Dr. No (film)

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For other uses of Dr. No, see Dr. No.

Ian Fleming's Dr. No is a 1962 film adaptation of the sixth James Bond novel by Ian Fleming, originally published in 1958. It was the first official Bond film that would lead to a popular, long, and continuing series of films made by EON Productions.

Dr. No
Dr. No film poster
James Bond	Sean Connery
Directed by	Terence Young
Produced by	Harry Saltzman Albert R. Broccoli
Written by	Ian Fleming
Screenplay	Richard Maibaum, Johanna Harwood, Berkeley Mather
Music by	Monty Norman John Barry
Main theme
Composer	Monty Norman
Performer	John Barry Orchestra
Distributed by	United Artists (1962-1981) Metro-Goldwyn-Mayer (1982-present)
Released	1962 (UK) May 8, 1963 (USA)
Running time	105 min.
Budget	$1,000,000
Worldwide gross	$59,600,000
Admissions (world)	72.1 million
Followed by	From Russia with Love
IMDb profile

1 The search for James Bond
2 Themes
3 Plot summary
4 Cast & characters
5 Crew
6 Soundtrack
- 6.1 Track listing
7 Vehicles & gadgets
8 Locations
- 8.1 Film Locations
- 8.2 Shooting locations
9 Trivia
10 Comic book adaptation
11 External links

[edit] The search for James Bond

Because James Bond was not that well known in 1961, the producers Cubby Broccoli and Harry Saltzman originally sought to have a big name star as James Bond. Cary Grant was chosen for the role, but was not selected due to his commitment of only one feature film (it is also said that Grant refused the part because, then 58, he felt he was too old for it[1], ). Other actors purported to have been considered for the role include Patrick McGoohan (on the strength of his portrayal of spy John Drake in the TV series Danger Man; it is frequently reported in histories of his later TV series The Prisoner that he turned the role down on moral grounds), James Mason, and David Niven (who would later play an unofficial version of the character in the 1967 spoof Casino Royale).

There are a lot of apocryphal stories as to who Ian Fleming personally wanted. Some sources, specifically Albert R. Broccoli from his autobiography When The Snow Melts, claim that he favored Roger Moore due to having seen Moore as Simon Templar on the television series The Saint; however, this story is often debunked by fans pointing to the fact that the series did not begin airing in the United Kingdom until October 4, 1962—only one day before the premiere of Dr. No. It is known for sure that Fleming wanted Noel Coward for the role of the evil Dr. Julius No and David Niven for the role of Bond, both of whom he knew personally. Moore wasn't linked publicly to the role of 007 until 1967 in which Harry Saltzman claimed he would make a good Bond, but also displayed misgivings due to his popularity as Simon Templar. Moore was finally selected as Bond in 1973 for Live and Let Die.

Ultimately, the producers turned to Sean Connery, a relative unknown at the time to play agent 007 for five films. It is often reported that Connery won the role through a contest set up to 'find James Bond' - while this is untrue, the contest itself did exist, and six finalists were chosen and screentested by Broccoli, Saltzman, and Fleming. The winner of the contest was a 28-year-old model named Peter Anthony, who according to Broccoli had a Gregory Peck quality, but lacked the technique to cope with the demanding role of Bond.

[edit] Themes

Dr. No introduced the many recurring themes and features associated with the suave, witty, and sophisticated secret agent: the distinctive James Bond Theme, the gunbarrel sequence, "Bond girls", exotic locales, the criminal organization SPECTRE, narrow escapes, Bond's astonishing good luck and skill, Bond's signature Walther PPK and his licence to kill, an over-ambitious villain, quirky, villainous henchmen, and the first meeting with Felix Leiter of the CIA.

In fact, many characteristics of James Bond were introduced in this film (or brought in from the books), ranging from Bond's idiosyncratic introduction (as "Bond. James Bond."), to his taste for fine champagne, vodka martinis (shaken, not stirred), women, and weaponry.

