Dead or Alive (band)
From Wikipedia, the free encyclopedia
Dead or Alive | ||
---|---|---|
Dead or Alive in a promotional photo for their Youthquake album, circa 1985.
|
||
Background information | ||
Origin | Liverpool, England | |
Genre(s) | Pop, Dance, New wave, Hi-NRG | |
Years active | 1980-present | |
Label(s) | Epic Records Sony Japan Cleopatra Records |
|
Website | "The Right Stuff": Official Dead or Alive website | |
Members | ||
Pete Burns Steve Coy Jason Alburey |
||
Former members | ||
Wayne Hussey Timothy Lever Mike Percy |
Dead or Alive is a British New Wave band from Liverpool that rose to popularity during the 1980s.
They are best known for their most popular song, "You Spin Me Round (Like a Record)".
Contents |
[edit] Band members
The band members have included the following musicians.
- Pete Burns (1981-present): Vocalist of the band and songwriter. Burns did not play any instruments but mimed with an electric guitar in some music videos.
- Wayne Hussey (1982-1984): An early member of the band who wrote most songs in 1982-1983, plus the Epic singles Misty Circles and What I Want. Hussey departed in early 1984 to join The Sisters Of Mercy for one year, and then formed The Mission in late 1985.
- Mike Percy (1982-1990): Bass player. Percy was noted for his mullet hairstyle and, along with Lever, wrote most of Dead or Alive's songs from 1984 until 1990. Percy wrote and performed the backing track for the hit song "You Spin Me Round (Like a Record)".
- Steve Coy (1982-Present): Drummer for the band. The youngest member of the band, Coy wrote music for the band but did not delve into the world of lyrics. As of 1996, Coy took over the job of producing Dead Or Alive's videos starting with the David Bowie cover "Rebel Rebel" from the album Nukleopatra.
- Timothy Lever (1983-1990): keyboards, saxophone, guitars. Lever and guitarist Mike Percy were responsible for most of the songwriting for the band.
- Jason Alburey (1996-Present): Eventually replaced Percy and Lever in the musical department, Alburey was instrumental in the formation of Dead Or Alive's modernising sound. Alburey appears in the 2006 video for "You Spin Me Round (Like a Record)" despite having nothing to do with the song itself.
[edit] Overview
[edit] Early career of band
Dead or Alive (DOA for short, not to be confused with punk band D.O.A.), was founded in 1980 in Liverpool by Pete Burns, who was encouraged by local music promoters to gather a band together based on his outrageous appearance alone. It was only after rehearsing in 1978 with some friends that Burns realized he really did have a powerful singing voice, and his first band was an outfit he formed with friends Julian Cope and Pete Wylie. Dubbing themselves The Mystery Girls, they played only one gig before disintegrating. Burns returned in 1979 with a new band, Nightmares in Wax, featuring a gothic post-punk sound. Nightmares in Wax released their only recording, a three-track 7" EP titled Birth of a Nation in 1979/1980.
In 1980, just before they were to record a radio session for John Peel, Burns changed the name of the band to the more marketable Dead or Alive. The band went through several different lineup changes over the next three years while recording a series of independent singles. When Dead or Alive's singles started placing high in the Indie charts, Epic Records took notice and signed the band in 1983, their first release for Epic being the single "Misty Circles". At this point, the band was a five-piece consisting of Burns, Mike Percy (bass), Tim Lever (keyboards/sax), Steve Coy (drums), and Wayne Hussey (guitar). The debut album, Sophisticated Boom Boom, featured Dead or Alive's first top forty UK single, a remake of the 1975 hit by KC and the Sunshine Band "That's the Way (I Like It)". Hussey departed Dead or Alive just before the album's release, despite having had a hand in writing much of the material that appears on it.
[edit] Chart success
Now a stable four-piece, in 1985 they released the album Youthquake, produced by the then-fledgling songwriting/production team of Stock, Aitken and Waterman (SAW). The single "You Spin Me Round (Like a Record)" went to number one on the UK singles chart after having lingered outside the top forty for over two months after release; the song was SAW's first chart-topping single and remains a club favourite two decades later. Several other tracks from the album, including "Lover Come Back to Me" and "In Too Deep", also became dance hits.
