Chorded keyboard
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A chorded keyboard (also called a chord keyboard or chording keyboard) is a computer input device that allows the user to enter characters or commands formed by pressing several keys together, like playing a "chord" on a piano. The large number of combinations available from a small number of keys allows text or commands to be entered with one hand, leaving the other hand free to do something else (such as manipulating a mouse). A secondary advantage is that it can be built into a device (such as a pocket-sized computer) that is too small to contain a normal sized keyboard.
Chord keyboards usually cannot be used by a "hunt and peck" method, so their use is restricted to applications where additional training can be justified.
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[edit] Principles of operation
As a crude example, each finger might control one key which corresponds to one bit in a byte, so that using seven keys and seven fingers, one could enter any character in the ASCII set - if the user could remember the binary codes. Practical devices are easier to operate than this - but the same principles apply.
There are many different designs based on the same concept, some requiring only one hand for operation.
Due to the small number of keys required (the minimal design only needs one key for each finger), a chorded keyboard is easily adapted from a board to a grip such as the one on a bicycle handle bar. In this case it is referred to as a keyer rather than a keyboard because the keys are no longer mounted to a board. A keyer is a good replacement for a chorded keyboard in portable applications such as the wearable computer. On the other hand, the failure of touch typing to penetrate the world after a century of availability leads buyers to question their ability to remember the chordings necessary.
Some claim that, because the fingers do not need to move as far, it saves time and can be typed on faster than a regular keyboard. Others claim it is slower because a regular keyboard allows the next key to be pressed while the last key is still held down, whilst a chording keyboard typically requires each chord to be completely released before the next is pressed. Definitive numbers (in words per minute) are hard to find. This is in part due to the many different designs available. Nevertheless, Thad Starner and his team of the Georgia Institute of Technology have started to publish scientific testing and results.
[edit] History
The earliest known chord keyboard was the "five-needle" telegraph, designed by Wheatstone and Cooke in 1836, in which any two of the five needles could point left or right to indicate letters on a grid. It was designed to be used by untrained operators (who would determine which keys to press by looking at the grid), and was not used where trained telegraph operators were available.
The first widespread use of a chord keyboard was in the stenotype machine used by court reporters, which was invented in 1868 and is still in use. But the output of the stenotype is a phonetic code that has to be transcribed later (usually by the same operator who produced the original output), rather than arbitrary text.
The five-bit Baudot telegraph code was originally designed to be used with a 5-key chord keyboard, with the operator forming the codes manually. But telegraph operators were already using typewriters with QWERTY keyboards to "copy" received messages, and at the time it made more sense to build a typewriter that could generate the codes automatically, rather than making them learn to use a new input device.
Braille (a writing system for the blind) uses either 6 or 8 tactile 'points' from which all letters and numbers are formed. When Louis Braille invented it, it was produced with a needle holing successively all needed points in a cardboard sheet. In 1892, Frank Hall created the Hall braille writer which was like a typewriter with 6 keys, one for each dot in a braille cell. The Perkins Brailler, first manufactured in 1951, uses a 6-key chord keyboard (plus a spacebar) to produce braille output, and was very successful as a mass market affordable product.
Post World War II, with the arrival of electronic for reading chords and looking in tables of "codes", the postal sorting offices started to research chordic solutions to be able to employ other people than trained and expensive typists. In 1954, an important concept was discovered : chordic production is easier to master when the production is done at the release of the keys instead of when they are pressed.
Researchers at IBM investigated chord keyboards for both typewriters and computer data entry as early as 1959, with the idea that it might be faster than touch-typing if some chords were used to enter whole words or parts of words. One of their designs had 14 keys that were dimpled on the edges as well as the top, so one finger could press two adjacent keys for additional combinations. Their results were inconclusive, but research continued until at least 1978.
Douglas Engelbart (the inventor of the mouse) began investigating a variety of input devices (including chord keyboards) as early as 1960, with results published in 1968, and available with a lot of photographs at Stanford University web site. His goal was to be able to edit text while leaving one hand free to operate a mouse or light pen. His 5-key "keyset" was very similar to the one used in the original Baudot system,and was able to produce 31 different chords (2*5-1 =32-1. Photographs of the terminals used at his lab show that some users had the mouse on the left and the keyset on the right, while other users arranged them the other way around. A few users became very proficient with the mouse and keyset, but when development of the mouse moved to Xerox PARC, the keyset was left behind. It is somehow alive with the BAT keyboard from Infogrip. Engelbart proved that trained typists, after just a few hours of training, could perform more efficiently using a chord keyboard than a conventional QWERTY keyboard.
