Conflict between good and evil
From Wikipedia, the free encyclopedia
The conflict between good and evil is one of the most common conventional themes in literature, and is sometimes considered to be a universal part of the human condition. There are several variations on this conflict, one being the battle between individuals or ideologies, with one side Good, the other Evil. Another variation is the inner struggle in characters (and by extension, humans in reality) between good and evil. Conrad defined all humans as having an "inner evil" or Heart of Darkness in his novella of that name. The Star Wars franchise is one of the most famous examples of the conflict in recent popular media; these movies represent both the outer and the psychological struggles. The inner conflict is shown in characters such as Luke Skywalker, who struggles between his inner evil and inner good, defined in the story as between the Dark side and the Light side. Meanwhile, the direct Good vs. Evil conflict is raging between the Empire, an evil tyrannical government, and the Rebel Alliance who are trying to restore peace and democracy in the Galaxy.
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[edit] Folk literature
In most traditional, anonymous literature, the lines between good and evil are clear, unequivocal, and intimately connected to the moral system of the culture that created each text or story. In light of the socializing and normalizing ideological effects usually ascribed to communal literature, such clarity is probably unavoidable. Thus, morality in sacred texts, for instance, is in certain respects absolute: good and evil are usually part of the givens of character, and suffice for motivation. The situation is hardly different in secular folk literature, such as fairy tales, in which the ascription of evilness is frequently considered sufficient characterization. It seems, then, that such folk literature relies on the assumption of a moral community between the teller and the audience; the conflict, whether good or evil triumphs, is meant to cement the values of the community.
[edit] Classical tragedy
The form of tragedy described as best by Aristotle and exemplified by Oedipus the King is, properly, concerned more with the tragic operations of fate than with a thematized conflict between good and evil. Nevertheless, the conflict between the good and the flawed aspects of the tragic hero form an important part of tragic catharsis in Aristotle's theory. There is, moreover, the form of tragedy with a happy ending that, although denigrated by Aristotle, was quite common in antiquity. This form, perhaps best exemplified by the Alcestis of Euripides, ends with a hero or god decisively beating an evil character. Northrop Frye has suggested that this form of "tragedy" is, in fact, the basic template for melodrama.
[edit] Christian literature
Christian writers from the earliest times have thematized the conflict between good and evil, understood, of course, in religious terms. In addition to explicating classical myth and stories to reveal a hidden conflict between good and evil in them, they wrote into their own texts different versions of the conflict. The basic forms may be described as the apocalyptic, in which the writer describes real, social events (whether historical or imagined) as manifestations of the eternal conflict between God and Satan, good and evil — a struggle that, if controlled in the end by God's omnipotence, was nevertheless of deep importance for humans. In a different way, Christian writers could focus on the internal struggle to find or maintain belief. This literature is exemplified by the Psychomachia of Prudentius, whose title continues to signify great psychological turmoil, and supremely by Augustine of Hippo's Confessions, the model for countless later psychological biographies. Special mention might also be made of the Consolation of Philosophy of Boethius, a work that combines Platonic, Christian, and Stoic thought on the nature of suffering.
[edit] The inner evil conflict
Alternatively called the heart of darkness, due to its prominence in the novel of the same name.
While certainly not as widely-seen as the direct good vs. evil conflict, the concept of "individual vs. self" is often much more compelling to a reader/watcher, especially if it is the protagonist. In both literature and film, it requires well-written character development in order to truly succeed.
Conrad's version of the inner evil conflict, known as the Heart of Darkness, is a human's struggle with their own morals, and their own battle with their hidden evil. Although first chiefly used in the novel, this improved device was commonly used, as opposed to the old devices used in literature before the turn of the century. It is a conflict that exists outside of literature as well, making it a universal truth of the human condition.
And in most movies, stories and video games, the force of good always triumphs over evil.