In 1986, Dead or Alive released their third album, Mad, Bad, and Dangerous to Know, also produced by SAW. The album included one of the band's best-known songs, "Brand New Lover". Three additional singles from the album were released, all of them meeting some sort of controversy in some way. The single "Something in My House" had a very Gothic flavor to it and featured Burns on the picture sleeve in front of what appears to be a Satanic altar featuring an inverted crucifix. A 12" version of the song, released only to club DJs, featured sampling of some obscene dialogue from the soundtrack of The Exorcist. The picture sleeve to the third single, "I'll Save You All My Kisses", originally featured Burns with a metal "Sex" belt buckle in front of his lips, but Epic covered up the word "Sex" with a sticker that said "Kiss" after retailers objected. The video was banned by MTV because of its overtly gay content, which depicted Burns in black tights and a leather jacket singing the song from a baseball diamond while a number of men, some of them shirtless, cling to a fence and ogle him. A fourth single, "Hooked on Love", suffered with very little promotion due to what the record company felt was a "Gothic" overtone that had been added to the song in a post-production remix, and managed to barely scrape into the UK top 70.
In 1988, they parted ways with Stock, Aitken and Waterman and in 1989 released the self-produced Nude, which featured the hit "Turn Around and Count 2 Ten", a single that spent seventeen weeks at number one on the Japanese charts. The single was also was followed up by Nude and the single "Come Home with Me Baby" (a number one hit in Brazil). The single was a club hit, but the track failed to generate any radio play, partially due to a reactionary attitude toward the song's seemingly casual attitude toward sex at a time when AIDS awareness was coming into the public consciousness.
[edit] Later releases
1990 saw the release of Fan the Flame (Part 1); however, the album was only released in Japan. The album was a radical departure in style. Instead of high energy dance beats, the album had more of a 1970s disco style crossed with lounge-style vocals. The album had three singles, "Your Sweetness (Is Your Weakness)", "Gone Too Long", and "Unhappy Birthday". Fan the Flame (Part 1) also is notable because it contains the very first ballad that Dead or Alive ever recorded, a seasonal track called "Blue Christmas" (an original composition and not a cover of the song popularized by Elvis Presley).
For several years, Dead or Alive was mostly inactive in the recording studio, until Pete Burns resurfaced in 1993 as vocalist on a single for the Italian techno outfit Glam. Burns helped write the single, "Sex Drive", which was a major return to the dancefloor. Burns and Coy flirted with the idea of recording under the name International Chrysis, and released a single as such in 1994, a cover version of David Bowie's "Rebel Rebel".
1995 saw a resurrection of the Dead or Alive moniker for the album Nukleopatra, which was eagerly anticipated by the band's large fan base. The album featured a smattering of previously released material, including "Rebel Rebel", "Sex Drive", and two tracks that originally appeared on Fan the Flame (Part 1), "Gone Too Long" and "Unhappy Birthday". The album also featured a cover of Blondie's "Picture This". Initially released in Japan only, Nukleopatra, unlike its predecessor, was also released in Australia, Singapore, South Africa, France and the U.S., and each release sported different cover art, tracklistings and song versions; many releases of Nukleopatra also included one or more remixes of "You Spin Me Round (Like a Record)".
In 2000 Dead or Alive released Fragile, a compilation of remixes with several new tracks and remakes of U2's "Even Better Than the Real Thing" and Nick Kamen's "I Promised Myself", and another remix album, Unbreakable, in 2001. This was followed by a greatest hits album called Evolution: the Hits, released in 2003 which featured yet another remix of "You Spin Me Round (Like a Record)"; both of them enjoyed, for the first time since Nude, a UK release, with "You Spin Me Round (Like a Record)" re-entering the top forty.
In 2004, Burns enjoyed solo success with the Pet Shop Boys-produced track "Jack and Jill Party". Although only released through the Pet Shop Boys website, the track reached number 75 in the UK singles chart and was an underground club hit.
