
- Iris - Buenos Aires, 22 June 1899;
- La Regina di Saba (Goldmark) - Buenos Aires, 4 July 1899;
- Yupanki - Buenos Aires, 25 July 1899;
- Aida - St. Petersburg, 3 January 1900;
- Un Ballo in Maschera - St. Petersburg, 11 January 1900;
- Maria di Rohan - St. Petersburg, 2 March 1900;
- Manon - Buenos Aires, 28 July 1900;
- Tosca - Treviso, 23 October 1900;
- Le Maschere - Milano, 17 January 1901 (Creation);
- L'Elisir d'Amore - Milano, 17 February 1901;
- Lohengrin - Buenos Aires, 7 July 1901;
- Germania - Milano, 11 March 1902 (Creation);
- Don Giovanni - London, 19 July 1902;
- Adriana Lecouvreur - Milano, 6 November 1902 (Creation);
- Lucrezia Borgia - Lisboa, 10 March 1903;
- Les Huguenots - New York, 3 February 1905;
- Martha - New York, 9 February 1906;
- Carmen - San Francisco, 17 April 1906 (the night before the great earthquake after which Caruso vowed never to return to San Francisco)
- Madama Butterfly - London, 26 May 1906;
- L'Africana - New York, 11 January 1907;
- Andrea Chénier - London, 20 July 1907;
- Il Trovatore - New York, 26 February 1908;
- Armide - New York, 14 November 1910;
- La Fanciulla del West - New York, 10 December 1910 (Creation);
- Julien - New York, 26 December 1914;
- Samson et Dalila - New York, 24 November 1916;
- Lodoletta - Buenos Aires, 29 July 1917;
- Le Prophète - New York, 7 February 1918;
- L'Amore dei Tre Re - New York, 14 March 1918;
- La Forza del Destino - New York, 15 November 1918;
- La Juive - New York,22 November 1919.
Caruso also had a repertoire of some 521 songs, ranging from classical to traditional Italian folk songs and popular songs of the day.
[edit] Bibliography
- Pietro Gargano Una vita una leggenda, Editoriale Giorgio Mondadori, 1997;
- Riccardo Vaccaro Caruso, Edizioni Scientifiche Italiane, 1995;
- Pietro Gargano/Gianni Cesarini Caruso, Vita e arte di un grande cantante, Longanesi, 1990;
- Caruso/Farkas Enrico Caruso My father and my family, Amadeus, 1990 with Discography by William Moran and Chronology by Tom Kaufman;
- Michael Scott The Great Caruso, London and New York, 1988 with Chronology by Tom Kaufman;
- Jackson S., Caruso, First edition, New York, Stein and Day, 1972;
- Key P. V. R., Zirato B., Enrico Caruso. A Biography, Boston, Little, Brown, and Company, 1922;
- Il Progresso italo americano, Il banchiere [1] che portò Caruso [2]negli USA [3], sezione B - supplemento illustrato della domenica, New York, 27 luglio 1986;
- Wagenmann J. H. , Enrico Caruso und das Problem der Stimmbildung, (Altenburg, 1911).
[edit] Media
- La donna è mobile (file info) — play in browser (beta)
- Caruso sings La donna è mobile from Verdi's Rigoletto, circa 1908
- Ave Maria (file info) — play in browser (beta)
- Caruso sings Ave Maria by Percival Benedict Kahn, Mischa Elman on violin (1913)
- Vesti La Giubba (file info) — play in browser (beta)
- No Pagliaccio non son (file info) — play in browser (beta)
- Recording of 'No Pagliaccio non son' from Pagliacci
- La Partida (file info) — play in browser (beta)
- O Sole Mio (file info) — play in browser (beta)
- Caruso sings 'O Sole Mio
- Problems playing the files? See media help.
Over There A recording of the popular American World War I song.
[edit] See also
[edit] External links
- Historical Tenors: Caruso
- The Enrico Caruso Page
- Grandi-Tenori: Caruso
- Enrico Caruso at the Internet Movie Database
- Collected Works of Caruso Part 1 (Internet Archive)
- Collected Works of Caruso Part 2 (Internet Archive)
- MetOpera database
[edit] Literature
- "Tenor of Love"
- "Antonio's Wife"