This film established the tradition of venturing from Fleming's original novels to include topical references of the day. During the film series' forty year history, only a couple of films would remain substantially true to their source materials; Dr. No has many similarities to the novel, but almost as many differences.

[edit] Plot summary

Spoiler warning: Plot and/or ending details follow.

Ursula Andress/Honey Ryder, Sean Connery/James Bond, Dr. No

The film begins in Jamaica, where British agent Commander John Strangways and his secretary mysteriously disappear; though nobody knows it yet, they have been killed. James Bond is sent to Jamaica to investigate the disappearances and determine whether they are related to recent disruptions of American rocket launchings at Cape Canaveral.

At the airport in Kingston, a taxi driver greets him, saying he's been sent to drive him to Government House. In reality, the man is an enemy agent who commits suicide after he is found out, rather than risk the wrath of his boss. Bond learns that Prof. Dent was Strangways' last contact before his disappearance. Unknown to Bond, Dent is an agent of Dr. Julius No, and is ordered to kill Bond. He is unsuccessful and, after a brief interrogation in which Bond learns Strangways is dead, Bond executes Dent.

During the mission, Bond meets CIA agent Felix Leiter and his Jamaican contact and assistant, Quarrel. Following evidence in the form of radioactive rock samples, Bond and Quarrel sail to Dr. No's island, Crab Key, meet Honey Ryder, and discover the Doctor's plot, which is, as suspected, to sabotage an American rocket launch. Dr. No catches Bond, Quarrel and Ryder snooping around his island with the aid of his "dragon" tank and brings Bond and Ryder in for questioning after Quarrel is killed from the flame thrower of the tank. Once inside the lair of Dr. No, it is revealed that Dr. No lost his hands at birth and has two fake metal hands. After Bond is tortured by Dr. No's henchmen, Bond is taken prisoner until Dr. No is ready to interrogate him some more. Before Dr. No is ready for him however, Bond escapes from his prison cell, overloads Dr. No's nuclear reactor that would have been used to sabotage the American rocket launch, kills Dr. No and escapes with Honey to make out on a boat in the Carribbean.

This is the first Bond film to mention the criminal organization SPECTRE, though its role in this film is minor. Dr. Julius No, the film's villain, is also a member of SPECTRE; it would later be a more formidable foe in From Russia with Love through to You Only Live Twice. The head of SPECTRE, Ernst Stavro Blofeld, would continue to be Bond's nemesis until Diamonds Are Forever, and again (briefly) in For Your Eyes Only.

[edit] Cast & characters

Actor Joseph Wiseman as the main villain Dr. No

James Bond — Sean Connery
Honey Ryder — Ursula Andress, voice Nikki van der Zyl
Dr. Julius No — Joseph Wiseman
Professor Dent — Anthony Dawson
Quarrel — John Kitzmiller
Felix Leiter — Jack Lord
M — Bernard Lee
Miss Moneypenny — Lois Maxwell
Miss Taro — Zena Marshall
Sylvia Trench — Eunice Gayson
Major Boothroyd (also known as: Q) — Peter Burton
John Strangways — Timothy Moxon, voice Robert Rietty
Puss-Feller — Lester Prendergast

[edit] Crew

Directed by: Terence Young
Written by: Ian Fleming
Screenplay by: Richard Maibaum, Johanna Harwood, Berkely Mather, Terence Young (uncredited)
Produced by: Albert R. Broccoli, Harry Saltzman
Composed by: Monty Norman
Cinematography by: Ted Moore
Production design by: Ken Adam
Art Direction by: Syd Cain (uncredited)
Film editing by: Peter R. Hunt

[edit] Soundtrack

Professional reviews
Dr. No

Soundtrack by Monty Norman / John Barry (Track 1)
Released	1962
Recorded	June 1962
Length	39:17
Label	Liberty
All Music Guide link
James Bond soundtrack chronology
	Dr. No (1962)	From Russia with Love (1963)
Alternate cover

Re-release cover

Main article: James Bond music

The original James Bond theme was written by Monty Norman, who also composed the soundtrack for Dr. No. John Barry, who would later go on to compose the music for eleven Bond films, arranged the Bond theme, but was uncredited—except for the credit of his orchestra playing the final piece. It has occasionally been suggested that Barry, not Norman, composed James Bond Theme. This argument has been the subject of two court cases, the most recent in 2001. Some portions of the theme are, however, based on music Norman composed for a stage musical several years previously.