[edit] Dead or Alive in concert
In 1987 the band embarked on their world tour which consisted of dates in Europe, Japan and the USA. The dates in Japan (Tokyo and Osaka) were filmed and released on VHS. For the tour, the band remixed several of their songs including 1984's "You Spin Me Round (Like a Record)" and "My Heart Goes Bang".
It was widely believed that the concert was entirely mimed; however, parts of the show were live, while others were pre-recorded or mimed. Whereas Burns mimed to a vocal track, the band (Coy, Lever and Percy) played the backing track live while two dancers mimed the guitar solos.
The tour was re-released in 2003 on the Evolution DVD. It was also released as a Laserdisc and as a CD (though the CD version was not a live recording).
[edit] Notable hits
Although the 1984 song "You Spin Me Round (Like a Record)" may have been the band's biggest success in North America and at home, their biggest hit in Japan, the 1989 track "Turn Around and Count 2 Ten" topped the Japanese charts for seventeen weeks.
The band's other major UK hits were the 1986 track "Something in My House", 1985's "Lover Come Back to Me" and "In Too Deep" (of the same year).
[edit] You Spin Me Round
The single "You Spin Me Round (Like a Record)" has been released and re-released by the band on a number of occasions:
- The original 1984 release.
- With the 1996 pressings of the album Nukleopatra.
- A remix of the song, in conjunction with a 2003 greatest hits set.
- In 2006, after Burns' appearance on the UK television show Celebrity Big Brother.
[edit] Recent activities
- After their height of success during the 1980s, the original band parted in 1990 when songwriters and musicians Tim Lever and Mike Percy left to form careers as mixers and producers. The pair currently own and operate Steelworks Studios in Sheffield, UK [1]. As recordists, Lever and Percy have had more chart success than they ever did with Dead or Alive, writing and mixing number-one tracks from bands like S Club 7, Blue and Robbie Williams.
- Pete Burns and Steve Coy joined keyboard player Jason Alburey in 1996 and have continued to record and play venues ever since. Though they have never replicated the success of 1985, Dead or Alive still command a large international following.
- Dead or Alive (and sometimes Burns as a solo artist) have played international Gay Pride concerts since the mid 1990s. During the 1990s, Pete Burns was still married and had not publically acknowledged his sexuality.
[edit] Celebrity Big Brother
In 2006, Pete Burns took part in the TV show Celebrity Big Brother in the UK. His eccentric appearance, surprising behaviour and explosive attitude made him a staple character in the show, which received huge audiences. Burns became known for openly insulting actress Traci Bingham and performing modern dance with socialist politician George Galloway. Following the end of the show (Burns finished in fourth place), the Youthquake version of "You Spin Me Round (Like a Record)" was re-released and reached the top five in the UK singles chart. Burns himself expressed distaste for the re-release, he is quoted as saying "it's like wearing a school uniform at the age of 46".
[edit] Trivia
- Due to Pete Burns' slight resemblance to the more well-known gender-bending pop star Boy George during the mid-1980s, many outside of the UK assumed Dead or Alive was an response to, or a copy of, the band Culture Club. However Dead or Alive was formed a year before the formation of Culture Club.
- Pete was married to his wife Lynne, for about 25 years before they divorced recently.
- The album Youthquake sold 500,000 copies worldwide. Most were sold in the UK after the success of "You Spin Me Round (Like a Record)".
- According to Steve Coy, the album name "Nukleopatra" had several meanings. It is intended to be pronounced "New Cleopatra", symbolising Pete Burns' ancient Egyptian theme in the mid 1990s.
- During the 1987 Rip It Up! Live tour, other artists including Michael Jackson cancelled dates in order to avoid clashing with the hugely popular Dead or Alive in Japan.
- Band member Tim Lever often wore hats and head coverings in videos and live appearances. This was due to his increasing loss of hair throughout the 1980s. Lever is absent from some videos including "I'll Save You All My Kisses" and "Turn Around & Count 2 Ten".
- Burns references homosexuality in some of his lyrics. The most obvious example of this is in the 1984 song "I Wanna Be a Toy".
