Derek Mahon

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Derek Mahon

Derek Mahon (born 23 November 1941) is an Irish poet. He was born in Belfast, Northern Ireland.

[edit] Biography

Mahon was born the only child of Ulster Protestant working class parents. His father worked at Harland and Wolff while his mother worked at a local Flax Mill. During his childhood, he claims he was something of a solitary dreamer, comfortable with his own company yet aware of the world around him.He became interested in literature from an early age. He attended Skegoneil Primary school and then the Royal Belfast Academical Instiution. At the institute he encountered fellow student who shared his interest in literature and poetry. The school produced a magazine to which Mahon produced some of his early poems. According to the critic Hugh Haughton his early poems were highly fluent and extraordinary for a person so young.

Mahon pursued third level studies at Trinity College Dublin where he formed many friendships with writers such as Michael Longley, Eavan Boland and Brendan Kennelly. He became more aware of the world around him and started to mature as a poet. He left Trinity in 1965 to take up studies in the Sorbonne in Paris.

After leaving the Sorbonne in 1966 he worked his way through Canada and the United States. In 1967 he published his first collection of poems Night Crossing. He taught in a school in Dublin and worked in London as a free lance journalist. He currently lives in Dublin.

[edit] Style

Thoroughly educated and with a keen understanding of literary tradition, Mahon came out of the tumult of Northern Ireland with a formal, moderate, even restrained poetic voice. In an era of free verse, Mahon has often written in received forms, using a broadly applied version of iambic pentameter that, metrically, resembles the "sprung foot" verse of Gerard Manley Hopkins. Some poems rhyme. Even the Irish landscape itself is never all that far from the classical tradition, as in his poem "Achill":

Croagh Patrick towers like Naxos over the water

And I think of my daughter at work on her difficult art

And wish she were with me now between thrush and plover,

Wild thyme and sea-thrift, to lift the weight from my heart.

He has also explored the genre of ekphrasis: the poetic reinterpretation of visual art. In that respect he has been interested in 17th century Dutch and Flemish art.

1 Biography
2 Style
3 Bibliography
4 References
5 External links
6 See also

Mahon has been cited as a major influence by a number of Irish poets, including Seamus Heaney, Eavan Boland, and Eamon Grennan.

[edit] Bibliography

[edit] Poetry

Night-Crossing. Oxford University Press, 1968
Lives. OUP,1972.
The Snow Party. OUP, 1975.
Poems 1962-1978. OUP, 1979.
Courtyards in Delft. OUP, 1981.
The Hunt By Night. OUP, 1982.
Antarctica Gallery Press, 1985.
Selected Poems. Gallery Press, 1990.
Selected Poems. Viking, 1991.
The Yaddo Letter. Gallery Press, 1992.
The Hudson Letter. Gallery Press, 1995.
The Yellow Book. Gallery Press, 1997.
Collected Poems. Gallery Press, 1999.
Selected Poems. Penguin, 2001.
Harbour Lights. Gallery Press, 2005.

[edit] Translations

The Chimeras (a version of Les Chimères, by Nerval). Gallery Press, 1982.
High Time (a version of Molière's A School for Husbands). Gallery Press, 1985.
The Selected Poems of Philippe Jaccottet. Viking, 1988.
The Bacchae of Euripedes, and Racine's Phaedra. Gallery Press, 1996.
Birds (a version of Oiseaux, by Saint-John Perse). Gallery Press, 2002.
Cyrano de Bergerac. (A version of the play by Edmond Rostand.) Gallery Press, 2004.
Oedipus (A conflation of Sophocles' Oedipus the King and Oedipus at Colonus.) Gallery Press, 2005.
Adaptations (A collection of versions, rather than translations proper, from poets such as Pasolini, Juvenal, Bertolt Brecht, Valery, Baudelaire, Rilke, and Nuala ni Dhomhnaill.) Gallery Press, 2006.