In the early 1980s, Philips Research labs at Redhill, Surrey did a brief study into small, cheap keyboards for entering text on a telephone. One solution made use of a grid of hexagonal keys with symbols inscribed into dimples in the keys that were either in the center of a key, across the boundary of two keys, or at the joining of three keys. Pressing down on one of the dimples would cause either one, two or three of the hexagonal buttons to be depressed at the same time, forming a chord that would be unique to that symbol. With this arrangement, a nine button keyboard with three rows of three hexagonal buttons could be fitted onto a telephone and could produce up to 33 different symbols. By choosing widely separated keys, one could employ one dimple as a 'shift' key to allow both letters and numbers to be produced. With eleven keys in a 3/4/4 arrangement, 43 symbols could be arranged allowing for lowercase text, numbers and a modest number of punctuation symbols to be represented along with a 'shift' function for accessing uppercase letters. Whilst this had the advantage of being usable by untrained users via 'hunt and peck' typing and requiring one less key switch than a conventional 12 button keypad, it had the disadvantage that some symbols required three times as much force to depress them as others which made it hard to achieve any speed with the device. That solution is still alive and proposed by Fastap and Unitap among others, and a commercial phone has been produced and promoted in Canada during 2006.
[edit] Commercial Devices
One of the earliest commercial models was the six-button Microwriter, designed by Cy Endfield and Chris Rainey, and first sold in 1980. Microwriting is the system of chord keying and is based on a set of mnemonics. It was designed only for right-handed use. Chris Rainey, the co-inventor of Microwriting, re-introduced Microwriting for PC and Palm PDAs with a standalone miniature chording keyboard called CyKey which caters to both left and right handed users. CyKey (pronounced PSYCHE.) is named after the Microwriter chord system's co-inventor Cy Endfield, who died in 1995 but the name also reflects its intuitive nature.
The BAT from Infogrip has been continuously sold since 1985. It provides one key for each finger and three for the thumb. It is proposed for the hand which does not hold the mouse, in an exact continuation of Engelbart vision.
A minimal chordic keyboard is the half qwerty where, to produce the letters of the missing half you just press simultaneously the space bar. It has been academically proven by Mathias and alii that people who can touch type can quickly recover 50 to 70% of their two hands operation. The loss is a solid contribution to the speed discussion above. It is implemented on two well sold mobile phones, but provided with software disambiguation, which allows to not use the space bar.
"Multiambic" keyers for use with wearable computers were invented in Canada in the 1970s. Multiambic keyers are like chording keyboards but without the board, i.e. the keys are grouped in a cluster for being handheld rather than for sitting on a flat surface.
Chording keyboards are also used as portable but two handed input devices for the visually impaired (either combined with a refreshable braille display or vocal synthesis). Such keyboards use a minimum of seven keys, where each key corresponds to an individual braille point, except one key which is used as a spacebar. In some applications, the spacebar is used to produce additional chords which enable the user to issue editing commands, such as moving the cursor, deleting words, etc. Note that the number of points used in braille computing is not 6, but 8, as this allows the user, among other things, to distinguish between small and capital letters, as well as identify the position of the cursor. As a result, most newer chorded keyboards for braille input include at least nine keys.
Modern examples of chorded keyboards include the GKOS keyboard, the Frog pad and the EkaPad which are intended for tiny tablet PCs and wireless mobile terminals. The GKOS is basically a 6 keys Braille keyboard with a different signs and commands allocation of the 64-1 different chords. The 6 keys are intended to be on the back of the device and you operate with the 6 free fingers of two hands holding the device. The Frogpad exists as a bluetooth device and is somehow an half qwerty with a non qwerty disposition, claimed to be optimised for english.
At the Xth symposium of the wearable computers society (11-14 October 2006), french Tiki'labs [1] has introduced Tiki® input process which is a mix of a successive solution with a fully simultaneously chordic solution. That mix is intended to facilitate beginner experience and to allow more flexibility in the way you interact with the keyboard : from one finger to five fingers.
[edit] References
- Bardini, Thierry, Bootstrapping: Douglas Engelbart, Coevolution, and the Origins of Personal Computing (2000), Chapters 2 & 3, ISBN 0-8047-3723-1, ISBN 0-8047-3871-8
- Rochester, Bequaert, and Sharp, "The Chord Keyboard", IEEE Computer, December 1976, p57-63
- Engelbart and English, "A Research Center for Augmenting Human Intellect", AFIPS Conf. Proc., Vol 33, 1968 Fall Joint Computer Conference, p395-410
- Lockhead and Klemmer, An Evaluation of an 8-Key Word-Writing Typewriter, IBM Research Report RC-180, IBM Research Center, Yorktown Heights, NY, Nov 1959.
- Seibel, "Data Entry Devices and Procedures", in Human Engineering Guide to Equipment Design, Van Cott and Kinkade (Eds), 1963
[edit] See also
[edit] External links
[edit] Desktop chording keyboards
- CyKey, a one-handed chording keyboard
- PIC-Key, an open source one-handed chording keyboard (has references, links, and other information about chording keyboards in general)
- The Hall braille writer
[edit] Hand-held/wearable chording keyers
- Twiddler 2 one-handed chording keyboard/mouse
- EkaPad one-handed, 12-key, chording keyboard
- Data Egg one-handed chording keyboard for handheld devices (prototype only)
- "Body-coupled FingeRing" — Wireless wearable chorded keyer
- Yet another one-hand keyboard — Hobbyist's attempts at a hand-held chording