- Pete Burns once turned down an offer for Dead or Alive to tour with Madonna, due to the fact that his mother had taken ill and was on the verge of dying.
- The music video for "Something in My House" ran into censorship problems due to a shot of Burns peeling a banana. Pete Burns jokes about this in the inlay text for the 2003 DVD release of Evolution.
- Around 1986, an independent club single called "Pistol in My Pocket" appeared by an artist called Lana Pellay. Due to the single's Hi-NRG sound, the gender-bending image of the singer on the cover, and most specifically the vocal styling (which emulated Pete Burns with uncanny accuracy), "Lana Pellay" was rumored by many to actually be Pete Burns recording under another name. It wasn't, but the rumor still exists today.
- Similarly, a 12" single exists recorded by a band called "The Mystery Girls", which many mistakenly believe to be a recording by the original early band featuring Pete Burns, Pete Wylie, and Julian Cope.
[edit] Quotes
Long before "Big Brother" came into his life, Pete Burns had an unnoficial PHD in tongue-in-cheek, often highly offensive sense of humour. He had become notorious in not only the music press, but the popular press early on for his acidic and brilliant sense of wit.
- "...all the royalties from my next record are going to charity. That seems to be the in-thing at the moment, so I'm going to donate them all to myself."
- The band's most pressing concern is making sure people get to hear their new album (Youthquake)."It's still dance music, but we've brought in a lot of different instruments, like sitars and pan pipes. It's our "Satanic Majesties Request'." "
- "That video (Madonna's 'Like A Virgin") is fantastic, she just doesn't know which bit to rub first, and she's rolling around on the floor, trying to undo her bra strap with her foot."
- "Big Brother??? Loathe it. I just cannot relate to these weird people, deviants, weirdoes, freaks". (this comment was made some years before he appeared on it).
- "On a regular basis I've seen plenty of dicks, but I've seen plenty of cunts as well. It's a regular occurrence that people feel the need to flash at me. Now that I'm older and wiser it makes life quite interesting. People feel the need to expose themselves to me and I don't know what they think I'm going to do. Faint because I'm so impressed? "
- But Burns is confident that his finest hour is yet to come. When it happens, perhaps it'll be televised. "I'm dying to have 'Nude Romp With 65 Sailors' on the front of the News Of The World," he confided.
- ‘You can't polish a turd.'
- Invited to video-tape a cheery greeting to Epic, Burns thought "Yeah, it's just so they can all play it back in some board meeting and have a good laugh at yer. They got me in front of the camera and the guy said 'where would you be without rack 'n' roowl?' An' I said 'probably in burlesque in Soho'.
- "I don't do reality."
- His physical obsessions are fuelled by "the template - Keith Richards. I cannot accept just looking at the same thing, decaying."
- "Then they said 'what do you think of Epic in America, Pete?' And I said 'I think it's got the best Mafia connections in thc world, you should be able to get this record somewhere or you could bump the people off'. And he went 'quick! Stop the tape!' and you could see guys everywhere wiping their eyebrows. They said 'okay, we've got enough " , like 'get out!'."
- Loni Anderson once said she feels obligated to always be glamorous, Do You?
"Not really, no. How would you classify glamour? Glamour could be a million different things. Did you say Loni Anderson?"
- "You are what you eat, and who wants to be lettuce?"
- "I got a real jerk pushing me on political questions and when he asked me about the nuclear bomb, I said I thought every home should have one."
- "I WISH I'd recorded (Eartha Kitt's "I want to be evil"), but I haven't got the camp intonation. A highly offensive record, it's very "I'll wee on your carpet." My theme song. Nico was the ultimate femme fatale. Now she's about as fatale as a walnut whip".
- I don’t think we should go in search of UFO’s. I believe their message is ‘don’t call us, we'll call you.'
- "See that shadow in the picture there? They've done a marvellous retouching job because that's (Boy)George's real chin. I'm thinking of sending George a subscription to Slimmer's Guide. "
- "I expect to change drastically in the years to come. I love the idea of having plastic surgery- I don't see any need to stay the way you are, and I've got no intention of doing it. I'm seriously looking into facelifts," offers Pete after a few thoughtful seconds. "I'm not going to grow old gracefully. I'll probably end up a real casualty! I'd never mutilate myself ridiculously though (1983)."
