Carlos Guastavino

From Wikipedia, the free encyclopedia

Carlos Guastavino (April 5, 1912 - October 28, 2000) was an Argentine composer.

Carlos Guastavino, born in Santa Fe Province, Argentina, was one of the foremost Argentine composers of the 20th century. His production amounts to over 200 works, most of them songs for piano and voice. An accomplished pianist with an intense gift for melody, Guastavino wrote very effectively for his instrument. His style is quite conservative, always tonal and lusciously romantic. His compositions are clearly influenced by Argentine folk music. His reputation is based, virtually entirely, on his songs, which are qickly becoming part of the standard vocal repertoire.

Guastavino's musical style, firmly rooted in the late nineteenth-century Romantic Nationalist tradition, marks a stark contrast with the works of his contemporaries, such as Alberto Ginastera (1916-1983). Guastavino's stylistic isolation from the modernist and avant-garde movements going on around him, and the self-consciously nationalist content of his songs made him a model for Argentine popular and folk musicians of the '60's.

Guastavino studied music in Santa Fe with Esperanza Lothringer and Dominga Iaffei, and in Buenos Aires with Athos Palma. A talented pianist, he performed his piano works in London in 1947, 1948, and 1949, invited by the BBC, and as a recipient of a scholarship from the British Council. During these years, the BBC Symphony Orchestra premiered the orchestral version of his “Tres Romances Argentinos”, under the baton of Walter Goehs. Later, in 1956, Guastavino toured the USSR and China, performing his pieces for voice and piano.

Guastavino’s style is clearly inherited from the luminaries of nineteenth-century Argentina's nationalist composers, such as Alberto Williams, Francisco Hargreaves, Eduardo García Mansilla and Julián Aguirre. Aguirre’s delicate and intimate piano writing is an especially evident influence on Guastavino.

Guastavino's output includes: more than a hundred and fifty songs for voice and piano, numerous piano solo pieces, choral works, school songs, and chamber music. His poets include: Rafael Alberti, Leon Benaros, Hamlet Lima Quintana, Atahualpa Yupanqui, Pablo Neruda, Gabriela Mistral, and Jorge Luis Borges among others. A small number of his songs are settings of his own texts. His works for orchestra include “Divertissement; fue una vez”, commissioned by Colonel de Basil for his original Ballet Russe, and premiered at the Teatro Colón, in Buenos Aires, in 1942; and “Suite Argentina” which was performed in London, Paris, Barcelona, and Havana by the Ballet Español of Isabel Lopez. He has also written three Sonatas for guitar.

Guastavino has received important awards and recognitions throughout his life, such as the Municipal Prize from the city of Buenos Aires for his chamber songs, a prize from the Justice Ministry of Argentina, Prize of the Cultural Commission of Santa Fe Province for his songs, “Vosotras” magazine Prize for his “Canción de Navidad”, and a Prize from the Organization of American States and the Inter-American Music Council as recognition of his outstanding creative activity.

(Source: Fundación Ostinato / http://ostinato.tripod.com)

The songs “Se equivocó la paloma” and “La rosa y el sauce” are among his most well-known compositions.

Many famous performers, such as Teresa Berganza, Martha Argerich, Gidon Kremer, José Carreras, Kiri Te Kanawa, Bernarda Fink, Raúl Giménez, Jorge Chaminé, Agathe Martel, Karina Gauvin, include works of Guastavino on their programs.


Selected Discography

Canciones Argentinas (2006) / Bernarda Fink (mezzo-soprano), Marcos Fink (bass-baritone), Carmen Piazzini (piano) / Harmonia Mundi, HMC 901892

Vai Azulão (2002) / Agathe Martel (soprano), Marc Bourdeau (piano) / Marquis Classic, MAR 285

Canciones Amatorias (2002) / Bernarda Fink (mezzo-soprano), Roger Vignoles (piano) / Hyperion, CDA 67186

Flores Argentinas (1996) / Marcos Fink (bass-baritone), Luis Ascot (piano) / Cascavelle, VEL1059

Mélodies (1995) / Jorge Chaminé (baritone), Marie-Françoise Bucquet (piano) / Lyrinx 149 (882 149)

Argentinian Songs (1987) / Raúl Giménez (tenor), Nina Walker (piano) / Nimbus Records, NI 5107

Classics of the Americas, volume 2 (1990) / Margot Pares-Reyna (soprano), Georges Rabol (piano) / Opus 111, OPS 30-9002

South American Songs (1984) / Teresa Berganza (mezzo-soprano), Juan-Antonio Alvarez-Parejo (piano) / Claves, CD 50-8401

Guitar Music of Argentina, volume 1 / Victor Villandagos (guitar) / Naxos Classical, 8-555058

Guitar Music of Argentina, volume 2 / Victor Villandagos (guitar) / Naxos Classical, 8-557658

Piano Music / Hector Moreno, Norberto Capelli / Marco Polo, 8-223462

Las puertas de la mañana: Songs of Guastavino / Ulises Espaillat, tenor; Pablo Zinger, piano / New Albion NA 058


[edit] External links

In other languages