[edit] Track listing

"James Bond Theme"
"Kingston Calypso"
Jamaican Rock"
Jump Up"
"Audio Bongo"
"Under The Mango Tree"
"Twisting With James"
"Jamaica Jazz"
"Under The Mango Tree"
"Jump Up"
"Dr. No's Fantasy"
"Kingston Calypso"
"The Island Speaks"
"Under The Mango Tree"
"The Boy's Chase"
"Dr. No's Theme"
"The James Bond Theme"
"Love At Last"

[edit] Vehicles & gadgets

Main articles: List of James Bond vehicles and List of James Bond gadgets

Walther PPK — Technically the only so-called gadget in the entire film is the one where M and Major Boothroyd (Q) force Bond to trade in his Beretta for the new standard issue, the Walther PPK. Bond has since used a Walther PPK in nearly every movie up to Tomorrow Never Dies, in which he takes a Walther P99 from a Chinese safehouse. However, in the film "Octopussy", although he refers to his lost pistol as "my PPK", Bond actually wields what is clearly a Walther P-5. This was Walther's signature pistol at the time of the filming and the same gun was being used by Connery in the competing Bond film "Never Say Never Again". In the next film, Moore was again carrying the PPK. In the scene were Bond waits for and finally shoots Dent, he is using a FN Model 1910 .32 ACP pistol. Later, while firing at the dragon vehicle, the gun magically morphs into what looks like a Colt .45 automatic.
1957 Chevrolet Bel Air convertible - although not an official Bond car, 007 is a passenger where the driver is one of Dr. No's henchmen. The driver commits suicide by swallowing a cyanide pill, and then Bond drives the Bel Air to Government House in the film.
Sunbeam Alpine Series 1 — James drives a Sunbeam Alpine during a brief and relatively tame chase scene with a LaSalle hearse and from Miss Taro's house to the dock where he meets up with Leiter and Quarrel. No gadgets were included on the car.

[edit] Locations

[edit] Film Locations

London, UK
Kingston, Jamaica
Crab Key — island off Jamaica

[edit] Shooting locations

Jamaica
Pinewood Studios — London, England

[edit] Trivia

In order to meet Wikipedia's quality standards, this article's trivia section requires cleanup.
Content in the trivia section should be integrated into other appropriate areas of the article.