- "In my teenage years she really was a cunt to me. She used to call me faggot when I went to work.. Courtney (Love) was this American hippie who thought she was punk just because she was filthy. I can't describe to you how unpopular she was on the local scene. She must have been at least 32. People hated her, she was a hippie- everything punk was against, and people used to just drench her with beer. She was horrible. Everyone thought she'd be the one to go next, but she didn't, she totally elevated herself to another status and got respect from the industry. She found Immac and flossed her teeth, but she's really just like a car crash waiting to happen."
- "I'll be sitting in a restaurant and some goon, some absolute bricklayer - will stagger through the door and go, 'Should I get my lips done or me penis enlarged?' I'm like, 'Y'know, mate? I don't give a fuck if you have your arsehole enlarged'. I'm not the boy next door. If you want the boy next door, fucking go next door."
- "Freak" is not a derogatory term as far as I'm concerned. When I'm called a freak by the 3am girls I think it's highly complimentary, especially when I look at them - a bottle of shampoo and some Clearasil wouldn't go amiss in their case."
- "Now we live in a culture that's desperate for fame. It's become a sickness, like terminal cancer. I can't actually say why it's wrong. But I do find it questionable that you can sign a long-term contract with Hello magazine for them to cover the removal of your haemorrhoids, and there'll be a big spread with you coming out of some fucking hospital with an arse full of bandages."
- "If Michael Jackson had a rap video life, surrounded by women with cannonball boobs and jacuzzis, people would think 'that's fabulous, I want to be like him' but because he's got a merry-go-round and Disney characters jumping out of the wardrobe they want to drag him from his mansion and behead him in a public square."
- “I like songs about irresponsible old slags”
- "I think Madonna did the best thing when she did her sex book. She sold everything the paparazzi spend months, hiding in bushes to photograph. Genius. Of course, this caused huge frustration for the press: who now, wants to sneak a look at Madonna’s tits, or, twat? They have already seen them, and paid to do so, and, I might add, got a very nice metal bound book in the bargain! The newspaper editors must have wanted to burn her at the stake. "
- "Maybe my reds are redder than other people's reds. I don't consider myself mildly eccentric. I'm not a camp, throwaway queen, I'm not in Neverland, I'm not Jennifer Lopez with three people to pluck my eyebrows. I've made myself what I want to be, not everybody's cup of tea. And people wanna have a look at me. I fully accept that. People have always wanted to have a look at me."
- "Largely we’ve had security to protect people from me"
- "And for the level of work she's put in (Kylie Minogue) she deserves an award. And always looks great doing the work too, and that's work in itself. I'm sure there's times when she doesn't want to shave her arse but it's always there, ready and shiny like an apple."
- "What was the best fuck of your life, a boy or a girl? And who was it?
His boyfriend. No, his mother.
- "Back in the 80s, your wife Lynne had the same hairdo, make-up and dress sense as you. Did it feel like shagging yourself?
No, because she was a lot wetter than I am."
- "I am not a breakfast cereal. I don’t belong in a box.”
