Chikamatsu Monzaemon
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Chikamatsu Monzaemon (Japanese: 近松門左衛門; real name Sugimori Nobumori, 杉森信盛, 1653–6 January 1725) was a Japanese dramatist of jōruri, the form of puppet theater that later came to be known as bunraku, and the live-actor drama, kabuki.
Chikamatsu is known as the "Japanese Shakespeare", for his assortment of plays staged by puppets in the early era of bunraku stage plays and for the greatest of his work: Encyclopedia Britannica writes that he is "widely regarded as the greatest Japanese dramatist."[1] He wrote plays mainly for theaters in Kyoto or Osaka, most of them notable for their double-suicides.
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[edit] Biography
Chikamatsu was born "Sugimori Nobumori"[2] to a samurai family. It is disputable where he was born. The most supported theory [3], says he was born in Echizen province, but there are other plausible candidates for his birthplace including Hagi, Nagato province. His father, Sugimori Nobuyoshi served the daimyo Matsudaira in Echizen as a medical doctor. Chikamatsu's younger brother became a medical doctor. Chikamatsu himself wrote a book for caring health.
In those days, doctors who served daimyos held samurai status. But his father lost his office and became a ronin. At some point in his teens, between 1664 and 1670 Chikamatsu moved to Kyoto with his father[4] where he served for a few years as an obscure page for a noble family, but other than that, this period of Chikamatsu's life is obscure; he published his first known literary work in this period, a haiku published in 1671[4]. After serving as a page, he next appears in records in the Chikamatsu Temple (long suggested as the origin of his stage name "Chikamatsu") in Omi Province.
In 1683, his puppet play on the Soga brothers (The Soga Successors or "The Soga Heir"; Yotsugi Soga) was first performed in Kyoto and Chikamatsu became known as a playwright; The Soga Successors is believed to have been Chikamatsu's first play although sometimes 15 earlier anonymous plays are contended to have been by Chikamatsu as well. Chikamatsu also wrote plays for the kabuki theatre between 1684 and 1695, most of which were intended to be performed by a famous actor of the day, Sakata Tōjūrō (b. 1647, d. 1709).[2] After 1695, and until 1705, Chikamatsu wrote almost exclusively Kabuki plays, and then he abruptly almost completely abandoned that media. The exact reason is unknown, although speculation is rife: perhaps the puppets were more biddable and controllable than the ambitious kabuki actors, or perhaps Chikamatsu did not feel kabuki worth writing for since Tōjūrō was about to retire, or perhaps the growing popularity of the puppet theater was economically irresistible.
In 1705, Chikamatsu became a "Staff Playwright" as announced by early editions of The Mirror of Craftsmen of the Emperor Yōmei. In 1705 or 1706[5], Chikamatsu left Kyoto for Osaka, where the puppet theater was even more popular.[6] Chikamatsu's popularity peaked with his domestic plays of love-suicides, and with the blockbuster success of The Battles of Coxinga in 1715, but thereafter the tastes of patrons turned to more sensational gore fests and otherwise more crude antics; Chikamatsu's plays would fall into disuse, so even the actual music would be lost for many plays. He died Jan. 6, 1725, in either Amagasaki, Hyogo[1] or Osaka.
Chikamatsu was the first known Japanese playwright to not also act in the pieces he wrote.[citation needed] Throughout his life it is thought that Chikamatsu wrote a total of around 130 plays.
[edit] Major works
[edit] Jōruri
- The Soga Successors or "The Soga Heir" (Yotsugi Soga) (1683)
- Kagekiyo Victorious (Shusse kagekiyo 出世景清) (1685)
- The Love Suicides at Sonezaki (Sonezaki no shinjū 曾根崎心中) (1703)
- The Courier for Hell (Meido no hikyaku 冥途の飛脚) (1711)
- The Battles of Coxinga (Kokusen'ya kassen 国性爺合戦) (1715)
- The Uprooted Pine (Nebiki no Kadomatsu) (1718)
- The Love Suicides at Amijima (Shinjūten no Amijima 心中天網島) (1720)
- The Woman-Killer and the Hell of Oil (Onnagoroshi abura no jigoku 女殺油地獄) (1721)
[edit] Kabuki
- The Courtesan on Buddha Plain[1] (Keisei hotoke no hara けいせい仏の原) (1699)
[edit] Critical work
- Naniwa miyage (1738; written by a friend & preserves a number of statements by Chikamatsu on the art of the puppet theater)
[edit] Quotes
- "Art is something that lies in the slender margin between the real and the unreal." -Naniwa miyage[1]
[edit] References in Popular Culture
- In the fictional world of Naruto, the first ninja pupeteer is named Chikamatsu Monzaemon, a reference to Monzaemon's puppet plays.
- A Digimon is named Monzaemon in the anime series Digimon. The reference is unclear.
[edit] See also
[edit] References
- ^ a b c "Chikamatsu Monzaemon." Encyclopædia Britannica. 2006. Encyclopædia Britannica Online. 12 Nov. 2006.
- ^ a b pg 4, Introduction of Four Major Plays of Chikamatsu
- ^ pg. 12-15 of Chikamatsu Monzaemon by Mori Shū.
- ^ a b pg 3, Introduction of Four Major Plays of Chikamatsu
- ^ The Encyclopedia Britannica states that "he moved in 1705 from Kyoto to Osaka to be nearer to Gidayu's puppet theatre, the Takemoto-za. Chikamatsu remained a staff playwright for this theatre until his death." although Keene states he moved in 1706.
- ^ pg 4-6, Introduction of Four Major Plays of Chikamatsu.
[edit] Further reading
- Chikamatsu: Five Late Plays, translated by C. Andrew Gerstle. 2001.
- Circles of Fantasy: Convention in the Plays of Chikamatsu by C. Andrew Gerstle. 1986. -(a critical study of Chikamatsu's plays)
[edit] External links
| Persondata | |
|---|---|
| NAME | Monzaemon, Chikamatsu |
| ALTERNATIVE NAMES | 近松門左衛門; Nobumori, Sugimori; 杉森信盛 |
| SHORT DESCRIPTION | Japanese playwright |
| DATE OF BIRTH | 1653 |
| PLACE OF BIRTH | Echizen [now in Fukui prefecture; ?], Japan |
| DATE OF DEATH | 6 January 1725 |
| PLACE OF DEATH | Osaka, Japan |
