Can't Help Lovin' Dat Man

From Wikipedia, the free encyclopedia

Can't Help Lovin' Dat Man, music by Jerome Kern and lyrics by Oscar Hammerstein II, is one of the most famous songs from their classic 1927 musical play Show Boat, adapted from Edna Ferber's novel.

The song, written in a blues tempo, is sung in the show by several characters, but is most closely associated with the character Julie, the mulatto leading lady of the show boat "Cotton Blossom". It is Julie who is first heard singing the song - to Magnolia, the daughter of Cap'n Andy, owner of the show boat. In the musical's plot, the number is supposed to be a song familiar to African-Americans for years, and this provides one of the most dramatic moments in the show. When Queenie, the black cook, comments that it is strange that Julie knows the song because only black people sing it, Julie becomes visibly uncomfortable. Later, we learn that this is because Julie is "passing" as white - she and her white husband are guilty of miscegenation under the state's law.

After Julie sings the song through once, Queenie chimes in with her own lyrics to it, and she is joined by her husband Joe, the black stevedore who sings Ol' Man River in the show. This is followed by Julie, Queenie, Magnolia, Joe, and the black chorus all performing a song-and-dance to the number.

The last refrain of the song is briefly reprised at the end of the first act by the ensemble, as Magnolia and riverboat gambler Gaylord Ravenal enter a local church to get married.

The song makes one last appearance in Act II of the show, when Magnolia uses it as an audition piece while trying to get a job as a singer in the Trocadero nightclub after Ravenal has deserted her.

Can't Help Lovin' Dat Man was extremely associated with 1920's torch singer Helen Morgan, who played Julie in the original 1927 stage production of Show Boat, as well as the 1932 revival and the 1936 film version. While Morgan was alive, she "owned" the song as much as Judy Garland "owned" Over the Rainbow. However, Morgan died prematurely in 1941, her recordings are seldom played, and the 1936 film version of Show Boat was taken completely out of circulation in 1942 to make way for MGM's 1951 remake which featured Ava Gardner as Julie (singing dubbed by Annette Warren). Therefore, modern audiences unfamiliar with the 1936 film have most likely never heard Helen Morgan's performance of the song. Another singer who had a big hit with it was Lena Horne, who sang it in the Jerome Kern biopic Till the Clouds Roll By, and could have easily played Julie in MGM's Show Boat had the studio not been nervous about casting her in the role.

In its own way, the song is almost as controversial as Ol' Man River, though its lyrics have caused less of an uproar because the "offensive" portion is sung not by Julie but by Queenie, and is therefore not usually heard outside the show. In her section of the song, Queenie has the lyric:

My man is shiftless,
An' good for nothin', too.
He's my man just the same.
He's never 'round here
When there is work to do,
He's never 'round here when there's workin' to do.

This lyric was included in every production of Show Boat up until 1966, except for the 1951 film version, in which this section of the song was simply omitted. In the 1966 Lincoln Center production of the show, produced during the height of the Civil Rights era, this part of the lyric was completely rewritten by an uncredited writer to avoid any controversy, and it has remained that way ever since - except in the now-famous EMI 3-CD album set of Show Boat, released in 1988. The revised lyric went:

My man's a dreamer,
He don't have much to say
He's my man just the same
Instead o' workin,
He sits and dreams all day,
Instead o' workin', he'll be dreamin' all day.

The 1951 film version of Show Boat went even one step further than the 1966 stage revival in "smoothing out" any "edginess" about the song, by omitting all reference to it as one sung for years by African-Americans and thereby omitting the section in which Queenie remarks that it is strange for Julie to know the song. In the 1951 film, the song is simply a love song Julie sings about her husband Steve, not a folk tune.