[edit] Discography
[edit] Albums
Year | Album cover | Album | UK | U.S. | JP | GER | Additional information |
---|---|---|---|---|---|---|---|
1984 | Sophisticated Boom Boom | 29 | - | 1 | 82 | 3.9 million copies sold (most in Japan) | |
1985 | Youthquake | 9 | 31 | 1 | 14 | selling 4.2 million copies (mostly Japan), certified Gold in the US. | |
1986 | Mad, Bad, and Dangerous to Know | 27 | 52 | 1 | 21 | 3.2 million copies sold (mostly in Japan) | |
1987 | Rip It Up | 62 | 195 | 1 | 36 | 2.6 million copies | |
1988 | Nude | 82 | 106 | 1 | 64 | 2.1 million copies sold | |
1990 | Fan the Flame (Part 1) | - | - | 1 | - | Japan-only, 1.3 million copies sold | |
1995 | Nukleopatra | - | - | 1 | - | 1.1 million copies sold | |
2000 | Fragile | - | - | 1 | - | Japan-only, 900,000 copies sold | |
2001 | Unbreakable | - | - | 2 | - | Japan-only, 368,000 copies sold | |
2003 | Evolution: the Hits | 44 | 89 | 1 | 42 | Hits compilation, single and double disc versions. |
[edit] Singles
Year | Song | UK | U.S. | U.S. Dance | JP | GER | Album |
---|---|---|---|---|---|---|---|
1980 | "I'm Falling" | 74 | - | - | - | - | (independent release) |
1981 | "Number Eleven" | 69 | - | - | - | - | (independent release) |
1982 | "It's Been Hours Now" EP | 71 | - | - | - | - | (independent release) |
1982 | "The Stranger" | 60 | - | - | 10 | - | (independent release) |
1983 | "Misty Circles" | 100 | - | 4 | 2 | - | Sophisticated Boom Boom |
1983 | "What I Want" | 88 | - | - | 1 | 99 | Sophisticated Boom Boom |
1984 | "I'd Do Anything" | 79 | - | - | 2 | 72 | Sophisticated Boom Boom |
1984 | "That's the Way (I Like It)" | 22 | - | 28 | 1 | 96 | Sophisticated Boom Boom |
1984 | "What I Want" (re-release) | 87 | - | - | 94 | 81 | Sophisticated Boom Boom |
1984 | "You Spin Me Round (Like a Record)" | 1 | 11 | 2 | 1 | 2 | Youthquake |
1985 | "Lover Come Back to Me" | 11 | 75 | 13 | 1 | 5 | Youthquake |
1985 | "In Too Deep" | 14 | - | - | 1 | 11 | Youthquake |
1985 | "My Heart Goes Bang" | 23 | - | 15 | 1 | 14 | Youthquake |
1986 | "Brand New Lover" | 31 | 15 | 1 | 1 | 22 | Mad, Bad and Dangerous To Know |
1987 | "Something in My House" | 12 | 85 | 3 | 1 | 16 | Mad, Bad and Dangerous To Know |
1987 | "Hooked on Love" | 69 | - | - | 1 | 60 | Mad, Bad and Dangerous To Know |
1987 | "I'll Save You All My Kisses" | 78 | - | - | 2 | 39 | Mad, Bad and Dangerous To Know |
1988 | "Turn Around and Count 2 Ten" | 70 | - | 2 | 1 | 6 | Nude |
1989 | "Come Home with Me Baby" | 62 | 69 | 6 | 1 | 26 | Nude |
1989 | "Baby Don't Say Goodbye" | 33 | 62 | 10 | 1 | 93 | Nude |
1991 | "Your Sweetness (Is Your Weakness)" | - | - | - | 1 | - | Fan The Flame (Part 1) |
1991 | "Total Stranger" | - | - | - | 1 | - | Fan The Flame (Part 1) |
1996 | "Rebel Rebel" | - | - | - | 1 | - | Nukleopatra |
1996 | "You Spin Me Round (Like A Record) '96" | - | - | - | 41 | - | Nukleopatra |
1996 | "Sex Drive" | - | - | - | 1 | - | Nukleopatra |
2001 | "Hit and Run Lover" | - | - | - | 1 | - | Fragile |
2003 | "You Spin Me Round (Like a Record)" (remixes) | 23 | - | 21 | 7 | 3 | Evolution |
2006 | "You Spin Me Round (Like a Record)" | 5 | - | 13 | 4 | 1 | - |
[edit] See also
- List of number-one dance hits (United States)
- List of artists who reached number one on the US Dance chart
[edit] External links
Categories: Cleanup from November 2006 | Articles lacking sources from November 2006 | All articles lacking sources | Musical groups established in 1980 | Peel Sessions artists | New Wave groups | English musical groups | English dance musicians | British electronic music groups | Synthpop | Techno music groups | House music groups | Rhythmic Top 40 acts | Dance musical groups | Music from Liverpool