A number of amusing stories exist about how the title was supposedly translated in various languages (as, for instance, "We Don't Want a Doctor"). Many of these stories are untrue.
The film received titles with the phrase 'licence to kill' in them in Italy, Sweden and Portugal, which caused a minor problem during translations of the title of the sixteenth film.
The actor in the famous gunbarrel opening is not Connery, but stunt man Bob Simmons. Connery wouldn't film the sequence himself until the fourth official Bond film, Thunderball.
Thunderball was originally chosen to be the first Bond film, but due to a legal battle with its co-author, Kevin McClory, EON Productions, chose to film Dr. No instead.
The character of Dr. No was close to his novel counterpart, but original ideas by the writers had him appearing as all sorts of different incarnations, one of which was a monkey. The producers negated these ideas and proceeded with the more human Asian character from the book.
The infamous scene in which Bond murders Professor Dent is not in the original novel, and fans of Ian Fleming's novels protested, saying even the literary version of Bond was never so cold-hearted. The director defended his decision, saying such a scene was necessary to impress upon viewers the significance of Bond's licence to kill, since it was the first time such a character had been portrayed (outside wartime) in a major motion picture. Bond would rarely act this same way again, though he would act in similar fashion in The Spy Who Loved Me, For Your Eyes Only, Licence to Kill, and Tomorrow Never Dies. Originally, this scene showed Bond firing all bullets from his Walther PPK into Dent's body but this was deemed gratuitous and was edited down to two shots. Most commercial TV prints of the film shown in America and Canada have, until recently, shown Bond firing only once.
During the scene where M replaces Bond's beretta with the Walther PPK, M claims that he is head of MI7. The scene is actually dubbed since it is clear that M says MI6 (the subtitles on the special edition DVD release also says "MI6", and at least one trailer features the undubbed dialogue). Prior to this however, there is another scene in the film where a radio operator talks about contacting MI6. The sequence with M is the only mention of MI7 in any James Bond film or novel. In reality there is no current MI7. The original MI7 was a temporary subsection dealing with propaganda that operated during World War I. It has been suggested that there might have been a prohibition on mentioning MI6 in the media at this time; if true this changed and not only would MI6 be cited frequently in future films, but also its real-life headquarters building is first seen and used in GoldenEye decades later (although the real-life MI6 is not known to have a 00-section).
Sylvia Trench, the woman Bond meets in the casino at the start of the film, is not a character from Fleming's novels, but EON Productions had intended for her to be Bond's regular girlfriend. Ultimately, the character only appeared once more, in From Russia with Love before she was dropped in favour of further developing the playful relationship between Bond and Miss Moneypenny. (Eunice Gayson, the actress who played Sylvia, had a daughter who would later appear as an extra in GoldenEye.) Gayson herself was originally hired to play Miss Moneypenny, and Lois Maxwell was to have played Sylvia, but the two actresses swapped their roles.

Portrait of Arthur Wellesley, 1st Duke of Wellington by Francisco Goya, 1812-14.
The casino scene at the beginning of the film was set at the "Les Ambassadeurs" Club, Hamilton Place, London W1J 7ED. The club still exists, and is one of London's most exclusive casinos. The Club itself was a Ken Adam set, that was then re-used as Pleydell-Smith's office.
Viewers of the film series might be surprised to discover that very little of the playful banter and flirting between Bond and Moneypenny actually exists in the novels; much of it was developed for the movies, although later Bond novelists would incorporate the film relationship into their takes on the characters.
Most female voices in this film, including that of Ursula Andress, who had a thick Swiss German accent, were dubbed by an uncredited actress, Monica Van Der Syl, in post-production. This would be a standard procedure with Bond films throughout the 1960s, with few actresses getting the chance to present their own voices, with Honor Blackman, Diana Rigg, and Lois Maxwell being notable exceptions. The theatrical trailer for Dr. No, included on the special edition DVD, features footage of Sylvia Trench/Eunice Gayson using her own voice; Gayson speaks with a noticeably higher pitch than Van Der Syl.
As Bond is being ushered into Dr. No's dining room, he pauses to take notice of a portrait of the Duke of Wellington by Goya. This is actually a joke. The painting was stolen in real-life from the National Gallery, London in 1961 and was still missing when the film was released. It was recovered in 1965.
Dr. No offers Bond a vodka martini "with lemon peel". Besides being the first on-screen reference to Bond's favorite drink by a major character (a waiter serves one to Bond when he arrives in his hotel room), it is also the only time to date that any additional ingredient is mentioned, until 2006's Casino Royale.

[edit] Comic book adaptation

Around the time of the film's release, a comic book adaptation of the screenplay was published in British Classics Illustrated, and later reprinted in European Detective and in early 1963 in the United States by DC Comics as part of its Showcase anthology series. The comic was drawn by Norman Nodel and was originally intended to be published as an issue of the anthology Classics Illustrated.[2] Due to the Classics Illustrated connection, some sources have wrongly cited this as an adaptation of the novel.