Disney comics

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This article is about comics starring Disney characters. For the publisher, see Disney Comics.

Disney comics are comic books and comic strips featuring Walt Disney characters.

The first Disney comics appeared in daily newspapers. The Mickey Mouse daily comic strip began on January 13, 1930, featuring Mickey as an optimistic, adventure-seeking young mouse. In January 1932, the Mickey Mouse strip began appearing in Sunday papers, with an extra Silly Symphony strip at the top of the page. Donald Duck made his first comics appearance in the Silly Symphony adaptation of the 1934 Disney short The Wise Little Hen. As Donald's popularity grew, he became the star of the Silly Symphony strip, and he got his own daily strip starting on February 7, 1938.

Comic book publisher Western Publishing brought the Disney strips to comic books in 1940, through Dell Comics Four Color title. The Four Color books reprinted a variety of newspaper strip material, and issue #4 featured a selection of Donald Duck strips. The Disney reprints were a big seller, and in October 1940, Western published the first issue of Walt Disney's Comics and Stories. In 1961/62, Dell and Western split their partnership, and Western continued publishing Disney comics under their Gold Key Comics line.

In the rest of the world Disney comics have kept being successful, especially in Europe, where stories are produced and also printed in the pocket format.

Disney comics in the USA were originally published by Western Publishing (through Dell Comics until 1962, then Western's Gold Key Comics); they were later published by Gladstone Publishing and then by Disney Comics, then Gladstone again (for the classic characters) and Marvel Comics (for the modern characters). In 2003, after a couple of years' hiatus, regular publication was restarted by Gemstone Publishing. Dark Horse Comics has also published occasional adaptations of the more recent Disney movies.

Contents

[edit] Notable Schools

[edit] American School

The original school of Disney comics. The original newspaper strips and comics by the likes of Carl Barks and Paul Murry were originally produced in the USA. The most notable American Disney comics books are Walt Disney's Comics and Stories and Uncle Scrooge. In more recent years, Disney comics have seen a lack of popularity in their country of origin, and many North American Disney comics artists (such as Don Rosa and William van Horn) work for European publishers.

[edit] Danish School

Danish publisher Egmont (previously Gutenberghus) has one of the largest productions of Disney comics in the world. The Danes started publishing their own series in the early 1960s, however, a large part of Egmont's production have been made by foreign artists such as Vicar and Daniel Branca. The Scandinavian countries are, besides the Netherlands, the only countries in which Donald Duck is more popular than Mickey Mouse.

[edit] Italian (Mondadori) School

The first Italian Disney comics was published already in the early 1930s, and Federico Pedrocchi wrote and illustrated the first long Disney comic book as early as in 1937. Italy is the country of origin for some of the most famous Disney comic artists, including Romano Scarpa, Giorgio Cavazzano, and Giovan Battista Carpi. Italy has introuced several new characters to the Disney universe, including Donald's superhero alter ego Paperinik. Production was handled by Mondadori Editore from 1935 until 1989, when Disney Italy took over.

Recently, Disney Italy has launched several new lines, including PK (an Americanized version of Paperinik), W.I.T.C.H. (Disney's answer to manga), and the comics published under the imprint Buena Vista Comics (including the original Monster Allergy comic series and a few other titles, such as Kylion and a comic inspired by the Alias TV show).

[edit] Dutch School

Also the Netherlands (current publisher: Sanoma) has a significant school of Disney comics. The first Dutch Disney comics appeared in 1953. In 1975, Daan Jippes became the art director for production of these comics, and created a heavily Barks-inspired line that remains the best-known Dutch Disney style. Donald Duck is the most popular Disney character in the Netherlands, but Sanoma also produces comics starring lesser-known characters such as Li'l Bad Wolf.

[edit] French School

French-produced stories started in 1952, as a one-pager comic published in each issue of the Journal de Mickey, drawn by Louis Santel (Tenas) and written by Pierre Fallot. After a few issues, a new series started (Mickey à travers les siècles) and continued up to 1978, drawn almost entirely by Pierre Nicolas and written by Fallot and Jean-Michel le Corfec. Later in the beginning of the 1980s, a new production started led by Patrice Valli and Pierre Nicolas as editors with adventures of Mickey Mouse, Uncle Scrooge, Donald Duck. Among the best artists, one recalls Claude Marin, or Claude Chebille (known as Gen-Clo), and Italian artists like Giorgio Cavazzano. Some of the best writers were Michel Motti and Pierre-Yves Gabrion. In the late 1980s up to now, an increasing number of Spanish artist from the Comicup studio provided the art, while the writing stayed to French authors. Among the most popular characters in French stories are all mice characters and more exotic local characters like Ellsworth (originally created in the USA) or the Disney babies.

[edit] Other schools

Information thanks to I.N.D.U.C.K.S.

  • Disney Studio School, from 1962 to 1990 the Walt Disney Studio had a unit producing comic book stories exclusively for foreign consumption, in response to complaints of foreign comic book licensees that Western Publishing was producing less stories they could reprint plus their voracious need for material (some European titles are weekly) was using up the available inventory of stories. Tony Strobl, Al Hubbard, Jack Bradbury and Romano Scarpa were among the artists for this program during its early years. From the late 1970s on, the Jaime Diaz Studios of Argentina drew most of the stories. In a few cases studio stories were reprinted in the United States in promotional giveaways of Gulf Oil and Proctor and Gamble. This program was merged into Disney Comics and is the precursor of the comics that appear in Disney Adventures.
  • Brazilian school, with Joe Carioca as its most popular characters (1950s up to now)
  • British school, most known for its 1930s-1940s area (Wilfred Haughton, Ronald Neilson, Williem A. Ward, Basil Reynolds)
  • Egyptian school
  • Argentinian School (Luis Destuet in the 1940s)
  • Yugoslavian school (Vlastimir Belkic, 1930s)
  • Other countries produced a few rare stories of their own, Finland (Winnie the Pooh), Belgium, Australia, Sweden (1930s)
  • Many other countries probably produced covers and illustrations by various local artists like Spain, Mexico, Norway etc.
  • Japanese school: many original Disney comics by American or European authors such as Carl Barks, Joaquín Cañizares Sanchez or Flemming Andersen have been entirely re-drawn by Japanese artists for local publication. The Italian, manga-inspired, original series W.I.T.C.H. was submitted to the same kind of treatment, giving birth to a Japanese-exclusive adaptation with art by Haruko Iida and published by Kadokawa Shoten. Recently, Japan has produced more original Disney material, such as the manga adaptation of the videogame Kingdom Hearts by Shiro Amano, published by Bros. Comics EX (and later translated in English by Tokyopop) or Jun Asaga's adaptation of Tim Burton's The Nightmare Before Christmas (originally published by Kodansha, English version by Disney Press).

[edit] Database

Every little bit of information about (almost) all Disney comics can be found at the I.N.D.U.C.K.S. online database.

[edit] Notable writers and artists

[edit] External links

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