Charles Sedley
From Wikipedia, the free encyclopedia
Sir Charles Sedley (March 1639 – August 20, 1701), English wit and dramatist, was the son of Sir John Sedley of Aylesford in Kent.
He was educated at Wadham College, Oxford, but left without taking a degree. Sedley is famous as a patron of literature in the Restoration period, and was the Lisideius of Dryden's Essay of Dramatic Poesy. His most famous song, Phyllis is my only joy, is much more widely known now than the author's name.
His first comedy, The Mulberry Garden (1668), hardly sustains Sedley's contemporary reputation for wit in conversation. The best, but most licentious, of his comedies is Bellamira; or The Mistress (1687), an imitation of the Eunuchus of Terence, in which the heroine is supposed to represent the duchess of Cleveland, the mistress of Charles II. His two tragedies, Antony and Cleopatra (1667) and The Tyrant King of Crete (1702), an adaptation of Henry Killigrew's Pallantus and Eudora, have little merit. He also produced The Grumbler (1702), an adaptation of Le Grondeur of Brueys and Palaprat.
An indecent frolic in Bow Street, for which he was heavily fined, made Sedley notorious. He was member of parliament for New Romney in Kent, and took an active and useful part in politics. A speech of his on the civil list after the Revolution is cited by Macaulay as a proof that his reputation as a man of wit and ability was deserved. His bon mot at the expense of James II is well known. The king had seduced his daughter and created her countess of Dorchester, whereupon Sedley remarked that he hated ingratitude, and, as the king had made his daughter a countess, he would endeavour to make the king's daughter a queen.
His only child, Catherine, countess of Dorchester, was the mistress of James II.
See The Works of Sir Charles Sedley in Prose and Verse (1778), with a slight notice of the author. For a modern edition of Sedley's comedies, see: Holger Hanowell, "Sir Charles Sedley's 'The Mulberry-Garden' (1668) and 'Bellamira: or, The Mistress' (1687). An Old-Spelling Critical Edition with an Introduction and a Commentary" (Peter Lang: Frankfurt a. M. 2001).
[edit] References
- This article incorporates text from the Encyclopædia Britannica Eleventh Edition, a publication now in the public domain. The article is available here: [1]
