Composograph
From Wikipedia, the free encyclopedia
"Composograph" refers to a retouched photographic collage introduced by publisher and physical culture advocate Bernarr Macfadden in his New York Evening Graphic in 1924.
The Graphic was dubbed 'The Pornographic' by critics of the time and has been called the low point of American journalism. Exploitative and mendacious, in its short life (it closed operations in 1932) the Graphic defined 'tabloid' journalism and launched the careers of Ed Sullivan and Walter Winchell, who developed the modern gossip column there. Film director Sam Fuller worked for the Evening Graphic as a crime reporter.
"Composographic" images were literally cut and pasted together using images of current celebrities and staged images created in Macfadden's in-house studio, often using newspaper staffers. They represented events that were inconvenient to photograph, particularly with the equipment of the day: private bedrooms and bathtubs, Rudolph Valentino's unsuccessful surgery, Valentino's funeral, and notably on St. Patrick's Day 1927, a full-page image of Valentino meeting Enrico Caruso in heaven. The very first faked photograph -- that of Alice Jones baring her breast in court (part of the Kip Rhinelander divorce trial) -- is said to have boosted the Graphic's circulation by 100,000.
Apart from their sensational subject matter, composographs have relevance as a historical reference point in the current debate over staged and doctored news photos. Some of the Graphic composographs have an unforgettable eerie visual impact. In a 1997 academic paper called "Staged, faked and mostly naked: Photographic innovations at the Evening Graphic, 1924-1932" and a shorter online essay, "The Evening Graphic's Tabloid Reality," former Emerson College professor Bob Stepno points out that the Graphic was published before improvements in photojournalism technology and standards that made possible the photo realism of Magnum_Photos and others during World War II.
For a much different use of composite photos, see the photomontages of John Heartfield.
